With I Used To Be You, photographer Kyoko Hamada explores the joy, humor, and subtle indignaties of growing older.
What if you could spend a day with an older, wiser version of yourself? Would you be happy with the choices you’d made? Do you consider yours a life well-lived, and could you be content in a relaxed routine of elderly domesticity? These are exactly the questions 42-year-old NYC-based photographer Kyoko Hamada, who has contributed to The Wall Street Journal, T, and many others, sought to answer with her photo series I Used To Be You, a mock-doc fine art photo collection in which the artist embodies an elderly alter-ego, maneuvering the modern world as well as the limitations of her own body. “Since 2012, I have been photographing myself as the fictional character ‘Kikuchiyo-san’, an elderly woman living a delicate and fragile existence,” explains Hamada on her Kickstarter page. “Kikuchiyo-san represents those who are often left behind and neglected in the race to live, those who have to find ways to navigate through the obstacles and struggles within the modern world, and those brave enough to face its challenges.” Hamada hopes to turn the series of 99 photographs into a bound book with Pocko Editions, one that fuses “humor, metaphors and storytelling to represent the process of living and aging.” The series, as it stands now, is a powerful attempt to confront viewers with the sad, and often overlooked fact, that life is short, painful, sometimes lonely, and forever beautiful—simultaneously.