My shooting instructor shows me how to control my breathing.

“Like in yoga?” I ask.


She responds with a nod, a chuckle, a shrug. Breathe in, breathe out, wait a beat. Fire. I see a yellow flash spark over the blackness of the XDm 9mm semi-automatic’s slide. I can feel the pistol recoiling in my hands, but not the terror I expected to feel. My shot lands well inside the target’s center square—a guileless sheet of paper printed with a vaguely human form now has a bullet in its chest.

“Congratulations! You just fired a real gun.” The sweet-faced and aptly named Amy Shotwell, my instructor at Ashburn, Virginia’s Silver Eagle Group, grins.

I set the gun down on the bench ahead of me, carefully pointing it downrange. A few lanes over, a middle-aged man in a white polo shirt empties his magazine, the drill of gunfire pelting his target so fast, it flutters like a leaf in the whipping wind.

“Want to take a minute?” Shotwell asks, eyebrows raised with some concern. “You okay?”

I shake out my arms. “I want to do it again.”

It’s almost four months to the day that I stood alongside my daughter and PETA volunteers, protesting the National Rifle Association’s tacky and ludicrous press conference a week after the Sandy Hook Elementary massacre. That week, NRA Vice President Wayne LaPierre poked fingers at video game violence, lambasted the media, and recommended armed guards in our schools. Just blocks from the White House, he ranted in a hotel ballroom while my baby slept bundled in her snowsuit and stroller with me outside. I held a sign that said “Teach kindness, not killing.”

Now, I gather up the surprising lightness of my rented gun, take aim, and fire again. Another slug blasts through the middle of my paper friend.

It has been a strange few months.

Immediately after the Newtown, Connecticut, shootings, I found myself compulsively tucking and retucking my kids into bed. “There but for the grace of God go I” flickered in my brain like a short-circuiting neon light. I hovered extra long over my son, a preschooler, my mind teetering precariously into macabre horrors—bullets flying, frail, lifeless bodies. Simultaneously, I was swallowed by fear and incensed with outrage. I mouthed off about right-wing gun nuts. I shuddered as more news broke about Adam Lanza and his paperback copy of Train Your Brain to Get Happy, his holiday check from his mother for the purchase of a C183. I emailed my editor at GOOD a copy of the letter that I’d written to the president demanding gun control, hoping whatever power either held could spur some action and stop the guns.

Now, at the behest of that same editor, I’ve stepped into foreboding new terrain. When I first learned that people like me were gravitating towards firearms at a moment like this, I was revolted. I’d come to equate every American gun owner with Lanza, with James Holmes, with Seung-Hui Cho. Mine was a perspective that not only lacked nuance, but that had strayed from reality. My own rhetoric had become a shorthand in which merely owning a gun threw a person into a camp of those who were cavalier with deadly weapons, whose personal rights trumped public safety, and who were politically alien to me.

Despite a debate that often seems to crack along hard lines of cultural stereotype (think weeping, anti-gun mom vs. NRA card-carrying wacko), an individual’s political affiliation is not ipso facto an expression of their attitude towards guns. According to a 2011 Gallup poll, 40 percent of Democrats said they have a gun at home. But perhaps more interesting, after 2012’s highly publicized mass shootings, anecdotal reports suggest that many on the left are increasingly embracing firearms. In Cleveland this winter, Kim Rodecker’s concealed-carry classes saw a modest increase in liberals among their ranks. Kelly Whitlock, owner of the Portland Gun Club in Oregon, says he’s noticed a shift in the sorts of people walking through his doors over the past year or so. He sees an abundance of lesbian couples and “a lot of younger guys that have the hair that stands up taller than Elvis’s would have, in skinny jeans and scarves.” But it’s not just Portland hipsters, true to form, defying type.

In the time since Sandy Hook, the partisan divide on guns—as it’s been portrayed in our media, our advocacy alerts, our dinner-table spats—has appeared to have become only more polarized. In the days following the shooting, 72 percent of liberals responding to a Washington Post-ABC News poll said they favored stricter gun control laws in the United States. But being neatly boxed in by ideological lines has set some liberals looking farther afield to define their own position on guns. While the trauma of mass shootings has sent many on the left—like Gabrielle Giffords and her family—into an out-front appeal for gun control, another subset of liberals have careened off in the other direction.

