GOOD

Get Out of Africa

A forthcoming documentary critically examines the “voluntourism” industry, and its effect (or lack thereof) on the communities it purports to help.

When Cassandra Herrman first visited East Africa as a volunteer in her twenties, she was enamored. Because of this, she understands the impulse that has fueled the so-called voluntourism industry, which is now valued at $2 billion and has attracted 1.6 million volunteers/tourists last year.

These days, Herrman is part of a growing number of voices that are critical of the voluntourist phenomenon and the general victim-savior imagery of Africa that pervades Western culture. Her forthcoming documentary Framed is an indictment of this perception of Africa, which Herman says fails to give the supposed recipients of this goodwill any agency in finding their own solutions.

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Invisible Children to Shutter Operations in 2015

An interview with CEO Ben Keesey on the incredible journey of the organization behind #Kony2012.

It’s been nearly a decade since Jason Russell, Bobby Bailey, and Laren Poole—three young, guileless college filmmakers with a used camera they had bought on eBay—embarked to east Africa to film the war in Darfur. Instead, they found themselves in Uganda, collecting footage for a film about an entirely different conflict. The low budget project was titled Invisible Children and documented the horrors perpetrated by the Lord’s Resistance Army (LRA), a violent Christian fundamentalist group led by Joseph Kony. The LRA had been waging a war against the Ugandan government for more than a decade, using child soldiers and large-scale civilian attacks. When the film premiered in front of 500 or so people in a community center in San Diego, CA, Ben Keesey, a friend of the trio’s, was so moved by the film that he accompanied the filmmakers on a second trip to the embattled country to see the conflict for himself. It was there he decided to abandon a job offer from financial giant Deloitte to join the threesome and help turn the film into a movement.

And that is exactly what they did. You only had to attend one of their Fourth Estate Summits to see it. The organization’s annual awareness and fundraising event felt like a cross between a rock concert and Revivalist gathering, drawing in thousands of young, impassioned people from around the world. But it was Invisible Children’s campaign to “End a War” in Uganda that would propel the organization to global renown in March 2012. The campaign’s official hashtag, #Kony2012, achieved an incredible reach, with pop icons like Diddy, Beyoncé, and Justin Bieber making unprompted public pronouncements about the plight of child soldiers in Uganda. The video peaked at more than 100 million views on YouTube and Kony soon became the world’s most wanted man. But other stars were made as well—most notably Russell, the earnestly hopeful, protagonist of the film.

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Intermission: Two Philly Poets' Scathing "Hipster Racism" Performance

Reverse white flight, reverse racism, and even a Kony 2012 critique all in a three-minute smackdown.

[youtube]http://www.youtube.com/watch?v=l9Avq8QPUO8

These two young poets' scathing spoken word indictment of hipster racism and gentrification is fully worth a few minutes of your time. The performance underscored for me a rancorous intellectual exchange (see "swagger jacking", and "politics of the urban comeback") on the topic of gentrification that took place recently in the media of my hometown of Washington D.C. Many neighborhoods of D.C. are nearly unrecognizable now compared to when I left in the early nineties and judging by this snapshot of Philadelphia, similar dynamics are at play in the City of Brotherly Love.

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Joseph Kony and the Moral Ambiguity of the Modern World

The film everyone's talking about reminds us that hardly anything is black and white anymore.


One week ago, nonprofit group Invisible Children started a firestorm on the Internet with its Kony 2012 video. At first glance, the 30-minute film seemed innocuous, a passionate plea to get the world interested in the plight of Ugandans and other Africans forced to confront the murderous rebel leader Joseph Kony. But soon the backlash began. And then came the backlash against the backlash, which later led to backlash against the backlash against the backlash.

Essentially calling the film pointless, Foreign Policy wrote, "[I]t is unclear how millions of well-meaning but misinformed people are going to help deal with the more complicated reality." The Atlantic questioned Invisible Children's financial dealings. And still others saw the video as another toothless addition to the "guilty white liberal" genre. Writing for GOOD, Ugandan-American Patrick Kigongo wrote, "At best, Kony 2012 is a hyper-simplification of a complicated issue. It allows most of us to skip the frank, involved discussion in favor of just furthering a meme."

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