On December 30th, 2024, several men gathered with copies of their favorite fiction books for The Fiction Revival, a book club organized by Yahdon Israel, a Senior Editor at Simon & Schuster recently elected to the Center for Fiction Board of Directors. For nearly 10 years, Israel has also been running the Literaryswag Book Club.

Israel, who has become known for his openness about all aspects of book publishing on social media, recorded a video the previous July discussing the relationship between heterosexual men and fiction. He had recently read the essay “Why Are Americans Afraid of Dragons?” by renowned science fiction author Ursula K. LeGuin, originally published in 1974 and collected in her book The Language of the Night: Essays on Writing, Science Fiction, and Fantasy, re-released last year by Scribner. In the essay, LeGuin tries to understand why certain works of fiction hadn’t quite caught on in the U.S., and one of the conclusions she arrives at is that many men aren’t taught to read fiction. Broadly speaking, she believes, they’re not taught to embrace their imaginations, lest they be dismissed as “womanish” or “childish.” They are hardly taught to read for pleasure, she believes, but often taught to read for productivity.

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Books at the first meeting of the Fiction Revival book club Yahdon Israel

And while there are many exceptions, LeGuin’s ideas landed for Israel, who had felt this way himself. He remembered being amongst men as a young person, where a way you proved your worth was by what you knew, not what you could imagine. He saw this carry into adulthood, where as an editor he had more heterosexual men asking him for advice about nonfiction and self-help books than he did works of fiction. Indeed, the relationship between heterosexual men and fiction has been long-discussed, though often as a diagnosis rather than as a symptom. “Something that was coming up often in our meetings with marketing and publicity was how hard it was to break through to men [with fiction works], but specifically heterosexual men. When they would show demographics about what books were resonating with audiences, it was the most glaring disparity,” Israel says of surveys where people could self-identify. Based on the data he was seeing at work and in his own life, he wondered, how can straight men engage their imaginations through works of fiction, and then talk and think about what they feel? How would that affect the way they moved through the world?

By his own description, Israel doesn’t use fiction to escape, he uses it to question, to imagine different worlds. “What I love, and what I realized could be of use to heterosexual men, is reading books that challenged us to implore the muscle of curiosity as an entry point into compassion, into empathy and into a reimagining and a restructuring and a challenging of the assumptions of what it means for us to be men in a society that expects us to exist in one way,” he says. “There’s a necessary critique about how heterosexual men need to shift and reimagine the ways we inhabit our masculinity…There’s not a lot of compassion, and what that looks like is more of a hard critique of, well, patriarchy benefits men, and there’s this underlying assumption that men want to protect it.” Israel wanted to make the club in part to provide a way to not attack and critique and pathologize and blame, he says, but to answer the question, “What are we going to do to try to reverse harmful patriarchal thinking that hurts everyone, men included?” The Fiction Revival became a way in to reimagining what the future can look like for men. “Revival means to bring back to life. Men are dead inside, okay?” Israel says. “The imagination is going to bring us back to life. We’re going to bring ourselves back to life.”

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Attendees at the first Fiction Revival meeting. Yahdon Israel

At that first Fiction Revival meeting on December 30th, Israel asked everyone to bring their favorite work of fiction as a means of introduction. One man realized he didn’t have any fiction at his house, but wanted to contribute just the same. Throughout the first meeting, they discussed why they loved the works they brought, including books like Toni Morrison’s A Mercy, Zora Neale Hurston’s Their Eyes Were Watching God, Charles Portis’s True Grit, and more. They read their favorite sections and discussed the nature of men’s imaginations particularly, as Israel wrote on Instagram, “what we’ve lost, and continue to lose living in a society that makes us, as men, suspicious of our imaginations; and ultimately, what we stand to (re)gain in disciplining them. Not as punishment, but as practice.”

The second meeting took place on March 10th, and book club members read the short story collection A Lucky Man by Jamel Brinkley. At each meeting, Israel offers a prompt to start the meeting off. This time it was, “Which story resonated for you the most, and why?” Israel marveled at how eager participants seemed to be to connect with each other, to give each other space, and to respect the silence of a thoughtful moment.

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Attendees at the second Fiction Revival meeting. Yahdon Israel

The meeting arrived at what soon became a different point in Israel’s life. When we spoke for a second interview after the second meeting took place, he shared that in the days after it he experienced a mental breakdown and was diagnosed with severe depression. He wants me to run this in the piece about the book club, he says, because for him it’s an important part of why the club exists at all. He remembers a James Baldwin quote from the author’s essay collection Nobody Knows My Name: More Notes of a Native Son, published in 1961: “Though we do not wholly believe it yet, the interior life is a real life, and the intangible dreams of people have a tangible effect on the world.” For him, this is the role that fiction plays. “It reminds me, it helps me recognize the importance of my interior life, because so much of fiction is about the interiority of character,” he says, and for him, reading fiction can help men recognize this as well, to know that “those feelings are real. They matter. They have names, but they also have ramifications.” Down the line, Israel also sees the book club as potentially part of a larger network that offers mental health and career counseling. For now, the book club meets once a month, and interested parties can learn more about attending in New York on the club’s Instagram.