At the same time the elementary school massacre had me Googling “bullet-proof backpacks,” Adam Hilliker, from Newton, Massachusetts, was typing “liberal gun owners” into his search engine. Hilliker, a father of 2- and 4-year-old kids, is a liberal who says he felt conflicted about guns—a couple of bachelor parties at shooting ranges had piqued the interest of the mechanically inclined software engineer. After the Sandy Hook shootings, he went through the natural horror any parent would, but then also found himself repelled by the anti-gun sentiment he heard on the news. “It happened, and it was terrible, and the media just wouldn’t let it go…then there was the NRA’s ridiculous response, and then everybody’s backlash against that, and it just got bigger and bigger.”

Despite having grown up in an anti-gun household, “after the Newtown shootings, there was such a crazy backlash about it that I just needed some perspective,” he says. When Hilliker found other liberal gun owners online, he decided to take a class. Exploring firearms became a two-part quest to master a difficult skill and unravel a liberal taboo. By March, he’d applied for his gun license.

Outshouted by the vehement cocksure-ness of the NRA, liberal gun owners from all over the country quietly gather in groups like The Liberal Gun Club, an education and outreach organization that Ed Gardner, LGC director of operations and chair of the group’s education committee, says draws gun-owners who “do not want to be identified with that sort of rabid, anti-government, frankly, Republican-supporting-base.” LGC is not alone. There’s the Liberal’s Gun Corner podcast on the Gun Rights Radio Network. There’s the Blue Steel Democrats with caucuses in multiple states and the snappy bumper sticker motto: “Democrats don’t want your guns—we’ve got our own.”

Not so much a silent majority, but a quiet yet noteworthy block once I discovered them, liberal gun owners represented a unique entry point into a world I didn’t think I’d be able to understand. Rather than the boogeymen I imagined, these were people who in most respects were like me.

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There are myriad reasons I’d never touched a gun before my trip to the shooting range in Ashburn. I tend to drop things. I abhor violence. I possess a collection of distastes for loud noises, unpredictability—not to mention anything that can puncture my flesh. Thus, I began my intellectual walkabout with gun-owning liberals wondering, foremost, how anyone could be drawn to weapons at a cultural moment like the current one.

For Brandon E. Cox, it has been a lifelong puzzle. A backpacker and high-rigger, the Arizona resident was raised never even to play with toy guns. “And I had kind of just a knee-jerk reaction to guns.” Yet, in adulthood he got into firearms when a good friend took him shooting. It was fun. He’s a gearhead. It fit. Still, he understood my concerns when we talked about last year’s massacres.

“They are horrors, I mean, in the strictest sense of the word… they’re horrors in the most visceral and human way possible.” Cox’s tone was gentle. “But reconciling that with logic, and just putting numbers together, it doesn’t add up.”

Despite the high-profile mass shootings, and enough guns for every adult in the U.S., according to a Pew Research Center analysis of government data, the homicide rate is down 49 percent since a 1993 peak. By 2011, other violent crimes with firearms—assaults, robberies, sex crimes—were down 75 percent from 1993. According to the Centers for Disease Control, each year in the United States, approximately 11,000 people are killed in gun homicides. Nearly 20,000 die in gun suicides. Cox reminded me that in comparison more people (35,000) die in car accidents each year. According to data derived by Stephen Dubner and Steve Levitt in their book Freakonomics, a child is about 90 times more likely to die in a swimming pool than by gun.

For some liberals, doing the math—aligning policy with the available data— feels like a natural extension of their political philosophy. Marlene Hoeber, a “glorified mechanic” at a biotech firm, is a gun owner who describes herself as a “lefty feminist.” To Hoeber, the gun debate is the only time she sees the American left treating numbers and evidence as completely irrelevant, as though there is no reasonable political discussion to be had. Her characterization reminded me of years of willful denial of climate change on the right. But, says Hoeber, “the strategy of chipping away at rights looks an awful lot like the anti-choice movement to me.”

