Before March of this year, few probably thought disease could be a significant driver of human history.

Not so anymore. People are beginning to understand that the little changes COVID-19 has already ushered in or accelerated – telemedicine, remote work, social distancing, the death of the handshake, online shopping, the virtual disappearance of cash and so on – have begun to change their way of life. They may not be sure whether these changes will outlive the pandemic. And they may be uncertain whether these changes are for good or ill.

Three previous plagues could yield some clues about the way COVID-19 might bend the arc of history. As I teach in my course “Plagues, Pandemics and Politics,” pandemics tend to shape human affairs in three ways.

First, they can profoundly alter a society’s fundamental worldview. Second, they can upend core economic structures. And, finally, they can sway power struggles among nations.


Sickness spurs the rise of the Christian West

The Antonine plague, and its twin, the Cyprian plague – both now widely thought to have been caused by a smallpox strain – ravaged the Roman Empire from A.D. 165 to 262. It’s been estimated that the combined pandemics’ mortality rate was anywhere from one-quarter to one-third of the empire’s population.

While staggering, the number of deaths tells only part of the story. This also triggered a profound transformation in the religious culture of the Roman Empire.

On the eve of the Antonine plague, the empire was pagan. The vast majority of the population worshipped multiple gods and spirits and believed that rivers, trees, fields and buildings each had their own spirit.

Christianity, a monotheistic religion that had little in common with paganism, had only 40,000 adherents, no more than 0.07% of the empire’s population.

Yet within a generation of the end of the Cyprian plague, Christianity had become the dominant religion in the empire.

How did these twin pandemics effect this profound religious transformation?

Rodney Stark, in his seminal work “The Rise of Christianity,” argues that these two pandemics made Christianity a much more attractive belief system.

While the disease was effectively incurable, rudimentary palliative care – the provision of food and water, for example – could spur recovery of those too weak to care for themselves. Motivated by Christian charity and an ethic of care for the sick – and enabled by the thick social and charitable networks around which the early church was organized – the empire’s Christian communities were willing and able to provide this sort of care.

Pagan Romans, on the other hand, opted instead either to flee outbreaks of the plague or to self-isolate in the hope of being spared infection.

This had two effects.

First, Christians survived the ravages of these plagues at higher rates than their pagan neighbors and developed higher levels of immunity more quickly. Seeing that many more of their Christian compatriots were surviving the plague – and attributing this either to divine favor or the benefits of the care being provided by Christians – many pagans were drawn to the Christian community and the belief system that underpinned it. At the same time, tending to sick pagans afforded Christians unprecedented opportunities to evangelize.

Second, Stark argues that, because these two plagues disproportionately affected young and pregnant women, the lower mortality rate among Christians translated into a higher birth rate.

The net effect of all this was that, in roughly the span of a century, an essentially pagan empire found itself well on its way to becoming a majority Christian one.

The plague of Justinian and the fall of Rome

The plague of Justinian, named after the Roman emperor who reigned from A.S. 527 to 565, arrived in the Roman Empire in A.D. 542 and didn’t disappear until A.D. 755. During its two centuries of recurrence, it killed an estimated 25% to 50% of the population – anywhere from 25 million to 100 million people.

This massive loss of lives crippled the economy, triggering a financial crisis that exhausted the state’s coffers and hobbled the empire’s once mighty military.

In the east, Rome’s principal geopolitical rival, Sassanid Persia, was also devastated by the plague and was therefore in no position to exploit the Roman Empire’s weakness. But the forces of the Islamic Rashidun Caliphate in Arabia – which had long been contained by the Romans and Sasanians – were largely unaffected by the plague. The reasons for this are not well understood, but they probably have to do with the caliphate’s relative isolation from major urban centers.

Caliph Abu Bakr didn’t let the opportunity go to waste. Seizing the moment, his forces swiftly conquered the entire Sasanian Empire while stripping the weakened Roman Empire of its territories in the Levant, the Caucasus, Egypt and North Africa.

Pre-pandemic, the Mediterranean world had been relatively unified by commerce, politics, religion and culture. What emerged was a fractured trio of civilizations jockeying for power and influence: an Islamic one in the eastern and southern Mediterranean basin; a Greek one in the northeastern Mediterranean; and a European one between the western Mediterranean and the North Sea.