So yes, The Fiction Revival is about getting heterosexual men to read fiction, but it’s really about so much more than that. Instead of continually telling men that they’re broken, it instead offers them a place to try to begin to heal. “Fiction teaches you how to empathize with other people,” he says. “In the frame of the book club I’m doing, it’s going to help us recognize what’s in us.”

  • Woman documents her nephew’s late night culinary quests as the viral ‘Midnight Chef’
    Photo credit: @midnightchef_amir on InstagramAmir Jackson's late night cooking is going viral.
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    Woman documents her nephew’s late night culinary quests as the viral ‘Midnight Chef’

    A 15-year-old cooking late night snacks is inspiring the Internet.

    One night in Apple Valley, California, Morgan Graham rose in the middle of the night. A smell had woken her up. It was pleasant, but at 11:28 p.m. she wasn’t expecting to smell delicious cooking. She went down into the kitchen to see her 15-year-old nephew, Amir Jackson, baking cookies.

    This was the first of several viral videos of Graham’s nephew cooking up a storm late at night. Jackson, who has been staying with his aunt during the summer, is taking advantage of her kitchen to whip up some sumptuous snacks.

    Birth of a Midnight Chef

    Nearly every night, Graham wakes up around midnight to the smell of cookies, cornbread, tacos, or whatever her nephew wants to prepare.

    “I don’t care,” said Graham in the initial video. “He’s very responsible. He’s not gonna burn the house down, so therefore, cook whatever you want.”

    Graham further explained in the video that Jackson looks at recipes daily. He also rummages through her pantry during the day to search for ingredients for his nightly cooking fest. 

    “In his world, he’s having the time of his life. In my world, I just want to stop waking up close to midnight to the smell of food,” Graham joked.

    Graham’s videos featuring her nephew have racked up millions of views on TikTok and Instagram. The commenters soon bestowed the nickname “Midnight Chef” upon Jackson, to general delight. In another video, Jackson explained he liked the peace and quiet of the night while preparing his dishes.

    “I was like, ‘Man, I could go for some cookies right now.’ I saw they had cookie dough, so I started just making them, just randomly,” Jackson told TODAY. “I was trying to make sure nobody was up. My thought process was just like, ‘Man, why not?’”

    Graham is encouraging her nephew to keep cooking even though it wakes her. In fact, Graham set up Jackson’s own Midnight Chef Instagram page for him to post his latest recipes.

    “I just want to experiment while I still got the chance to experiment. I’ll maybe like branch into different fields,” said Jackson. “Explore what I can do while I still got time to.”

    Why do we indulge in late night snacking?

    Jackson’s popularity has brought up a commonly asked question: Why do we crave food randomly in the middle of the night?

    Well, there’s actually a bit of science behind it. Turns out that late night snacking is a result of our circadian rhythm system. As part of our now-defunct survival mechanism, our ancestors would eat large meals at night to store energy in times of famine. This is also why most midnight snackers crave foods higher in fat, salt, and sugar compared to what they’d usually eat during the day. While there’s nothing inherently wrong with late night snacking, it could curb certain health goals if a person is trying to trim down.

    If you find yourself getting up in the middle of the night with a hankering for a snack, it may be worth taking a peek at Jackson’s videos. Who knows what kind of late night cooking it can inspire? Perhaps you’ll become a Midnight Chef yourself.

  • European Union enforces ban on destroying unsold fast-fashion clothing by major companies
    Photo credit: CanvaThe European Union hopes to reduce fast-fashion waste.

    A new rule adopted by the European Union is intended to reduce landfill waste while holding major clothing manufacturers accountable.

    Starting July 19, the EU prohibits large companies from destroying unsold clothing, accessories, and shoes under the Ecodesign for Sustainable Products Regulation (ESPR). The regulations will expand to cover medium-sized companies in 2030.

    Fast fashion has become a major environmental concern. As retailers rapidly cycle through trends, unsold clothing often ends up in landfills or is destroyed to make room for new inventory. Many garments are made from synthetic fibers that can release greenhouse gases as they break down and shed microplastics that may contaminate soil and waterways.

    What’s the ban’s purpose?

    The ban is intended to reduce the amount of unsold clothing that large manufacturers dispose of. According to the European Environment Agency, between 264,000 and 594,000 tonnes of unused textiles are destroyed across Europe each year.

    Instead of destroying unsold clothing, companies will need to find other ways to keep those products in use. That could mean selling excess inventory at a discount, donating it to charities or social enterprises, or preparing it for reuse through repair, refurbishment, or remanufacturing. When those options aren’t feasible, the materials can be recycled.

    While the regulation is primarily focused on reducing the fashion industry’s environmental impact, the EU also hopes it will strengthen the economy by encouraging more sustainable business practices. The ban incentivizes companies to design products that are more resource-efficient, durable, reusable, and easier to repair or recycle. In turn, consumers should benefit from higher-quality products that last longer and generate less waste.

