Perhaps it was the Legos, or watching Mike Brady belly up to his drafting board on TV. In recent months and years, the likes of President Obama, Brad Pitt, Lenny Kravitz, and numerous other public figures have divulged a love of architecture, going so far as to say they once—or still—wanted to be architects. They, like so many of us, have a romantic view of the architecture world.

It makes sense when you stop to think about it: there are few more creative, more transformative, more direct ways to literally make the world a better place. Almost nothing influences the quality of our lives more than the design of our homes, our schools, our workplaces, and our public spaces.


Architecture can enliven and inspire. Three decades ago this year, at the tender age of 21, Maya Lin, then a Yale student, captivated the nation with her minimalist design for the Vietnam Memorial. Her subsequent work has won acclaim the world over.

We need more architects like Maya Lin to lift us up. But there’s a problem: Lin is not considered an architect by the architecture profession itself. You’d think those within her chosen field would at least embrace Lin as an architect—if not as a luminary, an innovator, or even a genius. Instead, the architecture establishment does something astounding, demeaning, and perplexing: they relegate her to the title of “intern” because she focused on making architecture, rather rites of passage.

Earning a diploma from architecture school isn’t enough to be awarded the title of “architect.” Graduates must also complete a multi-year internship and pass a costly seven-part exam, steps Lin skipped because she was spending her time designing. It’s a long, arduous road that many in the field are either unable or simply unwilling to travel. Shaun Donovan, the U.S. Secretary of Housing & Urban Development, who earned his architecture degree from the Harvard Graduate School of Design, isn’t an architect, nor TED Prize winner and showman Cameron Sinclair of Architecture for Humanity. Architecture school deans, firm owners, and countless others aren’t “real” architects either. These people are doing amazing, world-changing work, exactly what we want and need more architects to be doing.

In fact, more than half of architecture school graduates don’t enter the profession. Fewer still get licensed, which means that the majority of the best and brightest are held in professional limbo or exit the profession entirely. This has been the status quo for decades, and it’s time for a change. We, the public, need architecture and dignifying spaces now more than ever.

Lest you think this title stuff is just semantics, think again. The profession and the public are measurably worse off because of this issue. While diversity in architecture schools is comparable to law and other fields, architecture remains one of the most elite and homogenous professions, clinging to institutional barriers that have thwarted gender parity and diversity efforts. Massive resources are spent on bureaucracy instead of nurturing a more representative profession to serve our diverse society, and supporting architects to create better, more vibrant public spaces.

Rather than spending their energy protecting their territory and titles, what if architects and their associations focused on resolving our nation’s housing crisis, improving our schools, or generally creating more inspiring environments for people to live their best lives? With buildings now accounting for almost half of greenhouse gas emissions, we need an army of architects to go back to drawing board and create more environmentally-friendly buildings, rather than an aging few tending to the drawbridge.

I’m not arguing against professional standards, especially not for a profession charged with making sure buildings don’t fall down. Clearly, there must be ways to demonstrate one’s qualifications in architecture or any other field, and an exam is widely regarded as the most reliable way to do so.

The difference is that medical school graduates are universally recognized among their peers and by the public as doctors even before their residencies and subsequent board exams. Graduates of law schools are considered lawyers even before passing the bar. But graduates of architecture school, who have at least five to seven years of schooling, are recognized with the lowly title of “intern.” They are forced into under-compensated internships as well as warned, policed, and even fined by architect-led state licensing boards for infringing on the word “architect” in any way. Is there any wonder why architecture graduates are defecting in droves?

These inequities, when combined with the economic downturn, are pushing greater numbers of graduates out of architecture, and the profession is weaker for it. More importantly, the public is also losing out, as the creative skills of architecture graduates are channeled into an overly bureaucratic process, rather than into solving very real societal challenges.

For years, even the leaders of the high and mighty American Institute of Architects have recommended reforming and broadening the rules of becoming an architect—starting with what we call graduates. Yet year in and year out, nothing changes due to institutional resistance, protectionism, and self-preservation.

It is high time that architecture focus less on enforcement of titles and fortifying its barriers to entry, and more on creating an inclusive profession truly dedicated to the health, the safety, and the welfare of the public.

Photo via (cc) Flickr user Todd Ehlers

  • Indie coffee shops are meant to counter corporate behemoths like Starbucks – so why do they all look the same?
    Photo credit: stomy/iStock via Getty Images – Many coffee shops today seem to be aesthetically divorced from time and place.

