When Prince took the stage, anything was possible—from feral, shirtless screaming to hall-of-fame guitar solos to the kind of destructive rock-star showmanship that few others would be willing to attempt. One of his signature moves was throwing his instrument—sometimes into the air, where, on one memorable occasion, it seemed to vanish completely; other times over to a technician waiting in the wings. Many of these guitars—including his “Cloud” axe, built by Dave Russan—suffered a fair amount of abuse. “He would always throw them to the roadie at the end of the show, and they weren’t always caught, so they’d have to be repaired often,” Russan told Alternative Nation. “They were hard rock maple but couldn’t always stand up to that.”

But that was Prince’s gear. Not the case in a case from 2013, when The Artist performed on Late Night with Jimmy Fallon, having borrowed a guitar from “Captain” Kirk Douglas of house band The Roots. The wild promotional spot ended with a bold toss, a broken instrument, and a supremely bummed-out musician. But the story is even weirder than you might expect, and it led to a surprisingly happy ending.

Prince destroys—in more ways than one

[vimeo https://vimeo.com/254237430 expand=1 site_id=26881454]

On taping day, Prince’s team had forgotten to bring his requested six-string, and Douglas—a huge fan of the rock/funk chameleon—was more than cool with sharing his own, a beloved 1961 Epiphone Crestwood. In fact, it’s almost like the stars had aligned: “The crazy thing is the only reason that guitar was in 30 Rock [home of NBC Studios, where the show was taped] was because I was rehearsing for a Prince tribute at Carnegie Hall this week,” Douglas later tweeted.

The performance itself is pure electricity. Joined by his back gin band 3rdEyeGirl, Prince brought a majestic psych-funk energy to 1979’s “Bambi,” concluding with a wah-wah-heavy solo on the Crestwood. Afterward, he tossed the guitar into the heavens and confidently stomped backstage as it crashed to the floor, spurting feedback through the room. A giggling Fallon walked up to plug Prince’s latest single, and the camera briefly cut over to The Roots, including a somewhat confused-looking Douglas, as they played the show’s theme song.

“Completely crestfallen”

“And at the end of the song, he lifts the guitar up, and I think he’s about to play behind his head, but he’s not playing behind his head,” Douglas reflected in a 2020 video on The Roots’ YouTube channel. “He lifts the guitar up and throws it in the air, and it comes crashing down to the ground, and it’s squealing in feedback. And he just struts off the stage. I was completely crestfallen, and I knew that there were cameras on me, and I knew there was nothing I could do about it, and I just had to sit there and be in it. I remember looking to my right, and Mark Kelley, our bass player, was laughing hysterically.”

Naturally, Douglas was devastated—at least at first. “I went through some complicated emotions in that very moment,” he recalled to Consequence of Sound in 2019. “Initially it was kind of negative. After it happened, I had my guitar in pieces. I went to Prince, and I was like, ‘Hey, you broke the guitar. If you don’t mind, could you sign it at least?’ And he was like, ‘Oh, I haven’t signed anything since the ’70s.’” After assessing the immediate damage, he tweeted a photo of the guitar with the caption, “Purple Pain…Maybe it’s because I’m a dad,” he added, “but I think framing the guitar is a little like rewarding bad behavior.”

Silver linings

Prince eventually apologized for the ill-fated toss and arranged to have the guitar fixed. Plus, there were multiple silver linings to the heartbreak. As the guitarist told CoS, he wound up connecting with other music heroes, including Jackson Browne and Elvis Costello. And through conversations elsewhere (including one with Chris Rock), he realized he wasn’t the only one with a bizarre Prince story: “I feel like I’m part of this club of people who’ve been wronged by him,” he said. “For all I know, he could have just even known, in all of his genius, like, ‘Watch, I’m gonna hook this kid up. I’m gonna break his guitar so he can have this story and talk about it for the rest of his life.’ If that was his thought, he would not be wrong about that.”

