Revisiting two records that we didn't spend enough time with in 2008. Every arts writer is implored, to one degree or other, to write year-end...
Hip-hop beat-makers Jake One and DJ Signify offer differing takes on the showcase album Hip-hop albums by producers who don't rap--unlike, say,...
New Order and Jay Reatard release singles compilations that challenge the hallowed album form Albums were once simply collections of previously...
New photo books on early punks say at least a thousand words Two of the year's most enticing photo books tackle rock pioneers as their...
How Beyoncé's younger sis may sidestep the trappings of success I wrote all those words last week discussing "A Milli" as a pop meme, and I...
Reimagining Lil Wayne's "A Milli" and M.I.A.'s "Paper Planes" When does a song become a standard? Answer: when a lot of people put their spin...
Remembering a great man's always-attentive ears There's something cosmically appropriate about Studs Terkel dying, at age 96, on Halloween. It...
When two songs make a right A great segue is where you find it-even if you weren't necessarily on the lookout. The two I'm most besotted with...
Did Motown lose its way in the 1970s? I used to believe that compiling every Motown A-side up to about 1970 would create the greatest album of...
How Raphael Saadiq honors the past and blends in the present The Way I See It (Columbia), the third solo album by Raphael Saadiq, is one of...
Letting go of the impulse to be an expert Last year I decided I was going to teach myself about Duke Ellington. Great idea, right? We all know...
Is there a more efficient machine in popular music than that of the Dylan Industry? It's sort of amazing how well oiled it is, in part because so...
Do something long enough and you can start to forget why you're doing it. This is the tenth year I've made at least part of a living writing about...