    Like many young, urban professionals, we run on coffee. We especially enjoy frequenting independently owned cafes that pride themselves on ethically sourced beverages, strong local ties and a hip aesthetic.

    They’re the kinds of places that sneer at the homogenization and predictability of Tim Hortons, Second Cup, Dunkin and Starbucks.

    But as public space and consumer culture researchers, we began noticing a pattern: While the invention of new, nondairy milks to mix into lattes continues to amaze us, many U.S. coffee shops seemed to share a similar aesthetic.

    What was up with all the exposed brick? Why did so many of the baristas look cooler than us, but also so similar to one another? And why did most menus appear on a chalkboard, as if we were still in kindergarten?

    Weren’t we supposed to be in one-of-a-kind, authentic settings that make us feel unique and, let’s admit it, slightly elevated?

    As it turns out, the visual patterns we noticed had never been backed up by research. So after a quick cortado, we set out to test our hunch that local coffee shops had adopted a uniform aesthetic.

    Measuring homogeneity

    We asked over 100 American and Canadian young professionals living in cities to share an interior image of their favorite independent coffee shop, describe why they liked the shop’s appearance, and document aspects of its interior design.

    They could select these interior design features from a list of 23 common elements that we had identified in a pilot study – brick walls, marble counters, indoor plants, local art, vintage furniture and even the look of the baristas. Respondents could also write down other details they noticed.

    The elements that they selected and wrote down showed a fascinating overlap.

    Baristas led the pack: Two-thirds of the participants’ favorite local coffee shops had staff with tattoos or piercings. Over half had baristas with beards. Well over half of the respondents noted that their favorite shop had chalkboards, reclaimed wood features, local art, milk foam designs on beverages, local event posters and exposed brick. A large share of the shops had vintage furniture, community message boards and free books available to patrons to read. One-third of the images had indoor plants, trees or greenery.

    Barista with a beard and tattooed hands pours boiling water over coffee grounds.
    Chances are your favorite local coffee shop has a barista with a beard and tattoos. Wera Rodsawang/Moment via Getty Images

    Next up, we challenged the participants to identify the city where these coffee shops were located.

    Using the images provided by the respondents from the initial survey, we asked 158 new and prior participants if they could match the location of the shops depicted in six photographs to Cincinnati, St. Louis or Toronto – cities chosen for their different architectural and aesthetic qualities.

    Not a single participant was able to correctly identify the correct city for all the photos.

    We gave respondents another chance by showing two pictures of coffee shops, one at a time. This time, the two shops were located in Chicago and San Francisco – again, places that pride themselves on their unique and recognizable design culture. They were now given the choice of these key cities to select from, as well as three wrong cities. Only 6% successfully located both coffee shops, and nearly 20% immediately gave up.

    As one participant conceded: “Honestly, these aesthetics are very transferable now … they were random guesses and they could have been in any of the cities mentioned.”

    In other words, independent coffee shops in North America have become so similar aesthetically that their location cannot be picked from a lineup. The purportedly unique and local feel of coffee shops has instead been homogenized into a singular, palatable, North American aesthetic.

    Ironically, these shops have narrowed their aesthetics like a de facto brand franchise – exactly like the chain stores that their patrons ostensibly reject.

    A young woman with dreadlocks pays for her coffee as a smiling young female barista with short hair holds out a card reader.
    Exposed brick, check. Plants, check. Chalkboard, check. Tara Moore/Digital Vision via Getty Images

    Computers and capital

    So why is this happening?

    New Yorker cultural critic Kyle Chayka has attributed aesthetic homogenization to popular social media platforms like Instagram. He calls it the “tyranny of the algorithm”: Social media algorithms promote the visuals that users are most likely to engage with. This, in turn, causes the same types of visuals to be liked and shared, since users encounter them more often. Because the algorithm sees they’re popular, it continues to promote them, in a self-reinforcing cycle. In turn, coffee shop owners also see these online images and try to replicate them in their own establishments.

    Artificial intelligence will likely accelerate the digital homogenization of visual culture, since AI models are trained on massive datasets that feature widely circulated images. Whether it’s popular fashion, architecture or interior design, idiosyncrasies are collapsing into a generic, hegemonic aesthetic – what scholars Roland Meyer and Jacob Birken call “platform realism.”