He even ended up writing a song about it: “Little Friend,” which he released on his debut solo album, 2019’s Turbulent Times. “‘[It] was actually composed on the guitar I purchased with the money left over from the repair of the guitar he actually broke,” he told Rolling Stone. “I recorded the song with the Crestwood. The lyric comes from the emotion of the moment of that time where I was upset, but in retrospect it’s one of the coolest things that has ever happened to me. He’s probably looking down, saying, ‘I made your old-ass guitar way more interesting, paid you for your troubles, and gave you something cool to write about…You’re welcome.”

In the Roots YouTube video, Douglas rightly called the tale “one of the greatest guitar stories ever told,” noting that the instrument had since been displayed at the Rock and Roll Hall of Fame’s as part of the “Plat It Loud” exhibit. “That guitar is bigger than me,” he said. “But I’m so happy to have played a part in what’s now widely regarded as rock and roll history.”

  • Why Michelangelo’s ‘Last Judgment’ endures
    Photo credit: Sistine Chapel collection via Wikimedia CommonsMichelangelo’s 16th-century fresco ‘The Last Judgment.’
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    Why Michelangelo’s ‘Last Judgment’ endures

    A restored masterpiece still provokes awe and debate.

    Michelangelo’s fresco of “The Last Judgment,” covering the wall behind the altar of the Sistine Chapel in Vatican City, is being restored. The work, which started on Feb. 1, 2026, is expected to continue for three months.

    The Sistine Chapel is one of the great masterpieces of Renaissance art. As the setting where the College of Cardinals of the Catholic Church meets to elect a new pope, it was decorated by the most prestigious painters of the day. In 1480, Pope Sixtus IV commissioned Domenico Ghirlandaio, Sandro Botticelli, Pietro Perugino and Cosimo Rosselli to paint the walls. On the south are six scenes of the “Life of Moses,” and across on the north are six scenes of the “Life of Christ.”

    In 1508, Pope Julius II commissioned Michelangelo to paint the ceiling. The theme is the Book of Genesis, the first book of the Bible. The images show God creating the world through the story of Noah, who was directed by God to shelter humans and animals on an ark during the great flood. The ceiling’s most famous scene may be “God Creating Adam,” where Adam reaches out his arm to the outstretched arm of God the Father, but their fingers fail to meet.

    At the sides, the artist juxtaposed the male Hebrew prophets and the female Greek and Roman sybils who were inspired by the gods to foretell the future. It was completed in 1512; then in 1536, Michelangelo was asked to create a painting for the wall behind the altar. For this immense work of 590 square feet (about square meters), filled with 391 figures, he labored until 1541. He was then nearly 67 years old.

    As an art historian, I have been aware how, from the beginning, Michelangelo’s “The Last Judgment” sparked controversy for its bold and heroic portrayal of the male nude.

    Many layers of meaning

    Michelangelo liked to consider himself primarily a sculptor, expressing himself in variations of the nude male body. Most famous may be the Old Testament figure of David about to slay Goliath, originally made for the Cathedral of Florence.

    The artist’s ceiling for the Sistine Chapel had included 20 nude males as supporting figures above the prophets and sibyls. Originally, Michelangelo’s Christ of “The Last Judgment” was entirely nude. A later painter was hired to provide drapery over the loins of Christ and other figures.

    “The Last Judgment” scene also contains multiple references to pagan gods and mythology. The image of Christ is inspired by early Christian images showing Christ beardless and youthful, similar to the pagan god of light, Apollo.

    A section of a fresco shows a naked man bound by a coiling snake, and donkey's ears, surrounded by beastlike figures.
    Group of the damned with Minos, judge of the underworld. Sistine Chapel Collection, Michelangelo via Wikimedia Commons

    At the bottom of the composition is the figure of Charon, a personage from Greek mythology who rowed souls over the river Styx to enter the pagan underworld. Minos, the judge of the underworld, is on the extreme right.

