On June 1, Shepherdstown, West Virginia will get its first-ever Pride parade. It is organized by performer and activist Joan Marie Moossy, who moved to the town permanently from New York City in 2022 after years of being a part-time resident. Moossy, now 70, experienced queer activism and community throughout her time in New York, where she counted as mentors and friends the great avant-garde performer Ethyl Eichelberger and Gilbert Baker, creator of the Pride flag. It was from people like them, she says, that she learned about the power of activism—that it really could create positive change and progress.

So, create she did. Shepherdstown, also home to Shepherd University, has a longstanding reputation for being queer friendly, one Moossy herself experienced for the first time over 30 years ago. This past October, Moossy’s idea for a Pride parade received a bounty of support from the Shepherdstown Town Council and local businesses, and it becomes a reality June 1 at 6 p.m. The town is a small one–about 1,537 people as of 2023– and the parade will travel the length of about two blocks, as the town’s other parades do. Moossy anticipates 25 groups–including everyone from the ACLU of West Virginia to Kevin Bacon’s SixDegrees charity to the Shepherdstown Presbyterian Church, among many others. In all, as many as 175 people will be marching in it. Local businesses have stepped up and created their own Pride programming for the weekend as well, all with the parade at its core.

The theme will be “Historic Firsts,” much like the parade itself, and will focus on the town’s LGBTQ+ history. Its Grand Marshal will be Rosemary Ketchum, the first openly trans person to be elected to public office in the state, and it will also feature salutes to Silas Starry (the town’s mayor and one of the country’s earliest openly gay elected officials) and Stephen Skinner, who became the state’s first out gay legislative member of the West Virginia House of Delegates when he was elected in 2013. Though the town previously had Pride festivities organized by John J. Mason and DJ Jearbear (who will also be honored during the parade), events like these hadn’t appeared in the city until 2014.

“I think it’s important to stand up and celebrate,” Moossy says of the parade, but for her it also extends to life in general. “I think it’s important to have fun…I tell all my young friends, the most revolutionary thing you can do right now is to be happy, and that having fun is an act of defiance.”

GOOD spoke to Moossy about the parade, queer Southern living, activism, and more.

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This homemade banner will appear in Shepherdstown, West Virginia's first ever Pride parade on June 1. Joan Marie Moossy

What made you move to Shepherdstown from New York?
My parents moved here in 1991 from Pittsburgh, and so I’ve been coming down here ever since. In 2012, I inherited the house. For 10 years, I went back and forth between here and New York. In 2022, I decided to move out of my New York apartment and come down here permanently. And it’s been great. I had done a few LGBTQ+ activities here before in 2018–I donated 100 rainbow flags for the businesses to put up during Pride, and that was really beautiful. I also worked with GLAAD and the local Pride organization to do a Trans Awareness Workshop, and that was an incredible experience. When I moved here permanently, I thought, I want to do something else. I thought of the idea of the Gay Pride Parade, just because they’d never had that. They had a picnic in Morgan’s Grove Park and a couple of years of street fairs, but they petered out. I proposed to have an annual Gay Pride Parade and I picked June 1 because I thought we could kick off Pride in the region and do some work promoting the other Pride organizations and towns around here.

What were your interactions with queer activism and queer life in New York?
I pretty much lived my whole adult life in the gay community. I was very lucky to work with Ethyl Eichelberger in the 80s, and he was a well-known avant-garde playwright by the time I started working with him, which helped kick-start my career as an actress. That was an extremely lucky thing for me. He wrote parts for me in his plays and was one of the great mentors of my life in general. In the 90s, I was lucky to meet and make friends with Gilbert Baker, who created the original rainbow flag in 1978 in San Francisco. He was another big influence on me in terms of designing protests, with the type of banners you make and how to make them. I was inspired that someone I knew personally was able to change the world, because he didn’t just design the flag, but he worked his whole life to make it a ubiquitous symbol around the world for gay people, and it worked. That impressed me and made me believe that I could change the world, too. So that’s what I’m always striving for. Even the smallest thing that can make an impact in someone else’s life can go on to have a cultural impact in society. I was very lucky in New York to have a lot of high point experiences that very deeply influenced me with the idea that activism could work, that you could work hard at something and get a good, big win out of it, in terms of moving the culture forward. I know we’re kind of in a regressive period right now. Of course, progress doesn’t always go on a linear continuum. The LGBTQ+ community is under attack, especially our trans siblings. I wanted to step up and have an influence, especially on young activists, to show that if you keep working, you can win on certain issues and remind people that we’ve had a lot of big wins over the years to recognize LGBTQ+ people as major contributors in our society. These kinds of wins are important, inspiring the next generation of activists not to feel like we’re just always losing. We’ve had big wins, and we’re gonna win again.

