While acknowledging the discrepancy between the populism of the movie-going public and the elitism of most movie-reviewing critics, Erik Lundegaard employs some creative math and clever charts to convey that (surprise, surprise) well-reviewed films do better at the box office.
While acknowledging the discrepancy between the populism of the movie-going public and the elitism of most movie-reviewing critics, Erik Lundegaard employs some creative math and clever charts to convey that (surprise, surprise) well-reviewed films do better at the box office.