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Despite Chevron’s public comments in support of the Black Lives Matter movement, Global Witness finds that Chevron gives over four times more campaign funding to US politicians who fail to uphold racial justice and civil rights legislation.

As the United States faces a watershed moment in the country’s movement for racial justice, Chevron is aiming to portray itself as an ally to Black communities with public statements of solidarity in the struggle against systemic racism. However, Global Witness found that behind the scenes, the company funnels hundreds of thousands of dollars through its political action committee to politicians whose civil rights voting records earned “F” grades from the NAACP[1]. According to a Global Witness analysis, Chevron gave over 4 times more in political funding to candidates with “failing” civil rights grades than to politicians with “passing” grades, as scored by the civil rights organization’s 2019 Legislative Civil Rights Report Card for the 116th Congress.



In the aftermath of the brutal and highly visible police killing of George Floyd in Minneapolis, Minnesota late May 2020, millions of people flooded the streets in major cities and small towns alike to vocally oppose longstanding police violence and racism. Corporations took to social media to publicly show their support for the Black Lives Matter movement. Yet, while companies like Netflix, Citigroup, and Amazon voiced their support, the fossil fuel industry was largely silent, with just a few releasing statements in the days that followed. Chevron was the only major US oil company to do so.




It wasn’t the first statement on racial justice to come from Chevron. The oil major, which calls itself a “human energy company,” has previously spoken out on racial justice issues. The company has boasted commitments to diversity and inclusion, highlighted partnerships with historically Black colleges and universities, and cited efforts internally to improve diversity in their workforce, including among leadership. Following Floyd’s death, the company tweeted their solidarity and shared statements from top executives.

But behind the public persona, Chevron is propping up politicians who consistently work to oppose and dismantle policies that would further racial justice and equality. According to public campaign finance records[2] for the current election cycle spanning 2019 and 2020, Chevron has given at least $529,500 through its political action committee to US Congressmembers with failing civil rights grades, as scored by the NAACP. This compares to $124,000 given to politicians with passing grades.

Nearly half of Congress received a failing grade from the NAACP, largely falling on partisan lines. However, 80% of the members of Congress whom Chevron has contributed to have failing civil rights marks. Many elected officials with poor civil rights records are also key advocates for the oil and gas industry, and Chevron is notorious for its massive political spending to push pro-industry interests[3]. But it appears the company’s political spending also props up politicians who use their positions of power to further entrench racial injustice.

For example, Chevron has contributed to Sen. Tom Cotton (R-AR), who recently penned a disturbing New York Times op-ed calling to “Send In the Troops” in response to ongoing protests against police brutality and racism. His argument to deploy the military on protestors caused many to point out how Cotton’s call to arms would put Black residents at risk.

In response, Cotton defended his article and referred to the backlash as the newsroom’s “woke progressive mob.” The senator, who called for justice for George Floyd in a sparse resolution also opposing calls to defund police, received a dismal NAACP civil rights score of 7%. His poor civil rights voting record is largely due to judicial confirmations that risk dismantling civil rights law, such as the appointment to an appeals court of Steven Menashi, the author of a controversial 2010 academic article appearing to promote ethnonationalism.

Or look to Sen. John Cornyn (R-TX), the former Republican Senate Majority Whip who maintains a tremendous amount of influence in the party. Chevron gave the maximum possible donation to Cornyn as limited by FEC guidelines[4]. In the aftermath of Floyd’s killing, the senator said it was a reminder that “we have a long way to go in the fight for equal justice under the law,” and recently joined a handful of his Republican colleagues in a working group on legislation to overhaul policing. But he then went on to reject the notion that systemic racism within policing and beyond exists in the United States, seeming unable to accept the notion of implicit racial bias.

The Texas senator, who earned a disgraceful 7% civil rights score, is also cozy with fossil fuel interests. He is the top recipient of oil and gas money across the board, and recently introduced a bill to gift oil and gas companies a government handout amid the coronavirus pandemic.