queer history, shepherdstown, west virginia, banner, pride
The theme of Shepherdstown's first Pride parade is Joan Marie Moossy

What was your experience of Shepherdstown’s relationship to the LGBTQ community when you arrived?
When my parents moved here in 1991 I came and spent about three weeks here when they were in Europe. When they came back, I said, hey, you know you moved to a gay town, right? I just saw so many gay people here. My parents went on to be very close with a lot of gay couples that were their age. Shepherdstown has a long history of gay residents, and still does. There’s still a lot of LGBTQ+ people. We’ve got a lot of young queer people here, which I saw very clearly demonstrated when I went this fall to the Appalachian Queer Film Festival. We currently have a gay mayor, James Gatz, and he’s the third gay mayor here. We have Shepherd University, so we have a constant influx of young people. I think that creates a very big interest and brings in a lot of kids who feel safe and queer here.

Why do you think the parade is important now?
I think it’s important to stand up and celebrate. I think it’s important to have fun. I tell all my young friends, the most revolutionary thing you can do right now is to be happy and having fun is an act of defiance. I wanted to have just a quick, wild, crazy celebration where everybody had a really good time. Our parade route is only two blocks long. It’s a small town, so even the Christmas parade that has 100 groups marching in it only takes an hour. We have 25 groups, and it will probably be about 20 minutes to half an hour. That’s why I say fast and furious. But I think it’s going to be very colorful and fun, and then there’s so much else to do. It’s going to be over by about 6:30pm, which is dinner time. This is a tourist town, so of course, there’s a lot of beautiful restaurants and wonderful shops, and there’s going to be a drag show afterward. There’ll be lots for people to do–hang out, shop in town, enjoy the evening and get to know that this is a gay-friendly town. People are welcome here.

When I proposed the idea of a Gay Pride Parade in October, I got a unanimous yes right away. I expected to wait a few weeks to hear. Since then, the businesses have just stepped up right behind me to be incredibly supportive. We’ve got the all-day Countdown to Pride event on Saturday hosted by The Roving Peregrine Theater Company. Kinky Boots is going to show at the local movie theater on Saturday, too. And then on Sunday, before the parade, the Shepherdstown Presbyterian Church is going to have two Pride services in the morning. A yoga group called Mahalo Wellness is going to conduct a free yoga session, and then the local bookstore, Four Seasons Bookstore, is going to have a Banned Books Club meeting, and they’re going to discuss Gender Queer by Maia Kobabe. The parade will be at 6 p.m. and after the parade, there’ll be a drag show at Panagiota’s Taste of Greece restaurant. That’ll be hosted by Chasity Vain, and it’s called the Royal Revue. The drag community is very big in this region, very supportive of one another, and has been incredibly supportive of the parade. So I think the town, the citizens, are really behind it, and I’m hoping for a big crowd in the audience.

What would you want people to know about queer life in the South that you don’t think they do?
I think the rural South is the vanguard of the gay liberation movement now. Not that cities don’t have gay activism, but I think that there’s a surge of activism in the rural south, and particularly in this mid-Atlantic area. I’d like people to know that this is nothing new here. We do have a queer history that goes quite far ways back, including our first gay mayor in 1972. People are always surprised by that. Like many groups, the history is buried. I think it’s important to have this kind of history brought to people’s attention. The queer community has existed in Shepherdstown and all over West Virginia and all over the South for many, many years. And it may be a history that’s not been told yet, but is a fascinating history, and it’s a history that should be told.

  • Why Michelangelo’s ‘Last Judgment’ endures
    Photo credit: Sistine Chapel collection via Wikimedia CommonsMichelangelo’s 16th-century fresco ‘The Last Judgment.’
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    Why Michelangelo’s ‘Last Judgment’ endures

    A restored masterpiece still provokes awe and debate.

    Michelangelo’s fresco of “The Last Judgment,” covering the wall behind the altar of the Sistine Chapel in Vatican City, is being restored. The work, which started on Feb. 1, 2026, is expected to continue for three months.

    The Sistine Chapel is one of the great masterpieces of Renaissance art. As the setting where the College of Cardinals of the Catholic Church meets to elect a new pope, it was decorated by the most prestigious painters of the day. In 1480, Pope Sixtus IV commissioned Domenico Ghirlandaio, Sandro Botticelli, Pietro Perugino and Cosimo Rosselli to paint the walls. On the south are six scenes of the “Life of Moses,” and across on the north are six scenes of the “Life of Christ.”

    In 1508, Pope Julius II commissioned Michelangelo to paint the ceiling. The theme is the Book of Genesis, the first book of the Bible. The images show God creating the world through the story of Noah, who was directed by God to shelter humans and animals on an ark during the great flood. The ceiling’s most famous scene may be “God Creating Adam,” where Adam reaches out his arm to the outstretched arm of God the Father, but their fingers fail to meet.