For those on the left, party-line antipathy around guns is a phenomenon of recent history. According to the massive General Social Survey, in the 1970s and 1980s, more Republican households owned guns than Democratic ones, but the distance between the parties’ ownership didn’t widen considerably until the early 1990s, around the time of the legislative fight over the Brady Bill.

Gardner at LGC also explains that being a Democrat between 2000 and 2008 was complicated. “If you weren’t with us, you were against us,” she says. The political divisiveness of the Bush/Cheney years made it tricky to be the sort of liberal who frequents a shooting range. Says Gardner, “For many years, obviously, this particular segment was dominated by the NRA, and as things got politically charged…folks of our political persuasion were increasingly unwelcome.”

For years they hid their love of firearms, but the block of liberal gun owners is slowly becoming more vocal. Since software engineer Hilliker has taken up shooting and began telling his liberal friends about his adoption of the sport, he’s discovered many were privately gun enthusiasts. “We didn’t really talk about this stuff because it’s pretty taboo, but then, when I started bringing it up, there were more people than I thought who were into guns.”

I joke with Hilliker that confessing to a love of firearms must, for some liberals, feel a lot like coming out—baring some private fact about yourself. He corrects me, “Yeah, except I think if I were coming out, it’s something I would feel more proud of.” Guns have a more negative stigma. “I feel like supporting gun culture isn’t as righteous as supporting gay culture.”

By most estimates, Americans own between 262 million and 310 million firearms, and as the drumbeat of gun control legislation has thumped louder, gun sales have only skyrocketed. Whitlock of Portland Gun Club regularly sees people showing up to class with guns still in the box, coming straight from the store. When I ask him why he thinks that is, he answers simply, “because they think it’s possible they won’t be able to have them anymore.” It’s an interesting time for Whitlock, a conservative who says his shooting slots are filling up increasingly with liberals. “They’re definitely not of the same mindset that I am by any means—and you wouldn’t normally picture them with guns, because their party is the one that wants to take them away from us.”

Hoeber says she finds the partisanship over gun rights perplexing. “I find it very odd that I have to make a political choice between people whose politics support all of the other civil liberties, or people who support gun ownership as a civil liberty, but none of the others. I mean, it’s a very odd political divide that doesn’t make a lot of sense, isn’t it?”

It’s a divide that has been perpetuated by one of Washington, D.C.’s strongest lobbies, the NRA, which has been cozying up to the Republican Party since the 1970s—often leaving those on the left, when it comes to guns, in a reflexive fighting stance.

Former staff writer for The New Yorker, self-described son of New Jersey Jewish Democrats, and Gun Guys author Dan Baum brought up a common, but worthwhile trope among gun owners when we spoke. “We just had this bombing at the Boston Marathon. You know if that had been done with a gun, we’d be talking about guns, but because it wasn’t done with a gun, we’re talking about alienation, trying to figure out why these guys did it.” After Sandy Hook, public discourse touched briefly on mental illness, and, says Baum, “I personally think it makes more sense to have the kind of conversation we’re having after the Boston Marathon bombing—why would young people do such a thing, rather than ‘let’s ban the guns.’”

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Perhaps overcoming a plague of alienation and violence is precisely where progressives are most needed at this moment of cultural upheaval. The violence in Newtown got those of us who don’t regularly experience violence thinking about it in a personal way, if briefly. But as Hoeber aptly pointed out to me, “You know it, nobody gives a shit about all the black kids that get shot in West Oakland, but you shoot 26 middle class white children in Connecticut, all of a sudden it’s a big fucking deal. And all of a sudden it’s about the big scary guns.”

And instead of dealing with so much else that is broken in this country, fear of those guns has instead translated into an attack on gun rights—rights that for many represent a fundamental and deeply felt freedom. The issue matters as much to some people—all along the political spectrum—as speech or religious freedoms matter to others. Baum tells me that most of us naturally understand the exceptionalism of the First Amendment: “We’re trusted to know things and speak and publish and print and broadcast. But it’s also very true in the context of guns, where we are trusted to own and operate these very dangerous weapons—and for gun guys [and girls], that’s an important thing.”