This last civilization – what we now call medieval Europe – was defined by a new, distinctive economic system.

Before the plague, the European economy had been based on slavery. After the plague, the significantly diminished supply of slaves forced landowners to begin granting plots to nominally “free” laborers – serfs who worked the lord’s fields and, in return, received military protection and certain legal rights from the lord.

The seeds of feudalism were planted.

The Black Death of the Middle Ages

The Black Death broke out in Europe in 1347 and subsequently killed between one-third and one-half of the total European population of 80 million people. But it killed more than people. By the time the pandemic had burned out by the early 1350s, a distinctly modern world emerged – one defined by free labor, technological innovation and a growing middle class.

Before the Yersinia pestis bacterium arrived in 1347, Western Europe was a feudal society that was overpopulated. Labor was cheap, serfs had little bargaining power, social mobility was stymied and there was little incentive to increase productivity.

But the loss of so much life shook up an ossified society.

Labor shortages gave peasants more bargaining power. In the agrarian economy, they also encouraged the widespread adoption of new and existing technologies – the iron plow, the three-field crop rotation system and fertilization with manure, all of which significantly increased productivity. Beyond the countryside, it resulted in the invention of time and labor-saving devices such as the printing press, water pumps for draining mines and gunpowder weapons.

In turn, freedom from feudal obligations and a desire to move up the social ladder encouraged many peasants to move to towns and engage in crafts and trades. The more successful ones became wealthier and constituted a new middle class. They could now afford more of the luxury goods that could be obtained only from beyond Europe’s frontiers, and this stimulated both long-distance trade and the more efficient three-masted ships needed to engage in that trade.

The new middle class’s increasing wealth also stimulated patronage of the arts, science, literature and philosophy. The result was an explosion of cultural and intellectual creativity – what we now call the Renaissance.

Our present future

None of this is to argue that the still-ongoing COVID-19 pandemic will have similarly earth-shattering outcomes. The mortality rate of COVID-19 is nothing like that of the plagues discussed above, and therefore the consequences may not be as seismic.

But there are some indications that they could be.

Will the bumbling efforts of the open societies of the West to come to grips with the virus shattering already-wavering faith in liberal democracy, creating a space for other ideologies to evolve and metastasize?

In a similar fashion, COVID-19 may be accelerating an already ongoing geopolitical shift in the balance of power between the U.S. and China. During the pandemic, China has taken the global lead in providing medical assistance to other countries as part of its “Health Silk Road” initiative. Some argue that the combination of America’s failure to lead and China’s relative success at picking up the slack may well be turbocharging China’s rise to a position of global leadership.

Finally, COVID-19 seems to be accelerating the unraveling of long-established patterns and practices of work, with repercussions that could affet the future of office towers, big cities and mass transit, to name just a few. The implications of this and related economic developments may prove as profoundly transformative as those triggered by the Black Death in 1347.

Ultimately, the longer-term consequences of this pandemic – like all previous pandemics – are simply unknowable to those who must endure them. But just as past plagues made the world we currently inhabit, so too will this plague likely remake the one populated by our grandchildren and great-grandchildren.

Andrew Latham is a Professor of Political Science at Macalester College.

This article first appeared on The Conversation. You can read it here.

  • Students go for a world record with group drumming rendition of “Beggin”
    Photo credit: CanvaA music teacher plays drums with a student.

    Drum instructor Patrick Abdo doesn’t simply direct a children’s recital—he launches into a full-body celebration of music. In an Instagram post gaining widespread attention, he leads 10 children, ages 5 to 10, in a drumming rendition of the Måneskin song “Beggin’.”

    As the kids bang the drums in rhythmic unison and parents watch, beaming with pride, the room pulses with energy. But what makes the performance all the more magnetic isn’t simply the precision of the young drummers—it’s Abdo’s infectious excitement.

    Abdo guides kids to an impressive musical moment

    In the video, captioned “A record like no other!,” the 10 kids each have their own drum kit arranged in a circle around a large room. As the music starts, Abdo takes the lead, instructing the young musicians and wildly raising his arms to the rhythm. He keeps perfect time with his air drumming, and the kids follow.

