A robot directs traffic in the Democratic Republic of Congo

Last month, a Guardian article on the value of “Afrofuturist” art started making the rounds on the web’s myriad African news and culture forums. Usually the term, coined in the 1990s, refers mainly to innovative or progressive material coming out of the African American creative community—works which often fall into the category of science-fiction or fantasy categories and are thus brushed off as genre art. But the Guardian pieces did two great services to the term, by using it to draw our attention to lesser-known and underappreciated works coming out of continental Africa, and sparking discussion about Afrofuturism’s merits as a social phenomenon.

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