For LGC’s Gardner, Second Amendment protections matter, but don’t represent the whole of his political ideology. “I’m not a single-issue voter,” he tells me. “I care a great deal about things like marriage equality. I care a great deal about fairness in labor…I care about defense overspending. I do happen to care about Second Amendment rights.” He adds in summation, “I do shoot.”

When Hilliker wrote his gun license application letter to the police chief, he felt in some ways he was making an important political statement. He even wrote, “I think the more Democratic voters who are regis- tered gun owners the better, for the diversity of the conversation about gun ownership.” Later, at his licensing interview, the police chief let him know he thought his comment was pretty funny.

The right to keep and bear arms is serious business—for many it’s about self-defense. According to the Pew Research Center, while in 1999, just 26 percent of Americans owned guns for protection (49 percent had them for hunting back then), today 48 percent own guns for protection.

Hoeber’s perspective was sobering. Hoeber described herself as “Queer, trans…I have been in my life an outsider.” She says she doesn’t necessarily have the feeling that police are there to protect her, saying that if a fight broke out at a party at her house, “chances are I’m as likely to go to jail because it’s my house, and I’m me, as somebody who came to a party at my house and started a fight.” She adds, “The idea of ceding the monopoly on deadly force to the police or to the state or to the other authoritarian power structure, that’s completely fucking ridicu- lous to me.” Turning over that kind of power, to Hoeber, is a totally right-wing idea.

I was torn between an emotionally fraught rock and a rational hard place. I’d invested considerable time talking to lefty gun enthusiasts, then just hours before I shot a firearm for the first time, I spoke to Kim Russell, media director of Moms Demand Action for Gun Sense in America, the viral Facebook-group-turned-grassroots- movement. Russell herself was a victim of gun violence. In a mugging that turned fatal, her friend was shot, Russell dodged bullets, and finally had a gun held to her forehead by a 17-year old with a tragic family history who only wanted their watches and wallets. I pictured the final emptiness she described, the life leaving her friend’s eyes.

I also kept picturing tiny bodies mas- sacred in kindergarten classrooms or the teenagers much more frequently gunned down in the Chicago neighborhood where I used to live. In the same way that I can’t think “lemon” without also thinking “sour,” I couldn’t picture a gun without revulsion and fear.

“Fairness is an important, critical core value on the left,” Hoeber tells me. “And I think one of the ways that sense of fairness exists on a deeply emotional level is really strong and negative feelings toward bullies.” She sees the anti-gun impulse on the left as an association between guns and bullies. “The gun is the dangerous power of the redneck, the Klansman, and the bad cop, and the unjust military dictatorship.”

She uses “bullies” in the broadest sense possible, but wonders how few of us, since World War II, have had an experi- ence of guns and violence being used to protect us from bullies. Calling for patience, she reminds her fellow lefty gun owners that the anti-gun impulse among other liberals “comes from wanting to take the power away from those who would subjugate others.”

It’s immense power that can come from the mere flick of a finger. When I finally held a pistol, then a revolver in my hands, I could feel the potential costs of carelessness. It was an intimate handshake, albeit briefly, with the Grim Reaper. And I was clutching between the two palms of my hands both totem and taboo.

A gun, it seems, is a symbol of momentous heft.

I don’t know what runs through a hunter’s head when he or she looks at a Remington 700 .30-06. But I was begin- ning to see that the tension over guns was less a matter of political leaning, and more a matter of the gun’s place in a person’s imagination, a matter of which direction the barrel aimed: if it were your kids imperiled, or yours you were protecting.

I think of Russell, the memory ever- present in her mind of a muzzle pressed to her forehead. I consider Hilliker, a dad, making sense of tragedy by demystifying the gun. I see in my own hands the blast, the thump of fear and adrenaline in my veins, and my finger depressing the trigger again. I know that however much it still scares the hell out of me to extend my body into the thrust and trajectory of a bullet, were the threat of harm to come to me or my children, I’d want to stand on this side of the gun—not aiming to kill, never to kill—but to have some force behind which to salvage what I love.