    Finance plays a role as well. With the average cost of starting a new coffee shop between US$80,000 and $300,000, and with only a small share of coffee shops expected to stay open beyond five years, banks are keen to reduce their risk. Many of them will therefore ask aspiring coffee shop owners to opt for cheaper interior design choices that appeal to the broadest customer base.

    The consumer also plays a role

    But patrons of hip coffee shops may also be to blame.

    Decades before the rise of social media, AI and financial risk management, scholars such as Sharon Zukin revealed how young urban professionals paradoxically embrace the homogenization of their environment in their quest for authenticity.

    Those exposed brick walls? Zukin already described how Manhattan real estate brokers had marketed them to gentrifying SoHo yuppies in the early 1980s.

    Like their predecessors, today’s hipsters, creative professionals and knowledge workers are essentially cultural and aesthetic consumers. Many of them crave visuals – from fashion to architecture – that are different enough to feel cool and authentic, yet safe enough to match their lifestyle and their social status. They want a tasty latte as much as a palatable interior to drink it in.

    Businesses and developers are eager to appeal to these upwardly mobile consumers. At the same time, they want to reach the biggest number of customers. So they tend to create repeatable, homogenized environments in what Zukin describes as a “symbolic economy.”

    In coffee shops, patrons want more than a good espresso. They want to immerse themselves in a “scene” that matches their lifestyle and aspirations. And the exposed brick and the vintage furniture do just that – even if they’ve been copy-and-pasted in cities, small and large, across the nation.

    As we chase authenticity, we may just be finding comfort in carefully curated conformity.

    This article originally appeared on The Conversation. You can read it here.

  • Overpackers love this simple ‘5-4-3-2-1’ packing rule that makes travel way easier
    Photo credit: Canva – An obvious overpack for travel.
    ,

    Overpackers love this simple ‘5-4-3-2-1’ packing rule that makes travel way easier

    When it comes to travel, packing efficiently is a skill acquired through experience. Lifestyle and content creator Alison Lumbatis shares a helpful 5-4-3-2-1 method designed to take the stress out of packing for both seasoned travelers and first-timers. Trying to pack light while still remembering everything you need can feel a little daunting. A simple…

    When it comes to travel, packing efficiently is a skill acquired through experience. Lifestyle and content creator Alison Lumbatis shares a helpful 5-4-3-2-1 method designed to take the stress out of packing for both seasoned travelers and first-timers.

    Trying to pack light while still remembering everything you need can feel a little daunting. A simple trick is knowing exactly what’s necessary, making your bag lighter and more practical.

    Putting The ‘5-4-3-2-1 Packing Method’ Into Action

    In her trending TikTok post, Lumbatis shares a packing system she claims to be “as easy as it sounds.” Here are the basics of the 5-4-3-2-1 packing method:

    • 5 TOPS
    • 4 BOTTOMS
    • 3 SHOES
    • 2 LAYERS
    • 1 MISCELLANEOUS

    Lumbatis explains, “So all you got to do is pick out 5 tops, 4 coordinating bottoms, 3 pairs of shoes, 2 layering pieces, and 1 of anything else. Like a dress, pajamas, a hat, a belt, or any other accessories that you might need. And then of course pack as many undergarments and toiletries as you need.”

    The strategy isn’t just about simplifying and maximizing the number of items you bring on a trip. It’s also about function. “The key is to pick versatile pieces that can mix and match so you can pair them up for whatever activities you have planned for your trip.”

    minimalism, versatile pieces, functionality, packing
    Packing the necessary items
    Photo credit Canva

    Taking Pictures Can Help Plan Ahead

    Another helpful step is taking photos of your outfits to remember how everything fits together. Lumbatis offers, “You can even take pictures of the outfits with you wearing them or flat lays of the pieces and keep them on your phone or in your Notes App — So you can refer back to it on your trip.”

    Is the 5-4-3-2-1 packing method effective? These were some of the thoughts in the comments from readers hopeful to put the plan into action:

    “Great tip for me. Hate packing and never wear all the clothes I bring.”

    “Heading to Japan and I was just going to my closet to put it together. I overpack so this is sooo helpful.”

    “I’m dreading how to not over pack for such a variety of occasions, heat, and limited washing facilities. Ugh.”