    These young drummers do a fantastic job, fully committed and bringing the focus and skill needed to pull off such a high-octane song. Yet it’s nearly impossible not to have your attention drawn to the teacher. Abdo radiates an infectious belief in every child in the room.

    This type of wholehearted encouragement feels increasingly rare, and it’s wonderful to watch. As proud parents smile from the sidelines, he moves through the room, connecting with each student. With each burst of encouragement, the recital transforms into something special.

    There is little publicly available information about Abdo’s background. His breakout visibility appears tied to short-form drum lesson videos posted on his Instagram page. His profile lists Dubai as his location, and his bio reads, “My dream is to recreate School Of Rock MENA [Middle East North Africa] version.”

    The good-vibes energy inspires people

    The video quickly became impossible to scroll past. Views steadily increased, and so did the comments. The appreciation for both the synchronized performance and Abdo’s teaching style offers a moving example of mentoring at its best. As much as viewers loved the kids’ musical showcase, many seemed even more inspired by Abdo’s uplifting and engaging style:

    “They shut it down for real !!!The instructor deserves an applause”

    “I love the teacher !! So enthusiastic, motivating and you can tell he loves these kids!!!”

    “well done to that teacher and all the children — luv this”

    “This teacher has incredible enthusiasm which inspires all the kids to work so hard to get it!”

    “Wow, the instructor’s patience and passion for his work are truly admirable!”

    “This is called perfection.”

    “The teacher’s passion! The talented, focused kids!”

    Great teachers and mentorship matter

    There is simply no denying the value of great teachers and mentors. Everyone benefits from guidance and encouragement, especially young people. Research in 2025 found that mentored youth were 20% more likely to attend college, earn higher incomes, and exhibit better behavior. A 2023 trial conducted by Big Brothers Big Sisters of America found measurable improvements in social and emotional well-being.

    A 2022 study found that mentorship increased retention and promoted success. The benefits extend to mentors as well, offering opportunities to build enduring relationships that evolve and provide value over time.

    The music recital had the Internet buzzing over its great energy and the joy of watching kids go for it. Inspiring mentorship may be the real power behind Abdo’s musical instruction. Whether viewers remember a beloved teacher or recognize the one they wish they’d had, the right mentor can stay with a child long after the music stops.

  • A BBC crew broke ‘cardinal rule’ of nature documentaries to save trapped penguins
    Photo credit: CanvaPenguins jumping off a glacier into the water.
    ,

    A BBC crew broke ‘cardinal rule’ of nature documentaries to save trapped penguins

    Even the show’s narrator, David Attenborough, supported the controversial decision to step in.

    Nature documentaries operate on a single, golden rule: observe, record, but never interfere. The goal is to capture the raw, unscripted reality of the natural world, even when that reality is brutal. But during the filming of the BBC Earth series Dynasties, a situation arose that was so dire, the crew felt compelled to break that cardinal rule.

    The incident, which took place in November 2018, involved a colony of Emperor penguins in Antarctica. A massive storm had hit, dropping temperatures to minus 50 degrees Celsius (minus 76 degrees Fahrenheit) and trapping a large group of mothers and chicks in a steep, icy ravine.

    Separated from the safety of their rookery, the birds were helpless. The mothers, cradling their chicks, were unable to climb the slick, vertical slopes.

    Emperor penguins, BBC Earth, David Attenborough, Antarctica, nature documentary
    Penguins march across the ice. Photo credit: Canva

    The situation was desperate. Some chicks had already been abandoned and frozen to death in the gully, while predators circled the survivors. The emotional toll on the crew was immense. As one cameraman told Country Living, “I know it’s natural, but it’s bloody hard to watch.”

    Faced with the potential extinction of the entire group, the team made a controversial choice.

    “It was not a straightforward decision by any stretch of the imagination,” director Will Lawson explained in an interview with Lorraine. “You just have to look at the facts that are in front of you before you make a decision like that.”