    Companies may destroy unsold clothing and footwear only in limited circumstances, such as when the items are damaged, unsafe, counterfeit, infringe intellectual property rights, or have been rejected by charitable organizations. Businesses relying on these exemptions must provide supporting documentation, such as test results or other records, to justify the destruction. Even then, they must follow the EU’s waste hierarchy, which prioritizes reuse and recycling over disposal. Companies are also required to publish annual reports detailing the unsold products they have discarded.

    National authorities will enforce the ban and may impose fines on companies that violate its requirements, including failing to maintain records for at least five years to support inspections. To help reduce the administrative burden, businesses may use existing customs and logistics codes when reporting the products they discard.

    Why recycling isn’t enough

    Recycling clothing can be a complicated and labor-intensive process. It often involves separating fabrics, dyes, synthetic fibers, and natural textile materials before they can be reused. That’s not to say it isn’t worthwhile. Instead of ending up in a landfill, recycled textiles can be turned into new clothing, home insulation, carpet padding, and other products.

    Still, recycling isn’t a cure-all. The EU hopes the new ban will encourage companies to keep usable clothing in circulation for as long as possible through resale, donation, reuse, or refurbishment before recycling becomes necessary. In doing so, the regulation aims to create a more circular economy rather than allowing piles of unused clothing to continue growing.

    This movement hopes to encourage clothing manufacturers to produce higher-quality products and reshape the industry as a whole. Making clothing from higher-grade materials with durable stitching that’s easier to repair can help reduce waste. While critics argue that doing so could reduce the number of garments sold each year, many say better-made clothing is worth the higher price—especially if consumers end up buying fewer replacement items over time.

    What can you do with old clothing?

    There are plenty of things you can do with old clothing around your home. If an item is too damaged to donate, its fabric can be repurposed for crafts or used as cleaning rags. And if you’re handy with a needle, there are countless ways to upcycle old clothes into new outfits, accessories, or other useful items with a little inspiration from the Internet.

    Giant corporations and everyday people alike can do their best to make the most of the materials they have, helping save money and reduce waste.

  • European Broadcasting Union offers guide to reduce sexualizing camera angles of Olympic women athletes
    Photo credit: CanvaA new guide has been introduced on how to respectfully broadcast woman athletes.

    Being an athlete is tough, especially if you’re an Olympian. They sacrifice their time and bodies in order to achieve peak physical condition. There is also the mental pressure to compete against the best. The last thing they should worry about is being objectified and sexualized online. 

    With this in mind, the European Broadcasting Union wants to help. They offered a booklet to broadcasters titled Raising the Bar: Guidelines for respectful media coverage in women’s athletics. The 23-page guide shows how camera placement choices and editing could potentially compromise an athlete. It also offers broadcasters guidelines for how to set up camera shots and show slow-motion replays that won’t sexualize or present athletes in undignified poses. 

    athletes, infographic, olympians, guide
    Screenshot

    Focusing on the sport, reducing harassment

    These guidelines come as multiple stories about women athletes being harassed online have surfaced. Many misogynistic posts about athletes have come from slow motion footage focused on certain parts of the athlete’s body. 

    “The sexualization of women athletes through selective camera angles and editing choices continues to be a significant concern across many sports broadcasts,” wrote Glen Killane, executive director of EBU Sport in the booklet. “Lingering shots on bodies, low-angle cameras that capture revealing views, and excessive slow-motion replays that serve no technical or storytelling purpose are among the issues observed in the media coverage of women’s athletics competitions today.”

    These new broadcast guidelines and suggestions are backed by Serbian long jumper Ivana Španović, British Olympic pole vaulter Holly Bradshaw, and Croatian high jumper Blanka Vlašić. Vlašić has spoken out regarding the equal visibility of women’s sports. Bradshaw has spoken out against the discomfort and sexualization of Olympic women athletes due to their tight-fitting uniforms.

    “I first-hand have received social media abuse and witnessed inappropriate videos online of myself and colleagues when slow motion content of us competing is captured,” wrote Bradshaw in the guide. “Athletes want to enjoy themselves doing the sport they love without feeling uncomfortable or anxious about the footage being shown live. Many athletes, myself included, have been in competitive scenarios where they are more focused on the cameras instead of their own performance.”

    What the guide provides

    The guide provides visual aids for broadcasters along with insights from the athletes to explain why certain shots would be preferred. Broadcasters are requested to avoid tight shots from the back of athletes. They’re also asked to avoid low camera angles from underneath. They recommend shots above the pelvis or ones that don’t linger onto commonly sexualized areas of the body. They recommend wider shots so the audience can see the technical ability being displayed by the athlete. Overall, the point is to focus on the athletic performance rather than close-ups of the athlete.

    Currently, there is no enforcement of these guidelines or penalties if a sports broadcast doesn’t adhere to them. However, there is value in knowing which broadcasts will focus on the athletic contests rather than an athlete’s appearance. This will help the competitors focus on how they do rather than how they look when the cameras are on.

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