Then there’s Sens. Martha McSally (R-AZ), Joni Ernst (R-IA), Steve Daines (R-MT), Cory Gardner (R-CO), and Thom Tillis (R-NC) – all of whom received maximum contributions from Chevron and failing grades from the NAACP. They all make up part of a joint fundraising committee that includes a former conservative talk radio host with a well-documented history of racist and misogynistic comments.

McSally, who joined Senator Cotton in introducing the modest resolution calling for justice for Floyd, has also advanced hateful rhetoric. In 2018, she proposed, apparently in jest, a border wall between California and Arizona designed “to keep these dangerous criminals out of [the] state,” in a reference to California’s sanctuary city policies to not cooperate with federal immigration enforcement. At the same time, she has been criticized for putting Big Oil ahead of the public health of her constituents and hosts an overwhelmingly anti-environment voting record.

When asked by Global Witness about its funding of politicians with failing civil rights records, Chevron reiterated its support for diversity and inclusion in the workplace and said: “We support candidates based on a wide number of factors including their views towards the need for affordable, reliable and ever cleaner energy. We engage with and support many elected officials who take positions on a wide range of issues. We are not always aligned with all of their views but it is important for us to be part of the dialogue and share our perspectives, including those on diversity and inclusion, with candidates.”

A pattern of hypocrisy

But Chevron’s spending doesn’t just go to politicians with poor racial justice records, they also give substantial amounts to outside groups. For instance, Chevron contributed $1.625M to the Senate Leadership Fund (SLF), a super-PAC tied to Senator Mitch McConnell (R-KY). The SLF has pledged nearly $11M in advertising through state-based affiliates to support McConnell, who as Senate Majority Leader has arguably been the largest single roadblock to progress on racial justice through the legislative process in recent years.

Consider “The Voting Rights Advancement” Act of 2019, an effort to restore and build upon the landmark civil rights legislation of 1965 that tackled racial discrimination in voter suppression. The 2019 bill passed in the House of Representatives, but has been blocked by McConnell for the better part of the year. Just this week, Democrats renewed calls to allow a vote in honor of the recent passing of civil rights icon and champion of the Voting Rights Act, Rep. John Lewis (D-GA). Yet McConnell has so far indicated no intention of doing so.

For all its lip service to racial justice and equality, Chevron’s backing doesn’t end with politicians who push hateful rhetoric and dismantle civil rights policies. In an analysis on corporate ties to police foundations, LittleSis found that Chevron holds a spot on the Houston Police Foundation board and previously partnered with the foundation to host a law enforcement conference in Houston. Police foundations, which partner with corporations to raise money that supplements police budgets, enable spending on technology and weaponry with little public oversight. Chevron’s ties to this police foundation show a willingness to ignore the calls of the Black Lives Matter movement to dismantle the systemic racism of policing even as they claim to support it.

The oil major also operates in insidious ways that directly oppose their proclamations of solidarity with marginalized populations. Just last month, E&E News revealed Chevron was likely behind a public relations scheme to convince journalists to push the message that environmentalists advance “radical” climate policies, such as the Green New Deal, that would hurt minority communities. The apparent slip-up listed Chevron’s name at the bottom of the press release, though Chevron has denied involvement in the campaign. The revelation, however, shows efforts to peddle a false narrative around environmental policies by stoking racial divides.

Time and again Chevron’s actions go against their proclamations. As many have ardently pointed out, including Drilled’s Amy Westervelt, Chevron’s #BlackLivesMatter statements ignore the charges of environmental racism perpetuated against communities of color where the company has polluted for generations.