    Once the storm broke, the crew decided to intervene, but they did so “passively.” They didn’t lift the birds; instead, they used their tools to dig a shallow ramp into the ice, creating a path the penguins could potentially use to escape on their own.

    “Once we’d dug that little ramp, which took very little time, we left it to the birds. We were elated when they decided to use it,” Lawson told Country Living, noting that there is simply no “rule book” for such extreme scenarios.

    The footage of the penguins waddling up the man-made ramp to safety became a defining moment for the series. Even Sir David Attenborough, a staunch defender of non-intervention, backed the move.

    “It’s very rare for the film crew to intervene. But they realize that they might be able to save at least some of these birds, simply by digging a few steps in the ice,” Attenborough said.

    Producer Mike Gunton agreed, framing it as a moral imperative rather than a documentary breach. “We have a rule that interfering is a very dangerous thing to do. But these penguins were going to die through a freak act of nature if nothing happened,” he said. “How would this conversation be going if you said you saw them there and did nothing? I think you have to do it.”

    The intervention was passive, but the result was profound. The colony survived, and the crew walked away with clear consciences. As Attenborough concluded, “To have done anything else would only make matters worse and distort the truth.” 

    This article originally appeared two years ago. It has been updated.

  • Therapist shares why Justin Bieber’s duet with 13-year-old self was so incredibly moving
    Photo credit: Wikimedia Commons & FlickrJustin Bieber performs onstage (left) and at a Nintendo store in 2009 (right).

    Taking the stage at Coachella, singer Justin Bieber gave fans something unique: singing along to a YouTube video of himself at just 13, he harmonized on songs like “Baby,” “Never Say Never,” “With You,” and others.

    Blake Roberts, a licensed therapist and self-proclaimed “dude,” shared his perspective on Bieber’s performance. While reactions to the appearance may be mixed, Roberts found it courageous.

    Therapist finds Bieber’s performance incredibly moving

    “From the perspective of a therapist and dude, I have to talk about this Justin Bieber-Coachella thing,” Roberts said in an Instagram Reel. “If you’ve ever done any amount of inner child work, you can appreciate what that moment was.”

    “That little boy was artistic and creative. Just doing his thing. Probably got made fun of a bunch, and then he gets thrown into this industry. And he loses parts of himself, and people probably take advantage of him,” he added.

    Roberts turned the performance into a learning experience, discussing a form of therapy known as inner child work:

    “Like we watched this man’s trauma, and yet he still shared a moment with us. Like a peek inside what it looks like to do inner child work. What looks like to look back at the younger versions of ourselves who have been rejected, who have been abused, who we ourselves have left behind. And to look at them with compassion and see them from the purity that they were.”

    Mixed reactions to Coachella performance

    Bieber’s performance relied heavily on nostalgia and early-career callbacks. A review in Entertainment Weekly described the set as “lacking some swag.” For much of the performance, Bieber sat at a desk onstage, scrolling through viral videos of himself.

    Despite negative feedback on his set, some fans appeared to be very appreciative of Bieber. One fan commented on Roberts’ Instagram post, saying, “I loved it so so much, aaaand now I’m crying again.”

    Regardless of whether people admire what the artist did, Roberts saw an opportunity to highlight recovery and the value of therapy. Bieber’s duet with his younger self could be seen as a meaningful act of openness and vulnerability. Roberts reflected, saying, “I thought it was pretty crazy. I could feel it.”

    Bieber’s challenges scrutinized by the public

    For those unfamiliar with Bieber’s personal life, he has faced some rough patches, as rumors have circulated about a struggling marriage and financial difficulties.

    The obstacles began to appear in 2017, when Bieber pulled out of a world tour due to mental exhaustion. In 2022, he posted on Instagram about the challenges of dealing with Ramsay Hunt syndrome. The illness occurs when the chickenpox virus reactivates later in life, causing facial weakness. Bieber said he was experiencing facial paralysis on his right side, which led him to cancel his tour again.

    There have also been allegations, including claims of drug use and questions about Bieber’s friendship with Sean “Diddy” Combs dating back to his youth. Clips have resurfaced showing Bieber as a teenager spending time with the music mogul. However, Bieber has not made any clear, on-the-record statements about that time.

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