    “I struggle with under packing so this is super helpful!”

    travel, adventure, alleviate stress, preparation
    Soaking up the adventure.
    Photo credit Canva

    The Science Behind Good Preparation

    Traveling is a great way to alleviate the stress and burdens of our daily lives. A 2025 study in Springer Nature Link showed travel helped people improve their long-term resilience by creating positive emotions while ecouraging self reflection. National Geographic found the benefits of travel begin even before the trip begins.

    However, preparation can have a powerful effect on the simple stresses a person might acquire during traveling. A 2025 study revealed that planning reduced anxiety and helped people prepare for delays or unexpected changes. Research in 2025 reported by AP News found that even making a simple checklist reduced anxiety and helped make for smoother trips.

    Lumbatis claims, “If you struggle with overpacking and want to create a great capsule wardrobe packing list, you’ve got to try this method.”

    People hope that traveling will relieve stress more than generate it. The 5-4-3-2-1 packing method offers a clear and simple way to pack just what you need. Careful preparation helps prevent last-minute chaos and produces a more enjoyable trip. Hopefully, this method can help you spend less time worrying and more time soaking in the adventure.

    Watch this YouTube video on incredible vacation destinations to inspire your next trip:

  • People are cheering woman’s refusal to accept the latest trend in hotel bathrooms
    Photo credit: @bring_back_doors – Sadie has declared war on non-private hotel bathrooms.

    People are cheering woman’s refusal to accept the latest trend in hotel bathrooms

    “I HATE how hotels started thinking going to the bathroom is a shared experience.”

    It can be frustrating seeing change for change’s sake in the world. To be more specific, changes that are said to be done in the name of innovation and design, but are in truth ways for companies to save a buck.

    One example that is getting attention is the bathroom doors in hotels… or the lack thereof, actually. One TikToker has had enough and has taken it upon herself to save regular bathroom doors in hotels and to point out why open-space bathrooms and glass doors just don’t cut it.

    On her @bring_back_doors TikTok account, Sadie has a collection of videos highlighting the flaws in hotel bathroom designs, with the most prominent being the lack of a regular door to the bathroom. In one viral TikTok, Sadie discussed a hotel that reached out to her, explaining that they have “foggy” glass doors to their bathroom to provide privacy. She was quick to point out that it still doesn’t provide adequate privacy. “Yes you can see through these,” Sadie said, adding that “glass doors do not close properly.”


    The comments rallied behind Sadie’s bathroom-door crusade

    The commenters joined in with Sadie, demanding the return of solid, closing, and lockable doors to bathrooms in hotels:

    “I HATE how hotels started thinking going to the bathroom is a shared experience.”

    “I hate how you can’t turn the bathroom light on without disturbing the other person in the room.”

    “The foggy ones are almost worse, you just get a hazy fleshy silhouette hunched over on the crapper like some kind of sack of ham.”

    “I just don’t get it, NOBODY wants this, even couples. I won’t be more likely to book two separate rooms for me and my friend/sibling/parent, I’ll just book another hotel.”

    “Love this campaign, I do not want a romantic weekend listening to the other person poo.”


    A great way to save a buck—er, I mean, ‘create a modern look’

    As many commenters asked, why do hotels have glass doors — or, worse, no doors at all—in their bathrooms? Well, this has been a growing trend in modern hotels over the past decade as a means to create a sleek aesthetic and to allow glass partitions to bring more daylight into otherwise darker sections of the room.

    At least that’s what’s being promoted to the customer. In reality, skimping on solid doors for glass ones or none at all gives the illusion that the room is bigger than it is while requiring fewer building materials. It does bring in more daylight, but mostly with the hope that you’ll cut down on electricity use for lights in an otherwise enclosed space. These reasons are also why some hotels don’t have solid walls around their bathroom areas at all.

    TikTok · Bring Back Doors

    TikTok u00b7 Bring Back Doors www.tiktok.com


    Tired of the lack of privacy? Check out the database

    To combat this trend, Sadie has developed a database at bringbackdoors.com for her and her followers to report which hotels have true, solid, private bathrooms in their accommodations and which ones do not, so people can properly plan where to stay and have true privacy during their most vulnerable moments.

    “I get it, you can save on material costs and make the room feel bigger, but what about my dignity?,” Sadie wrote on her website. “I can’t save that, when you don’t include a bathroom door.”

    Over time, the hope is that sanity and dignity can be restored as hotels realize that their glass “features” don’t have any real benefit when they don’t allow basic privacy.

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