David Lynch made some of the most startlingly surreal films to ever reach a mass audience. But his diet, at least for various stretches of his adult life, was comparatively normal—even uninteresting. There was one odd thing about it, though: He often ate the exact same thing every day—partly an attempt to create “habit in a daily routine,” allowing his creativity to flourish.

The filmmaker, who died in January 2025, detailed that philosophy during a 2000 interview with journalist Charlie Rose. After a number of questions promoting his recently released drama The Straight Story, their conversation segued into food.

“I’m eating for lunch: tomatoes, tuna fish, feta cheese, and olive oil,” Lynch said. “Every day…Yeah, it’s very good. [Laughs]. [For dinner], little pieces of chicken and broccoli [with] soy sauce. Every day, except when I travel, and then I go off that.”

Creature of habit

Asked if he’s a “creature of habit,” the director immediately concurred. “When there’s some sort of order there, then you’re free to mentally go off any place,” he said. “You’ve got a safe sort of foundation and a place to spring off from. It is very important for me [in the creative process]…The purer the environment, the more fantastic the interior world can be, it seems to me.”

It’s a fascinating idea—that keeping some elements of your life as a blank slate can allow you to make a mess in other areas. One person in the YouTube comments seemed to agree: “I love the idea of repeating daily routines so that you create a habit, then once that foundation is laid and your mind doesn’t need to think about ‘what’s for lunch? What’s for dinner?’” they wrote. “It has more space to spend thinking on more creative endeavors… really is an incredible idea.”

Seven years of Bob’s Big Boy

This wasn’t the only time Lynch kept a strict eating routine. In various interviews, he’s talked about how, for a whopping seven years, he ate at the restaurant Bob’s Big Boy, ordering coffee and a particular kind of chocolate milk shake. He even went at the same time every day—2:30 p.m.—in order to get the most ideal shake temperature and consistency. He had it down to a science of sorts.

“If you came during lunch, they made so many of them that it never would get cold enough to be [like] ice cream,” he said during a 2009 conversation with the Hudson Union Society. “It would be like soup. So I would go later, and it would be cold enough. It would be just right…I had these things for seven years with a cup of coffee, and I would write on the napkins. It was like having a desk. If you need paper, there’s a piece of paper, and you write on it when you get ideas.” (He stopped eating them after climbing into a dumpster behind the restaurant, locating a carton, and becoming horrified by the ingredients.)

Lunch routines

Lynch wasn’t the only person to enjoy a rigid menu. In a 2019 article for NBC News Better, ordinary folks explained why they preferred eating the same thing for lunch every day, from saving money to staying productive.

“I consider lunch kind of annoying, actually,” a self-employed musician named Mark Rust told the publication. “Knowing what I’m having, making it, and eating it takes no thought or energy, so I can get right back to what I’m doing.”

Of course, the health component may depend on what you’re eating. The Cleveland Clinic notes that “eating a nutritious diet with a lot of variety may lower your risk of mortality,” citing a 2002 study of 59,000 women. The results: “Women who reported regularly consuming 16-17 healthy foods had a 42% lower all-cause mortality…compared to women reporting consumption of 0-8 healthy foods with any regularity.”

Other prominent people have enjoyed consistency in other areas of life. As Forbes points out, Apple co-founder Steve Jobs, for example, was known for his distinct outfit of a black turtleneck, blue jeans, and sneakers.

“Famous business people and politicians are known to be consistent with their wardrobe because it’s their brand identity,” author and Millennial Branding founder Dan Schawbel told the publication. “It’s who they are, how they want to represent themselves and make a statement. It’s not about what you wear, but what you accomplish.”

Clearing mental clutter

Eliana Bonaguro, a Florida-based licensed mental health counselor (LMHC) and anxiety disorders specialist, says Lynch’s meal mindset made sense.