    Giorgio Vasari, a fellow artist and historian who knew Michelangelo personally, later recounted the criticism by a senior Vatican official, Biagio da Cesena. The official stated that it was disgraceful that nude figures were exposed so shamefully and that the painting seemed more fit for public baths and taverns.

    Michelangelo’s response was to place the face of Biagio on Minos, the judge of the underworld, and give him donkey’s ears, symbolizing stupidity.

    A painted scene shows a bearded man holding a knife in one hand and a flayed skin with a human face in the other, while another figure sits just behind him.
    A detail of a scene connected to the Apostle Bartholomew in ‘The Last Judgment.’ Sistine Chapel Collection via Wikimedia

    Michelangelo included a reference to his own life in a detail connected to the Apostle Bartholomew, who is located to the lower right of Christ. The apostle was believed to have met his martyrdom by being flayed alive. In his right hand, he holds a knife and, in his left, his flayed skin whose face is a distorted portrait of the artist.

    Michelangelo thus placed himself among the blessed in heaven, but also made it into a joke.

    Thought-provoking imagery

    The Last Judgment is a common theme in Christian art. Michelangelo, however, pushes beyond simple illustration to include pagan myths as well as to challenge traditional depiction of a calm, bearded judge. He uses dramatic imagery to provoke deeper thought: After all, how does anyone on Earth know what the saints do in heaven?

    In these decisions, Michelangelo displayed his sense of self-confidence to introduce new ideas and his goal to engage the viewer in new ways.

    A digital reproduction of the painting will be displayed on a screen for visitors to the Sistine Chapel during this period of restoration. Behind the screen, technicians from the Vatican Museums’ Restoration Laboratory will work to restore the masterpiece.

    This article originally appeared on The Conversation. You can read it here.

  • Students go for a world record with group drumming rendition of “Beggin”
    Photo credit: CanvaA music teacher plays drums with a student.

    Drum instructor Patrick Abdo doesn’t simply direct a children’s recital—he launches into a full-body celebration of music. In an Instagram post gaining widespread attention, he leads 10 children, ages 5 to 10, in a drumming rendition of the Måneskin song “Beggin’.”

    As the kids bang the drums in rhythmic unison and parents watch, beaming with pride, the room pulses with energy. But what makes the performance all the more magnetic isn’t simply the precision of the young drummers—it’s Abdo’s infectious excitement.

    Abdo guides kids to an impressive musical moment

    In the video, captioned “A record like no other!,” the 10 kids each have their own drum kit arranged in a circle around a large room. As the music starts, Abdo takes the lead, instructing the young musicians and wildly raising his arms to the rhythm. He keeps perfect time with his air drumming, and the kids follow.

    These young drummers do a fantastic job, fully committed and bringing the focus and skill needed to pull off such a high-octane song. Yet it’s nearly impossible not to have your attention drawn to the teacher. Abdo radiates an infectious belief in every child in the room.

    This type of wholehearted encouragement feels increasingly rare, and it’s wonderful to watch. As proud parents smile from the sidelines, he moves through the room, connecting with each student. With each burst of encouragement, the recital transforms into something special.

    There is little publicly available information about Abdo’s background. His breakout visibility appears tied to short-form drum lesson videos posted on his Instagram page. His profile lists Dubai as his location, and his bio reads, “My dream is to recreate School Of Rock MENA [Middle East North Africa] version.”

    The good-vibes energy inspires people

    The video quickly became impossible to scroll past. Views steadily increased, and so did the comments. The appreciation for both the synchronized performance and Abdo’s teaching style offers a moving example of mentoring at its best. As much as viewers loved the kids’ musical showcase, many seemed even more inspired by Abdo’s uplifting and engaging style:

    “They shut it down for real !!!The instructor deserves an applause”

    “I love the teacher !! So enthusiastic, motivating and you can tell he loves these kids!!!”

