Swoon is taking her populist graffiti from derelict buildings to museum walls.
The street artist Swoon stands in her apartment-cum-studio, barefoot amid shavings from the sheets of linoleum she has been intricately carving. She lays the linoleum on the floor, inks it with a roller, covers it with paper, and then, as if stomping grapes, dances atop it, transferring the image onto large sheets of recycled paper.Swoon pastes her finished pieces-emotionally expressive faces atop bodies that morph into images of tenements, teeming streets, and toiling workmen-onto the walls of cities around the world, always positioned with their feet at street level. "I want the figures to have the same physical presence as a human being," she says. "I want you to be able to stand in front of it and relate to it." Street-art appreciators and pedestrians alike have done more than just relate to her work-the panoply of life-sized figures has made Swoon a legend in the streets of New York and as far afield as Berlin, London, and Mexico City.
|I don't buy that some absentee landlord neglecting the side of his factory is better than citizens participating in what happens to it.|
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