Illustrations by David Schwen

  • European Union enforces ban on destroying unsold fast-fashion clothing by major companies
    Photo credit: CanvaThe European Union hopes to reduce fast-fashion waste.

    A new rule adopted by the European Union is intended to reduce landfill waste while holding major clothing manufacturers accountable.

    Starting July 19, the EU prohibits large companies from destroying unsold clothing, accessories, and shoes under the Ecodesign for Sustainable Products Regulation (ESPR). The regulations will expand to cover medium-sized companies in 2030.

    Fast fashion has become a major environmental concern. As retailers rapidly cycle through trends, unsold clothing often ends up in landfills or is destroyed to make room for new inventory. Many garments are made from synthetic fibers that can release greenhouse gases as they break down and shed microplastics that may contaminate soil and waterways.

    What’s the ban’s purpose?

    The ban is intended to reduce the amount of unsold clothing that large manufacturers dispose of. According to the European Environment Agency, between 264,000 and 594,000 tonnes of unused textiles are destroyed across Europe each year.

    Instead of destroying unsold clothing, companies will need to find other ways to keep those products in use. That could mean selling excess inventory at a discount, donating it to charities or social enterprises, or preparing it for reuse through repair, refurbishment, or remanufacturing. When those options aren’t feasible, the materials can be recycled.

    While the regulation is primarily focused on reducing the fashion industry’s environmental impact, the EU also hopes it will strengthen the economy by encouraging more sustainable business practices. The ban incentivizes companies to design products that are more resource-efficient, durable, reusable, and easier to repair or recycle. In turn, consumers should benefit from higher-quality products that last longer and generate less waste.

    Companies may destroy unsold clothing and footwear only in limited circumstances, such as when the items are damaged, unsafe, counterfeit, infringe intellectual property rights, or have been rejected by charitable organizations. Businesses relying on these exemptions must provide supporting documentation, such as test results or other records, to justify the destruction. Even then, they must follow the EU’s waste hierarchy, which prioritizes reuse and recycling over disposal. Companies are also required to publish annual reports detailing the unsold products they have discarded.

    National authorities will enforce the ban and may impose fines on companies that violate its requirements, including failing to maintain records for at least five years to support inspections. To help reduce the administrative burden, businesses may use existing customs and logistics codes when reporting the products they discard.

    Why recycling isn’t enough

    Recycling clothing can be a complicated and labor-intensive process. It often involves separating fabrics, dyes, synthetic fibers, and natural textile materials before they can be reused. That’s not to say it isn’t worthwhile. Instead of ending up in a landfill, recycled textiles can be turned into new clothing, home insulation, carpet padding, and other products.

    Still, recycling isn’t a cure-all. The EU hopes the new ban will encourage companies to keep usable clothing in circulation for as long as possible through resale, donation, reuse, or refurbishment before recycling becomes necessary. In doing so, the regulation aims to create a more circular economy rather than allowing piles of unused clothing to continue growing.

    This movement hopes to encourage clothing manufacturers to produce higher-quality products and reshape the industry as a whole. Making clothing from higher-grade materials with durable stitching that’s easier to repair can help reduce waste. While critics argue that doing so could reduce the number of garments sold each year, many say better-made clothing is worth the higher price—especially if consumers end up buying fewer replacement items over time.

    What can you do with old clothing?

    There are plenty of things you can do with old clothing around your home. If an item is too damaged to donate, its fabric can be repurposed for crafts or used as cleaning rags. And if you’re handy with a needle, there are countless ways to upcycle old clothes into new outfits, accessories, or other useful items with a little inspiration from the Internet.

    Giant corporations and everyday people alike can do their best to make the most of the materials they have, helping save money and reduce waste.

  • European Broadcasting Union offers guide to reduce sexualizing camera angles of Olympic women athletes
    Photo credit: CanvaA new guide has been introduced on how to respectfully broadcast woman athletes.

    Being an athlete is tough, especially if you’re an Olympian. They sacrifice their time and bodies in order to achieve peak physical condition. There is also the mental pressure to compete against the best. The last thing they should worry about is being objectified and sexualized online. 