    “well done to that teacher and all the children — luv this”

    “This teacher has incredible enthusiasm which inspires all the kids to work so hard to get it!”

    “Wow, the instructor’s patience and passion for his work are truly admirable!”

    “This is called perfection.”

    “The teacher’s passion! The talented, focused kids!”

    Great teachers and mentorship matter

    There is simply no denying the value of great teachers and mentors. Everyone benefits from guidance and encouragement, especially young people. Research in 2025 found that mentored youth were 20% more likely to attend college, earn higher incomes, and exhibit better behavior. A 2023 trial conducted by Big Brothers Big Sisters of America found measurable improvements in social and emotional well-being.

    A 2022 study found that mentorship increased retention and promoted success. The benefits extend to mentors as well, offering opportunities to build enduring relationships that evolve and provide value over time.

    The music recital had the Internet buzzing over its great energy and the joy of watching kids go for it. Inspiring mentorship may be the real power behind Abdo’s musical instruction. Whether viewers remember a beloved teacher or recognize the one they wish they’d had, the right mentor can stay with a child long after the music stops.

  • A BBC crew broke ‘cardinal rule’ of nature documentaries to save trapped penguins
    Photo credit: CanvaPenguins jumping off a glacier into the water.
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    A BBC crew broke ‘cardinal rule’ of nature documentaries to save trapped penguins

    Even the show’s narrator, David Attenborough, supported the controversial decision to step in.

    Nature documentaries operate on a single, golden rule: observe, record, but never interfere. The goal is to capture the raw, unscripted reality of the natural world, even when that reality is brutal. But during the filming of the BBC Earth series Dynasties, a situation arose that was so dire, the crew felt compelled to break that cardinal rule.

    The incident, which took place in November 2018, involved a colony of Emperor penguins in Antarctica. A massive storm had hit, dropping temperatures to minus 50 degrees Celsius (minus 76 degrees Fahrenheit) and trapping a large group of mothers and chicks in a steep, icy ravine.

    Separated from the safety of their rookery, the birds were helpless. The mothers, cradling their chicks, were unable to climb the slick, vertical slopes.

    Emperor penguins, BBC Earth, David Attenborough, Antarctica, nature documentary
    Penguins march across the ice. Photo credit: Canva

    The situation was desperate. Some chicks had already been abandoned and frozen to death in the gully, while predators circled the survivors. The emotional toll on the crew was immense. As one cameraman told Country Living, “I know it’s natural, but it’s bloody hard to watch.”

    Faced with the potential extinction of the entire group, the team made a controversial choice.

    “It was not a straightforward decision by any stretch of the imagination,” director Will Lawson explained in an interview with Lorraine. “You just have to look at the facts that are in front of you before you make a decision like that.”

    Once the storm broke, the crew decided to intervene, but they did so “passively.” They didn’t lift the birds; instead, they used their tools to dig a shallow ramp into the ice, creating a path the penguins could potentially use to escape on their own.

    “Once we’d dug that little ramp, which took very little time, we left it to the birds. We were elated when they decided to use it,” Lawson told Country Living, noting that there is simply no “rule book” for such extreme scenarios.

    The footage of the penguins waddling up the man-made ramp to safety became a defining moment for the series. Even Sir David Attenborough, a staunch defender of non-intervention, backed the move.

    “It’s very rare for the film crew to intervene. But they realize that they might be able to save at least some of these birds, simply by digging a few steps in the ice,” Attenborough said.

    Producer Mike Gunton agreed, framing it as a moral imperative rather than a documentary breach. “We have a rule that interfering is a very dangerous thing to do. But these penguins were going to die through a freak act of nature if nothing happened,” he said. “How would this conversation be going if you said you saw them there and did nothing? I think you have to do it.”

    The intervention was passive, but the result was profound. The colony survived, and the crew walked away with clear consciences. As Attenborough concluded, “To have done anything else would only make matters worse and distort the truth.” 

    This article originally appeared two years ago. It has been updated.

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