In Richmond, California, where Chevron has presided since 1902, more than 80% of residents are people of color. Organizers from these communities have long fought for their health and safety, battling in the courts to try and hold Chevron to account for pollution violations and failed safety measures. Health conditions disproportionately impact Richmond residents, where children have roughly twice the rate of asthma as in neighboring areas and every community bordering Chevron’s facility is in the 99th centile for the respiratory illness. This is particularly alarming given the ongoing coronavirus pandemic that is thought to be exacerbated by air pollution and pre-existing respiratory conditions, and which impacts Black and Brown lives disproportionately.

Chevron actively harms the movement for racial justice they claim to support – in their operations, their public relations and their political funding. Their donations finance politicians who perpetuate systemic racism in the United States by barring legislation that would advance racial justice, confirming judges opposed to civil rights laws, and pushing policies that disproportionately harm communities of color. Chevron publicly claims to be an ally to Black communities and the Black Lives Matter movement, yet in reality they are part of the system that upholds structural racism in the US.

This article originally appeared on Global Witness. You can read it here.

  • Why Michelangelo’s ‘Last Judgment’ endures
    Photo credit: Sistine Chapel collection via Wikimedia CommonsMichelangelo’s 16th-century fresco ‘The Last Judgment.’
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    Why Michelangelo’s ‘Last Judgment’ endures

    A restored masterpiece still provokes awe and debate.

    Michelangelo’s fresco of “The Last Judgment,” covering the wall behind the altar of the Sistine Chapel in Vatican City, is being restored. The work, which started on Feb. 1, 2026, is expected to continue for three months.

    The Sistine Chapel is one of the great masterpieces of Renaissance art. As the setting where the College of Cardinals of the Catholic Church meets to elect a new pope, it was decorated by the most prestigious painters of the day. In 1480, Pope Sixtus IV commissioned Domenico Ghirlandaio, Sandro Botticelli, Pietro Perugino and Cosimo Rosselli to paint the walls. On the south are six scenes of the “Life of Moses,” and across on the north are six scenes of the “Life of Christ.”

    In 1508, Pope Julius II commissioned Michelangelo to paint the ceiling. The theme is the Book of Genesis, the first book of the Bible. The images show God creating the world through the story of Noah, who was directed by God to shelter humans and animals on an ark during the great flood. The ceiling’s most famous scene may be “God Creating Adam,” where Adam reaches out his arm to the outstretched arm of God the Father, but their fingers fail to meet.

    At the sides, the artist juxtaposed the male Hebrew prophets and the female Greek and Roman sybils who were inspired by the gods to foretell the future. It was completed in 1512; then in 1536, Michelangelo was asked to create a painting for the wall behind the altar. For this immense work of 590 square feet (about square meters), filled with 391 figures, he labored until 1541. He was then nearly 67 years old.

    As an art historian, I have been aware how, from the beginning, Michelangelo’s “The Last Judgment” sparked controversy for its bold and heroic portrayal of the male nude.

    Many layers of meaning

    Michelangelo liked to consider himself primarily a sculptor, expressing himself in variations of the nude male body. Most famous may be the Old Testament figure of David about to slay Goliath, originally made for the Cathedral of Florence.

    The artist’s ceiling for the Sistine Chapel had included 20 nude males as supporting figures above the prophets and sibyls. Originally, Michelangelo’s Christ of “The Last Judgment” was entirely nude. A later painter was hired to provide drapery over the loins of Christ and other figures.

    “The Last Judgment” scene also contains multiple references to pagan gods and mythology. The image of Christ is inspired by early Christian images showing Christ beardless and youthful, similar to the pagan god of light, Apollo.

    A section of a fresco shows a naked man bound by a coiling snake, and donkey's ears, surrounded by beastlike figures.
    Group of the damned with Minos, judge of the underworld. Sistine Chapel Collection, Michelangelo via Wikimedia Commons

    At the bottom of the composition is the figure of Charon, a personage from Greek mythology who rowed souls over the river Styx to enter the pagan underworld. Minos, the judge of the underworld, is on the extreme right.