    With this in mind, the European Broadcasting Union wants to help. They offered a booklet to broadcasters titled Raising the Bar: Guidelines for respectful media coverage in women’s athletics. The 23-page guide shows how camera placement choices and editing could potentially compromise an athlete. It also offers broadcasters guidelines for how to set up camera shots and show slow-motion replays that won’t sexualize or present athletes in undignified poses. 

    athletes, infographic, olympians, guide
    Screenshot

    Focusing on the sport, reducing harassment

    These guidelines come as multiple stories about women athletes being harassed online have surfaced. Many misogynistic posts about athletes have come from slow motion footage focused on certain parts of the athlete’s body. 

    “The sexualization of women athletes through selective camera angles and editing choices continues to be a significant concern across many sports broadcasts,” wrote Glen Killane, executive director of EBU Sport in the booklet. “Lingering shots on bodies, low-angle cameras that capture revealing views, and excessive slow-motion replays that serve no technical or storytelling purpose are among the issues observed in the media coverage of women’s athletics competitions today.”

    These new broadcast guidelines and suggestions are backed by Serbian long jumper Ivana Španović, British Olympic pole vaulter Holly Bradshaw, and Croatian high jumper Blanka Vlašić. Vlašić has spoken out regarding the equal visibility of women’s sports. Bradshaw has spoken out against the discomfort and sexualization of Olympic women athletes due to their tight-fitting uniforms.

    “I first-hand have received social media abuse and witnessed inappropriate videos online of myself and colleagues when slow motion content of us competing is captured,” wrote Bradshaw in the guide. “Athletes want to enjoy themselves doing the sport they love without feeling uncomfortable or anxious about the footage being shown live. Many athletes, myself included, have been in competitive scenarios where they are more focused on the cameras instead of their own performance.”

    What the guide provides

    The guide provides visual aids for broadcasters along with insights from the athletes to explain why certain shots would be preferred. Broadcasters are requested to avoid tight shots from the back of athletes. They’re also asked to avoid low camera angles from underneath. They recommend shots above the pelvis or ones that don’t linger onto commonly sexualized areas of the body. They recommend wider shots so the audience can see the technical ability being displayed by the athlete. Overall, the point is to focus on the athletic performance rather than close-ups of the athlete.

    Currently, there is no enforcement of these guidelines or penalties if a sports broadcast doesn’t adhere to them. However, there is value in knowing which broadcasts will focus on the athletic contests rather than an athlete’s appearance. This will help the competitors focus on how they do rather than how they look when the cameras are on.

  • The summer concert state rankings: Which states pack more festivals, shows, and tours in 2026
    Photo credit: Matthew Bolt // Icon Sportswire via Getty ImagesILLENIUM performs a free concert for fans prior to the start of Game 3 of the Stanley Cup Finals between the Vegas Golden Knights and the Carolina Hurricanes on June 06, 2026 at T-Mobile Arena in Las Vegas, Nevada.

    Trevor Mahoney

    Summer 2026 is shaping up to be one of the densest live music seasons in recent years. From packed festival calendars to a resurgent touring industry, a handful of breakout U.S. states are finally getting the traffic they deserve.

    Not all states are created equal when it comes to live music density, though. ThatsThem has compiled per-capita concert data, venue infrastructure metrics, and festival schedules from leading sources including the Recording Industry Association of America, Pollstar, and the National Independent Venue Association to create a list of 15 standout locations this summer.

    15 of the most concert-dense states in Summer 2026

    1. Nevada

    Las Vegas leads the nation in concerts per capita in 2026. According to an analysis on the website of Princess Polly, a clothing brand, nearly 3,500 concerts are listed in Las Vegas alone, translating to approximately 150.67 concerts per 100,000 residents. This is undoubtedly the highest concentration in the country. The residency model means the Strip always has something major running, regardless of the season, but the Las Vegas Summer Concert series is the standout event.

    2. Tennessee

    Nashville ranks second in concert density nationally, with 6.76 venues per 100,000 residents. This is the highest venue density among top-ranked cities and equates to 1,148 concerts in 2026. Bonnaroo’s return to Manchester, Tennessee in June anchors their summer calendar on top of nonstop club and arena action across the entire state.