“As a therapist and an artist, I can definitely speak to this,” Bonaguro says. “For me, having the same lunch every day (once it was bagels for lunch, then it became pumpkin soup) and rotating the same four dinners weekly has been a huge relief. It reduces stress and clears mental clutter. I often joke that I’m boring in the kitchen, but endlessly creative when I do art. The truth is, since I juggle everything else in life, this routine gives me space to focus on creating ideas.”

Bonaguro adds that there’s research to back this up.

“For example, psychologist Roy Baumeister’s research on ego depletion showed that acts of self-control and decision-making all draw from the same limited mental resource,” Bonaguro says. “In his classic experiments, people who had to resist chocolates or suppress emotions gave up sooner on later tasks: they had less persistence left in the tank. The takeaway is simple: every choice we make costs us energy, and saving that energy leaves more juice for creative work. That’s also why creative genius Steve Jobs wore the same outfit every day, and why David Lynch found comfort in the same meals. In my personal experience, the predictability and order of meals, the freedom from cluttered choices, create freedom in the mind. When the foundation is predictable, the creative world inside can expand.”

  • Why Michelangelo’s ‘Last Judgment’ endures
    Photo credit: Sistine Chapel collection via Wikimedia CommonsMichelangelo’s 16th-century fresco ‘The Last Judgment.’
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    Why Michelangelo’s ‘Last Judgment’ endures

    A restored masterpiece still provokes awe and debate.

    Michelangelo’s fresco of “The Last Judgment,” covering the wall behind the altar of the Sistine Chapel in Vatican City, is being restored. The work, which started on Feb. 1, 2026, is expected to continue for three months.

    The Sistine Chapel is one of the great masterpieces of Renaissance art. As the setting where the College of Cardinals of the Catholic Church meets to elect a new pope, it was decorated by the most prestigious painters of the day. In 1480, Pope Sixtus IV commissioned Domenico Ghirlandaio, Sandro Botticelli, Pietro Perugino and Cosimo Rosselli to paint the walls. On the south are six scenes of the “Life of Moses,” and across on the north are six scenes of the “Life of Christ.”

    In 1508, Pope Julius II commissioned Michelangelo to paint the ceiling. The theme is the Book of Genesis, the first book of the Bible. The images show God creating the world through the story of Noah, who was directed by God to shelter humans and animals on an ark during the great flood. The ceiling’s most famous scene may be “God Creating Adam,” where Adam reaches out his arm to the outstretched arm of God the Father, but their fingers fail to meet.

    At the sides, the artist juxtaposed the male Hebrew prophets and the female Greek and Roman sybils who were inspired by the gods to foretell the future. It was completed in 1512; then in 1536, Michelangelo was asked to create a painting for the wall behind the altar. For this immense work of 590 square feet (about square meters), filled with 391 figures, he labored until 1541. He was then nearly 67 years old.

    As an art historian, I have been aware how, from the beginning, Michelangelo’s “The Last Judgment” sparked controversy for its bold and heroic portrayal of the male nude.

    Many layers of meaning

    Michelangelo liked to consider himself primarily a sculptor, expressing himself in variations of the nude male body. Most famous may be the Old Testament figure of David about to slay Goliath, originally made for the Cathedral of Florence.

    The artist’s ceiling for the Sistine Chapel had included 20 nude males as supporting figures above the prophets and sibyls. Originally, Michelangelo’s Christ of “The Last Judgment” was entirely nude. A later painter was hired to provide drapery over the loins of Christ and other figures.

    “The Last Judgment” scene also contains multiple references to pagan gods and mythology. The image of Christ is inspired by early Christian images showing Christ beardless and youthful, similar to the pagan god of light, Apollo.

    A section of a fresco shows a naked man bound by a coiling snake, and donkey's ears, surrounded by beastlike figures.
    Group of the damned with Minos, judge of the underworld. Sistine Chapel Collection, Michelangelo via Wikimedia Commons

    At the bottom of the composition is the figure of Charon, a personage from Greek mythology who rowed souls over the river Styx to enter the pagan underworld. Minos, the judge of the underworld, is on the extreme right.