    At the sides, the artist juxtaposed the male Hebrew prophets and the female Greek and Roman sybils who were inspired by the gods to foretell the future. It was completed in 1512; then in 1536, Michelangelo was asked to create a painting for the wall behind the altar. For this immense work of 590 square feet (about square meters), filled with 391 figures, he labored until 1541. He was then nearly 67 years old.

    As an art historian, I have been aware how, from the beginning, Michelangelo’s “The Last Judgment” sparked controversy for its bold and heroic portrayal of the male nude.

    Many layers of meaning

    Michelangelo liked to consider himself primarily a sculptor, expressing himself in variations of the nude male body. Most famous may be the Old Testament figure of David about to slay Goliath, originally made for the Cathedral of Florence.

    The artist’s ceiling for the Sistine Chapel had included 20 nude males as supporting figures above the prophets and sibyls. Originally, Michelangelo’s Christ of “The Last Judgment” was entirely nude. A later painter was hired to provide drapery over the loins of Christ and other figures.

    “The Last Judgment” scene also contains multiple references to pagan gods and mythology. The image of Christ is inspired by early Christian images showing Christ beardless and youthful, similar to the pagan god of light, Apollo.

    A section of a fresco shows a naked man bound by a coiling snake, and donkey's ears, surrounded by beastlike figures.
    Group of the damned with Minos, judge of the underworld. Sistine Chapel Collection, Michelangelo via Wikimedia Commons

    At the bottom of the composition is the figure of Charon, a personage from Greek mythology who rowed souls over the river Styx to enter the pagan underworld. Minos, the judge of the underworld, is on the extreme right.

    Giorgio Vasari, a fellow artist and historian who knew Michelangelo personally, later recounted the criticism by a senior Vatican official, Biagio da Cesena. The official stated that it was disgraceful that nude figures were exposed so shamefully and that the painting seemed more fit for public baths and taverns.

    Michelangelo’s response was to place the face of Biagio on Minos, the judge of the underworld, and give him donkey’s ears, symbolizing stupidity.

    A painted scene shows a bearded man holding a knife in one hand and a flayed skin with a human face in the other, while another figure sits just behind him.
    A detail of a scene connected to the Apostle Bartholomew in ‘The Last Judgment.’ Sistine Chapel Collection via Wikimedia

    Michelangelo included a reference to his own life in a detail connected to the Apostle Bartholomew, who is located to the lower right of Christ. The apostle was believed to have met his martyrdom by being flayed alive. In his right hand, he holds a knife and, in his left, his flayed skin whose face is a distorted portrait of the artist.

    Michelangelo thus placed himself among the blessed in heaven, but also made it into a joke.

    Thought-provoking imagery

    The Last Judgment is a common theme in Christian art. Michelangelo, however, pushes beyond simple illustration to include pagan myths as well as to challenge traditional depiction of a calm, bearded judge. He uses dramatic imagery to provoke deeper thought: After all, how does anyone on Earth know what the saints do in heaven?

    In these decisions, Michelangelo displayed his sense of self-confidence to introduce new ideas and his goal to engage the viewer in new ways.

    A digital reproduction of the painting will be displayed on a screen for visitors to the Sistine Chapel during this period of restoration. Behind the screen, technicians from the Vatican Museums’ Restoration Laboratory will work to restore the masterpiece.

    This article originally appeared on The Conversation. You can read it here.

  • Students go for a world record with group drumming rendition of “Beggin”
    Photo credit: CanvaA music teacher plays drums with a student.

    Drum instructor Patrick Abdo doesn’t simply direct a children’s recital—he launches into a full-body celebration of music. In an Instagram post gaining widespread attention, he leads 10 children, ages 5 to 10, in a drumming rendition of the Måneskin song “Beggin’.”

    As the kids bang the drums in rhythmic unison and parents watch, beaming with pride, the room pulses with energy. But what makes the performance all the more magnetic isn’t simply the precision of the young drummers—it’s Abdo’s infectious excitement.

    Abdo guides kids to an impressive musical moment

    In the video, captioned “A record like no other!,” the 10 kids each have their own drum kit arranged in a circle around a large room. As the music starts, Abdo takes the lead, instructing the young musicians and wildly raising his arms to the rhythm. He keeps perfect time with his air drumming, and the kids follow.

    These young drummers do a fantastic job, fully committed and bringing the focus and skill needed to pull off such a high-octane song. Yet it’s nearly impossible not to have your attention drawn to the teacher. Abdo radiates an infectious belief in every child in the room.

    This type of wholehearted encouragement feels increasingly rare, and it’s wonderful to watch. As proud parents smile from the sidelines, he moves through the room, connecting with each student. With each burst of encouragement, the recital transforms into something special.