    Giorgio Vasari, a fellow artist and historian who knew Michelangelo personally, later recounted the criticism by a senior Vatican official, Biagio da Cesena. The official stated that it was disgraceful that nude figures were exposed so shamefully and that the painting seemed more fit for public baths and taverns.

    Michelangelo’s response was to place the face of Biagio on Minos, the judge of the underworld, and give him donkey’s ears, symbolizing stupidity.

    A painted scene shows a bearded man holding a knife in one hand and a flayed skin with a human face in the other, while another figure sits just behind him.
    A detail of a scene connected to the Apostle Bartholomew in ‘The Last Judgment.’ Sistine Chapel Collection via Wikimedia

    Michelangelo included a reference to his own life in a detail connected to the Apostle Bartholomew, who is located to the lower right of Christ. The apostle was believed to have met his martyrdom by being flayed alive. In his right hand, he holds a knife and, in his left, his flayed skin whose face is a distorted portrait of the artist.

    Michelangelo thus placed himself among the blessed in heaven, but also made it into a joke.

    Thought-provoking imagery

    The Last Judgment is a common theme in Christian art. Michelangelo, however, pushes beyond simple illustration to include pagan myths as well as to challenge traditional depiction of a calm, bearded judge. He uses dramatic imagery to provoke deeper thought: After all, how does anyone on Earth know what the saints do in heaven?

    In these decisions, Michelangelo displayed his sense of self-confidence to introduce new ideas and his goal to engage the viewer in new ways.

    A digital reproduction of the painting will be displayed on a screen for visitors to the Sistine Chapel during this period of restoration. Behind the screen, technicians from the Vatican Museums’ Restoration Laboratory will work to restore the masterpiece.

    This article originally appeared on The Conversation. You can read it here.

  • Students go for a world record with group drumming rendition of “Beggin”
    Photo credit: CanvaA music teacher plays drums with a student.

    Drum instructor Patrick Abdo doesn’t simply direct a children’s recital—he launches into a full-body celebration of music. In an Instagram post gaining widespread attention, he leads 10 children, ages 5 to 10, in a drumming rendition of the Måneskin song “Beggin’.”

    As the kids bang the drums in rhythmic unison and parents watch, beaming with pride, the room pulses with energy. But what makes the performance all the more magnetic isn’t simply the precision of the young drummers—it’s Abdo’s infectious excitement.

    Abdo guides kids to an impressive musical moment

    In the video, captioned “A record like no other!,” the 10 kids each have their own drum kit arranged in a circle around a large room. As the music starts, Abdo takes the lead, instructing the young musicians and wildly raising his arms to the rhythm. He keeps perfect time with his air drumming, and the kids follow.

    These young drummers do a fantastic job, fully committed and bringing the focus and skill needed to pull off such a high-octane song. Yet it’s nearly impossible not to have your attention drawn to the teacher. Abdo radiates an infectious belief in every child in the room.

    This type of wholehearted encouragement feels increasingly rare, and it’s wonderful to watch. As proud parents smile from the sidelines, he moves through the room, connecting with each student. With each burst of encouragement, the recital transforms into something special.

    There is little publicly available information about Abdo’s background. His breakout visibility appears tied to short-form drum lesson videos posted on his Instagram page. His profile lists Dubai as his location, and his bio reads, “My dream is to recreate School Of Rock MENA [Middle East North Africa] version.”

    The good-vibes energy inspires people

    The video quickly became impossible to scroll past. Views steadily increased, and so did the comments. The appreciation for both the synchronized performance and Abdo’s teaching style offers a moving example of mentoring at its best. As much as viewers loved the kids’ musical showcase, many seemed even more inspired by Abdo’s uplifting and engaging style:

    “They shut it down for real !!!The instructor deserves an applause”

    “I love the teacher !! So enthusiastic, motivating and you can tell he loves these kids!!!”

    “well done to that teacher and all the children — luv this”

    “This teacher has incredible enthusiasm which inspires all the kids to work so hard to get it!”