    Giorgio Vasari, a fellow artist and historian who knew Michelangelo personally, later recounted the criticism by a senior Vatican official, Biagio da Cesena. The official stated that it was disgraceful that nude figures were exposed so shamefully and that the painting seemed more fit for public baths and taverns.

    Michelangelo’s response was to place the face of Biagio on Minos, the judge of the underworld, and give him donkey’s ears, symbolizing stupidity.

    A painted scene shows a bearded man holding a knife in one hand and a flayed skin with a human face in the other, while another figure sits just behind him.
    A detail of a scene connected to the Apostle Bartholomew in ‘The Last Judgment.’ Sistine Chapel Collection via Wikimedia

    Michelangelo included a reference to his own life in a detail connected to the Apostle Bartholomew, who is located to the lower right of Christ. The apostle was believed to have met his martyrdom by being flayed alive. In his right hand, he holds a knife and, in his left, his flayed skin whose face is a distorted portrait of the artist.

    Michelangelo thus placed himself among the blessed in heaven, but also made it into a joke.

    Thought-provoking imagery

    The Last Judgment is a common theme in Christian art. Michelangelo, however, pushes beyond simple illustration to include pagan myths as well as to challenge traditional depiction of a calm, bearded judge. He uses dramatic imagery to provoke deeper thought: After all, how does anyone on Earth know what the saints do in heaven?

    In these decisions, Michelangelo displayed his sense of self-confidence to introduce new ideas and his goal to engage the viewer in new ways.

    A digital reproduction of the painting will be displayed on a screen for visitors to the Sistine Chapel during this period of restoration. Behind the screen, technicians from the Vatican Museums’ Restoration Laboratory will work to restore the masterpiece.

    This article originally appeared on The Conversation. You can read it here.

  • Students go for a world record with group drumming rendition of “Beggin”
    Photo credit: CanvaA music teacher plays drums with a student.

    Drum instructor Patrick Abdo doesn’t simply direct a children’s recital—he launches into a full-body celebration of music. In an Instagram post gaining widespread attention, he leads 10 children, ages 5 to 10, in a drumming rendition of the Måneskin song “Beggin’.”

    As the kids bang the drums in rhythmic unison and parents watch, beaming with pride, the room pulses with energy. But what makes the performance all the more magnetic isn’t simply the precision of the young drummers—it’s Abdo’s infectious excitement.

    Abdo guides kids to an impressive musical moment

    In the video, captioned “A record like no other!,” the 10 kids each have their own drum kit arranged in a circle around a large room. As the music starts, Abdo takes the lead, instructing the young musicians and wildly raising his arms to the rhythm. He keeps perfect time with his air drumming, and the kids follow.

    These young drummers do a fantastic job, fully committed and bringing the focus and skill needed to pull off such a high-octane song. Yet it’s nearly impossible not to have your attention drawn to the teacher. Abdo radiates an infectious belief in every child in the room.

    This type of wholehearted encouragement feels increasingly rare, and it’s wonderful to watch. As proud parents smile from the sidelines, he moves through the room, connecting with each student. With each burst of encouragement, the recital transforms into something special.

    There is little publicly available information about Abdo’s background. His breakout visibility appears tied to short-form drum lesson videos posted on his Instagram page. His profile lists Dubai as his location, and his bio reads, “My dream is to recreate School Of Rock MENA [Middle East North Africa] version.”

    The good-vibes energy inspires people

    The video quickly became impossible to scroll past. Views steadily increased, and so did the comments. The appreciation for both the synchronized performance and Abdo’s teaching style offers a moving example of mentoring at its best. As much as viewers loved the kids’ musical showcase, many seemed even more inspired by Abdo’s uplifting and engaging style:

    “They shut it down for real !!!The instructor deserves an applause”

    “I love the teacher !! So enthusiastic, motivating and you can tell he loves these kids!!!”