    There is little publicly available information about Abdo’s background. His breakout visibility appears tied to short-form drum lesson videos posted on his Instagram page. His profile lists Dubai as his location, and his bio reads, “My dream is to recreate School Of Rock MENA [Middle East North Africa] version.”

    The good-vibes energy inspires people

    The video quickly became impossible to scroll past. Views steadily increased, and so did the comments. The appreciation for both the synchronized performance and Abdo’s teaching style offers a moving example of mentoring at its best. As much as viewers loved the kids’ musical showcase, many seemed even more inspired by Abdo’s uplifting and engaging style:

    “They shut it down for real !!!The instructor deserves an applause”

    “I love the teacher !! So enthusiastic, motivating and you can tell he loves these kids!!!”

    “well done to that teacher and all the children — luv this”

    “This teacher has incredible enthusiasm which inspires all the kids to work so hard to get it!”

    “Wow, the instructor’s patience and passion for his work are truly admirable!”

    “This is called perfection.”

    “The teacher’s passion! The talented, focused kids!”

    Great teachers and mentorship matter

    There is simply no denying the value of great teachers and mentors. Everyone benefits from guidance and encouragement, especially young people. Research in 2025 found that mentored youth were 20% more likely to attend college, earn higher incomes, and exhibit better behavior. A 2023 trial conducted by Big Brothers Big Sisters of America found measurable improvements in social and emotional well-being.

    A 2022 study found that mentorship increased retention and promoted success. The benefits extend to mentors as well, offering opportunities to build enduring relationships that evolve and provide value over time.

    The music recital had the Internet buzzing over its great energy and the joy of watching kids go for it. Inspiring mentorship may be the real power behind Abdo’s musical instruction. Whether viewers remember a beloved teacher or recognize the one they wish they’d had, the right mentor can stay with a child long after the music stops.

  • A BBC crew broke ‘cardinal rule’ of nature documentaries to save trapped penguins
    Photo credit: CanvaPenguins jumping off a glacier into the water.
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    A BBC crew broke ‘cardinal rule’ of nature documentaries to save trapped penguins

    Even the show’s narrator, David Attenborough, supported the controversial decision to step in.

    Nature documentaries operate on a single, golden rule: observe, record, but never interfere. The goal is to capture the raw, unscripted reality of the natural world, even when that reality is brutal. But during the filming of the BBC Earth series Dynasties, a situation arose that was so dire, the crew felt compelled to break that cardinal rule.

    The incident, which took place in November 2018, involved a colony of Emperor penguins in Antarctica. A massive storm had hit, dropping temperatures to minus 50 degrees Celsius (minus 76 degrees Fahrenheit) and trapping a large group of mothers and chicks in a steep, icy ravine.

    Separated from the safety of their rookery, the birds were helpless. The mothers, cradling their chicks, were unable to climb the slick, vertical slopes.

    Emperor penguins, BBC Earth, David Attenborough, Antarctica, nature documentary
    Penguins march across the ice. Photo credit: Canva

    The situation was desperate. Some chicks had already been abandoned and frozen to death in the gully, while predators circled the survivors. The emotional toll on the crew was immense. As one cameraman told Country Living, “I know it’s natural, but it’s bloody hard to watch.”

    Faced with the potential extinction of the entire group, the team made a controversial choice.

    “It was not a straightforward decision by any stretch of the imagination,” director Will Lawson explained in an interview with Lorraine. “You just have to look at the facts that are in front of you before you make a decision like that.”

    Once the storm broke, the crew decided to intervene, but they did so “passively.” They didn’t lift the birds; instead, they used their tools to dig a shallow ramp into the ice, creating a path the penguins could potentially use to escape on their own.

    “Once we’d dug that little ramp, which took very little time, we left it to the birds. We were elated when they decided to use it,” Lawson told Country Living, noting that there is simply no “rule book” for such extreme scenarios.

    The footage of the penguins waddling up the man-made ramp to safety became a defining moment for the series. Even Sir David Attenborough, a staunch defender of non-intervention, backed the move.

    “It’s very rare for the film crew to intervene. But they realize that they might be able to save at least some of these birds, simply by digging a few steps in the ice,” Attenborough said.

    Producer Mike Gunton agreed, framing it as a moral imperative rather than a documentary breach. “We have a rule that interfering is a very dangerous thing to do. But these penguins were going to die through a freak act of nature if nothing happened,” he said. “How would this conversation be going if you said you saw them there and did nothing? I think you have to do it.”

    The intervention was passive, but the result was profound. The colony survived, and the crew walked away with clear consciences. As Attenborough concluded, “To have done anything else would only make matters worse and distort the truth.” 

    This article originally appeared two years ago. It has been updated.

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