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Stimuli

Music for the Recession

Chuck Eddy on why there isn't a modern soundtrack to our economic woes. When American Graffiti, revolving around a 1962 radio station’s...

Jaime Wolf on Filmmaker Chris Marker

“May you live in interesting times,” that sly curse, reputed to come from ancient China, is actually apocryphal, no more Chinese than the fortune...

Mark Peters on War Slang

A recent recruiting commercial for the Army says, “There is a type of strength that doesn’t require words.” Now, I’m in no position to question...

Michelangelo Matos on Going Forward into the Past

To trace the story of pop music’s use of nostalgia is, in some ways, to trace the story of pop music. Of course all musicians recycle what came...

Stop Teaching Catcher in the Rye

Why is The Catcher in the Rye still a rite of high school English? Sure, J.D. Salinger’s novel was edgy and controversial when teachers first...

Adam Spangler on 21st-century Jazz

Bob Dylan once made his way from Minnesota to New York in search of himself and, so the myth goes, to find his musical hero on his deathbed....

William Bostwick on the Life and Death of Green Design

Renzo Piano’s New York Times building in midtown Manhattan is a glass-skinned tribute to one of the oldest and most prestigious newspapers in...

Mark Peters on Eggcorns

If you saw Blades of Glory last year, you may have chuckled when Will Ferrell used the word “mind-bottling,” which he defined as “when your...

Chris Ladd on Consumer Justice Online

There are a lot of people getting screwed out there in this great nation of ours. Ten years ago, I would never have known how many. But now I...

Matt Barone on Handheld Horror Movies

Wine is flowing as attractive, well-dressed 20-somethings mingle in a swanky Manhattan loft, toasting "We love you, man," on the eve of a...

Ligaya Mishan on Speakeasy Restaurants

They say that in the early 1990s there was a secret restaurant in Manhattan, in an apartment on the 31st floor of a Hell's Kitchen building whose...

Michaelangelo Matos on the Sophomore Slump

Earlier this year, the advance scuttlebutt on M.I.A.’s second album, Kala, had begun, and a good deal of it boiled down to a variation on “We...

Jaime Wolf on Mumblecore

Mumblecore—the label attached to the current wave of lo-fi, micro-budget American indie films about 20-somethings—is a somewhat misleading...

Mark Peters on the Colbert Suffix

In his fantastic book On Bullshit, the philosopher Harry G. Frankfurt says a bullshitter “does not reject the authority of the truth, as the...

Rita Flórez on Why Zines Won’t Die

I’ve never made a zine. In fact, I only started paying attention to them about a year and a half ago when I went to an Atlanta record shop...

Anne Trubek on the Allure of Collecting Hypermodern Literature

Ignoring first editions of the King James Bible, illustrated medieval manuscripts, and fine-press editions of Pride and Prejudice, I scoured...

Michaelangelo Matos on Magazine Archives

The major difference between books and magazines is tense. A magazine issue might be one for the ages, but most of the time it lives only in...

Matthew Dessem on the Ancient Art of List Making

Nick Hornby’s High Fidelity is a 323-page paean to the addictive power of lists. For Barry, the novel’s Falstaff, conversation is enumeration:...

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