    “well done to that teacher and all the children — luv this”

    “This teacher has incredible enthusiasm which inspires all the kids to work so hard to get it!”

    “Wow, the instructor’s patience and passion for his work are truly admirable!”

    “This is called perfection.”

    “The teacher’s passion! The talented, focused kids!”

    Great teachers and mentorship matter

    There is simply no denying the value of great teachers and mentors. Everyone benefits from guidance and encouragement, especially young people. Research in 2025 found that mentored youth were 20% more likely to attend college, earn higher incomes, and exhibit better behavior. A 2023 trial conducted by Big Brothers Big Sisters of America found measurable improvements in social and emotional well-being.

    A 2022 study found that mentorship increased retention and promoted success. The benefits extend to mentors as well, offering opportunities to build enduring relationships that evolve and provide value over time.

    The music recital had the Internet buzzing over its great energy and the joy of watching kids go for it. Inspiring mentorship may be the real power behind Abdo’s musical instruction. Whether viewers remember a beloved teacher or recognize the one they wish they’d had, the right mentor can stay with a child long after the music stops.

  • A BBC crew broke ‘cardinal rule’ of nature documentaries to save trapped penguins
    Photo credit: CanvaPenguins jumping off a glacier into the water.
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    A BBC crew broke ‘cardinal rule’ of nature documentaries to save trapped penguins

    Even the show’s narrator, David Attenborough, supported the controversial decision to step in.

    Nature documentaries operate on a single, golden rule: observe, record, but never interfere. The goal is to capture the raw, unscripted reality of the natural world, even when that reality is brutal. But during the filming of the BBC Earth series Dynasties, a situation arose that was so dire, the crew felt compelled to break that cardinal rule.

    The incident, which took place in November 2018, involved a colony of Emperor penguins in Antarctica. A massive storm had hit, dropping temperatures to minus 50 degrees Celsius (minus 76 degrees Fahrenheit) and trapping a large group of mothers and chicks in a steep, icy ravine.

    Separated from the safety of their rookery, the birds were helpless. The mothers, cradling their chicks, were unable to climb the slick, vertical slopes.

    Emperor penguins, BBC Earth, David Attenborough, Antarctica, nature documentary
    Penguins march across the ice. Photo credit: Canva

    The situation was desperate. Some chicks had already been abandoned and frozen to death in the gully, while predators circled the survivors. The emotional toll on the crew was immense. As one cameraman told Country Living, “I know it’s natural, but it’s bloody hard to watch.”

    Faced with the potential extinction of the entire group, the team made a controversial choice.

    “It was not a straightforward decision by any stretch of the imagination,” director Will Lawson explained in an interview with Lorraine. “You just have to look at the facts that are in front of you before you make a decision like that.”

    Once the storm broke, the crew decided to intervene, but they did so “passively.” They didn’t lift the birds; instead, they used their tools to dig a shallow ramp into the ice, creating a path the penguins could potentially use to escape on their own.

    “Once we’d dug that little ramp, which took very little time, we left it to the birds. We were elated when they decided to use it,” Lawson told Country Living, noting that there is simply no “rule book” for such extreme scenarios.

    The footage of the penguins waddling up the man-made ramp to safety became a defining moment for the series. Even Sir David Attenborough, a staunch defender of non-intervention, backed the move.

    “It’s very rare for the film crew to intervene. But they realize that they might be able to save at least some of these birds, simply by digging a few steps in the ice,” Attenborough said.

    Producer Mike Gunton agreed, framing it as a moral imperative rather than a documentary breach. “We have a rule that interfering is a very dangerous thing to do. But these penguins were going to die through a freak act of nature if nothing happened,” he said. “How would this conversation be going if you said you saw them there and did nothing? I think you have to do it.”

    The intervention was passive, but the result was profound. The colony survived, and the crew walked away with clear consciences. As Attenborough concluded, “To have done anything else would only make matters worse and distort the truth.” 

    This article originally appeared two years ago. It has been updated.

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