GOOD Pictures features work by a new photographer each week, with a focus on up-and-coming artists. It is curated by Stephanie Gonot and Jennifer Mizgata.
The enigmatic images above are from two sets of photographs by Brooklyn-based photographer Brea Souders. The first set, simply titled New Work, is a series of images she made using various objects from her parents' home. The second, Counterforms, is Brea's investigation into her mixed European ancestry. Curators Ariel Shanberg and Akemi Hiatt described Brea's work beautifully:
Using fabric, mirrors, magazine cutouts, and fragmented representations of her own body, Souders composes surreal and dreamlike scenes which oscillate between flatness and illusionary depth. In her efforts to establish a legitimate connection with her personal ancestry, she both utilizes and contradicts the photographs traditional role in preserving memory and connecting lineage. The result is a seductive, yet unyielding surface.
The two sets of images are displayed on Brea's website, but I have blended them together in to showcase the graphic quality of her work. Visit her site for more alluring images.
















An excerpt of the faxCanva
Robert Redford advocating against the demolition of Santa Monica Pier while filming "The Sting" 1973


A woman looks out on the waterCanva
A couple sits in uncomfortable silenceCanva
Gif of woman saying "I won't be bound to any man." via
Woman working late at nightCanva
Gif of woman saying "Happy. Independent. Feminine." via 
Pyramid of Khufu
A spherical dolerite pounder.
Abeer Eladany holds open the box of splinters
The box that the missing piece of cedar was discovered
The wooden fragments dated to around 3341-3094 BC
Friends helping one another cross a creek.Photo credit
A group of young people. Photo credit
Studies suggest empathy builds connection.Photo credit
People consoling a friend.Photo credit 