    3. California

    California dominates by sheer volume alone. Research from the Recording Industry Association of America counts over 80,433 music establishments in the state, with music contributing more than $51.4 billion to gross domestic product. The summer calendar alone includes Outside Lands in San Francisco, a dense SoCal arena circuit, and Coachella’s long tail of satellite events that carry into the fall.

    4. New York

    New York generated $24.9 billion in music industry value and supports 210,878 music jobs in 2020, which is the highest job count among all states. The summer festival circuit reflects this depth. The Governors Ball, featuring Lorde and A$AP Rocky as headliners per Variety, is followed by a packed arena season through Labor Day.

    5. Illinois

    Chicago’s Lollapalooza remains one of the best-attended urban music festivals across the whole country, with around 100,000 people turning up per day. The city’s venue ecosystem, from the Riviera to the United Center, also keeps the calendar full beyond just a single festival weekend.

    6. Texas

    Texas punches well above its weight on music infrastructure, with over 127,993 songwriters and $26.6 billion in annual music industry economic output. In fact, it’s second only to California nationally. ACL Fest’s October dates are the main headliner event, but Austin’s live music scene means something notable is happening every weekend.

    7. Colorado

    Denver ranks fifth nationally for concert density, with 1,766 concerts listed in 2026 and 59.41 concerts per 100,000 people. The real draw, though, is Red Rocks. The event calendar of this outdoor amphitheater boasts a summer schedule that many serious concertgoers are planning vacations around this year.

    8. Georgia

    Atlanta holds the title of “premier U.S. city for music aficionados” according to one 2026 study highlighted by Spin Genie, scoring more than 8.74 points out of 10. The city boasts 188 upcoming events and 577 musical artists per 100,000 residents.

    9. Florida

    Florida’s music economy supports 169,706 jobs and adds $9.3 billion to the U.S. GDP, fueled by Latin, pop, and Southern rock scenes. Welcome to Rockville in Daytona Beach is their signature event, while the Latin and pop circuit continues to run year-round.

    10. Washington

    Seattle ranks 10th among top U.S. concert cities with 1,304 concerts listed in 2026. The city’s venue density, anchored by Climate Pledge Arena and a dense club circuit in Capitol Hill, helps to keep national tours running even in the summer months.

    11. Louisiana

    New Orleans ranks second nationally in SCCG Management’s live music city analysis, and The Big Easy plays host to three major festivals in 2026. With 302 concerts planned and an average concert attendance of 74, the city’s extensive live music culture is on full display this year, anchored by the genuine local community engagement as opposed to tourist capture alone.

    12. Minnesota

    Minneapolis ranks third among U.S. cities for live music in 2026 per the same SCCG Management study, with two major festivals, 1,055 concerts listed, and an average attendance of 52. The Twin Cities’ independent venue scene, most famous for First Avenue, is truly unmatched.

    13. North Carolina: The first breakout state

    Asheville has emerged as one of the most-cited breakout music cities in 2026, with more than 61 upcoming concerts and festivals listed on music resource Bandsintown alone, including AVL Sounds Fest in August and MAJACE Festival in July. The city is small enough that shows still feel like unexpected discoveries..

    14. Pennsylvania

    Pennsylvania supports 114,731 music jobs and generates $6.3 billion in music GDP, ranking among the top six states nationally for music economic contribution. This is spread across Philadelphia’s festival-heavy summer season and Pittsburgh’s growing independent venue scene.

    15. Idaho: The second breakout state

    Boise is also one of the most-cited “rising” live music markets in the U.S., with 2025 setting concert attendance records and 2026 already tracking to match or exceed them. What makes the city notable isn’t its scale, but the fact that national tours are now coming through as a primary stop.

    The music map is changing nationally

    The traditional top tier states of Nevada, New York, California, and Tennessee are all holding strong at the top of the list of most-visited states for music. However, the story of summer 2026 is the states on the rise. Colorado’s Red Rocks circuit, Atlanta’s per-capita chokehold, and the emergence of Asheville and Boise as new hot spots show that the live music scene is shifting dramatically.

    This story was produced by ThatsThem and reviewed and distributed by Stacker.

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