    “Wow, the instructor’s patience and passion for his work are truly admirable!”

    “This is called perfection.”

    “The teacher’s passion! The talented, focused kids!”

    Great teachers and mentorship matter

    There is simply no denying the value of great teachers and mentors. Everyone benefits from guidance and encouragement, especially young people. Research in 2025 found that mentored youth were 20% more likely to attend college, earn higher incomes, and exhibit better behavior. A 2023 trial conducted by Big Brothers Big Sisters of America found measurable improvements in social and emotional well-being.

    A 2022 study found that mentorship increased retention and promoted success. The benefits extend to mentors as well, offering opportunities to build enduring relationships that evolve and provide value over time.

    The music recital had the Internet buzzing over its great energy and the joy of watching kids go for it. Inspiring mentorship may be the real power behind Abdo’s musical instruction. Whether viewers remember a beloved teacher or recognize the one they wish they’d had, the right mentor can stay with a child long after the music stops.

  • A BBC crew broke ‘cardinal rule’ of nature documentaries to save trapped penguins
    Photo credit: CanvaPenguins jumping off a glacier into the water.
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    A BBC crew broke ‘cardinal rule’ of nature documentaries to save trapped penguins

    Even the show’s narrator, David Attenborough, supported the controversial decision to step in.

    Nature documentaries operate on a single, golden rule: observe, record, but never interfere. The goal is to capture the raw, unscripted reality of the natural world, even when that reality is brutal. But during the filming of the BBC Earth series Dynasties, a situation arose that was so dire, the crew felt compelled to break that cardinal rule.

    The incident, which took place in November 2018, involved a colony of Emperor penguins in Antarctica. A massive storm had hit, dropping temperatures to minus 50 degrees Celsius (minus 76 degrees Fahrenheit) and trapping a large group of mothers and chicks in a steep, icy ravine.

    Separated from the safety of their rookery, the birds were helpless. The mothers, cradling their chicks, were unable to climb the slick, vertical slopes.

    Emperor penguins, BBC Earth, David Attenborough, Antarctica, nature documentary
    Penguins march across the ice. Photo credit: Canva

    The situation was desperate. Some chicks had already been abandoned and frozen to death in the gully, while predators circled the survivors. The emotional toll on the crew was immense. As one cameraman told Country Living, “I know it’s natural, but it’s bloody hard to watch.”

    Faced with the potential extinction of the entire group, the team made a controversial choice.

    “It was not a straightforward decision by any stretch of the imagination,” director Will Lawson explained in an interview with Lorraine. “You just have to look at the facts that are in front of you before you make a decision like that.”

    Once the storm broke, the crew decided to intervene, but they did so “passively.” They didn’t lift the birds; instead, they used their tools to dig a shallow ramp into the ice, creating a path the penguins could potentially use to escape on their own.

    “Once we’d dug that little ramp, which took very little time, we left it to the birds. We were elated when they decided to use it,” Lawson told Country Living, noting that there is simply no “rule book” for such extreme scenarios.

    The footage of the penguins waddling up the man-made ramp to safety became a defining moment for the series. Even Sir David Attenborough, a staunch defender of non-intervention, backed the move.

    “It’s very rare for the film crew to intervene. But they realize that they might be able to save at least some of these birds, simply by digging a few steps in the ice,” Attenborough said.

    Producer Mike Gunton agreed, framing it as a moral imperative rather than a documentary breach. “We have a rule that interfering is a very dangerous thing to do. But these penguins were going to die through a freak act of nature if nothing happened,” he said. “How would this conversation be going if you said you saw them there and did nothing? I think you have to do it.”

    The intervention was passive, but the result was profound. The colony survived, and the crew walked away with clear consciences. As Attenborough concluded, “To have done anything else would only make matters worse and distort the truth.” 

    This article originally appeared two years ago. It has been updated.

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