For years, art institutions have been criticized for only populating their galleries with artists who were anything but diverse.


Recently, however, a widespread arts initiative has aimed to change that perception by presenting the works of Latino artists across dozens of institutions in Southern California.

The exhibition is called “Pacific Standard Time: LA/LA.” It was launched in September 2017 with the help of $16.3 million in grants from the Getty Foundation. And soon, this initiative will bring some of these shows to museums and galleries across the country.

Their goal: rewrite art history.

It sounds ambitious, but it was a necessary move.

In a time where immigration has become a crucial issue dominating our political discourse, “PST: LA/LA” helped Southern California institutions reflect the true cultural makeup of the region. In Los Angeles County, Census data shows that 47.7% of the population identifies as Hispanic or Latin American, but the regional art world didn’t quite reflect the population. “PST: LA/LA” is an attempt to rectify that disparity with exhibitions showcasing the diversity of both art in Latin America and the work of Latin American artists in the United States.

It took five years of preparation, but the initiative was a rousing success. From museums to universities to art galleries, more than 140 venues participated in showcasing the work of more than 1,100 artists. While some of “PST: LA/LA” exhibitions are officially coming to an end in Southern California on Sunday, Jan. 28, 2018, some of the shows are hitting the road, bound for destinations across the U.S. and abroad.

From displays of beautiful pre-Hispanic artifacts to groundbreaking performance art by cutting-edge contemporary artists, “PST: LA/LA” is significant not just for its focus on Latin American artists, but for the breadth and scope of the exhibitions included in the initiative. But, it wasn’t just centuries that “PST: LA/LA” spanned — these exhibits crossed borders too. Shows also explored the ethnic diversity in Latin America, from Afro-Brazilian to Chinese-Caribbean. It delved into artistic practices by marginalized or overlooked communities like the pioneering feminist artists featured in the show “Radical Women: Latin American Art, 1960-1985” — which will tour Brooklyn and São Paulo this year — and the work of queer artists in “Axis Mundo: Queer Networks in Chicano L.A.”

[new_image position=”standard large” id=”null”]Photo by Roberto and Fernando Luna, used with permission.[/new_image]

“PST: LA/LA” also highlighted Latin American artists with landmark retrospectives. Body positive photographer Laura Aguilar has a career that goes back to the 1980s, but her exhibition “Show and Tell” — which is set to head to the Frost Art Museum in Miami in March 2018 — is the first expansive survey of her work. “Aztlán to Magulandia: The Journey of Chicano Artist Gilbert ‘Magu’ Luján” is the first survey of the late artist Gilbert “Magu” Lujá, who, as part of the collective Los Four, helped kickstart the Chicano Arts movement in 1970s Los Angeles.

For “PST: LA/LA,” showcasing Latin American artists throughout Southern California was only beginning. Now, they’re bringing them to the world.

Below are forthcoming dates for “Pacific Standard Time: LA/LA” exhibits around the world:

Laura Aguilar: Show and Tell
Originally presented at the Vincent Price Art Museum, Los Angeles

On tour:
The Frost Art Museum, Miami, Florida
March 3 to May 27, 2018

The Schoolhouse and the Bus” (formerly known as “Suzanne Lacy & Pablo Helguera”
Originally presented at the Art, Design & Architecture Museum, University of California, Santa Barbara

On tour:
The 8th Floor, New York City, New York
Feb. 9 to May 12, 2018

The U.S.-Mexico Border: Place, Imagination, and Possibility
Originally presented at the Craft and Folk Art Museum, Los Angeles

On tour:
561 Arts, Albuquerque, New Mexico
Jan. 27 to April 14, 2018

Mono-Made: New Expressions in Craft by Latino Artists
Originally presented at Craft in America, Los Angeles

On tour:
Fuller Craft Museum, Brockton, Massachusetts
Dec.15, 2018, to Sept. 8, 2019

David Lamelas: A Life of Their Own
Originally presented at the California State University, Long Beach/University Art Museum

On tour:
Fundación Costantini, Museo de Arte Latinoamericano de Buenos Aires, Argentina
March 23 to June 11, 2018

The Metropolis in Latin America (1830-1930)
Originally presented at the Getty Research Institute, Los Angeles

On tour:
Americas Society, New York City, New York
March 22 to June 30, 2018

Golden Kingdoms: Luxury and Legacy in the Ancient Americas
Originally presented at the J. Paul Getty Museum, Los Angeles

On tour:
The Metropolitan Museum of Art, New York
Feb. 27 to May 28, 2018

Radical Women: Latin American Art, 1960-1985
Originally presented at the Hammer Museum, Los Angeles

On tour:
Brooklyn Museum, New York City, New York
April 13 to July 22, 2018

Pinacoteca de São Paulo, Brazil
Aug. 18 to Nov. 19, 2018

Painted in Mexico, 1700-1790: Pinxit Mexici
Originally presented at Los Angeles County Museum of Art

On tour:
The Metropolitan Museum of Art, New York City, New York
April 24 to July 22, 2018

Murales Rebeldes! L.A. Chicana/o Murals Under Siege
Originally presented at La Plaza de Cultura y Artes, Los Angeles

On tour:
California Historical Society, San Francisco, California
April 7 to Sept. 2, 2018

Memories of Underdevelopment
Originally presented at the Museum of Contemporary Art San Diego

On tour:
Museo Júmex, Mexico City, Mexico
March 21 to Sept. 9, 2018

Museo Arte de Lima, Lima, Peru
Nov. 20, 2018, to Feb. 23, 2019

Relational Undercurrents: Contemporary Art of the Caribbean Archipelago
Originally presented at the Museum of Latin American Art, Los Angeles

On tour:
Wallach Gallery of Columbia University, New York City, New York
May 2018 to September 2018

The Frost Art Museum, Miami, Florida
October 2018 to December 2018

Portland Museum of Art, Portland, Maine
January 2018 to May 2019

Delaware Art Museum, Wilmington, Delaware
June 2018 to September 2019

The Words of Others: León Ferrari and Rhetoric in Times of War
Originally presented at the Roy and Edna Disney/CalArts Theater, Los Angeles

On tour:
Pérez Art Museum, Miami, Florida
Feb. 15 to Aug. 12, 2018

Valeska Soares: Any Moment Now
Originally presented at the Santa Barbara Museum of Art

On tour:
Phoenix Art Museum, Phoenix, Arizona
March 24 to July 15, 2018

Aztlan to Magulandia: The Journey of Chicano Artist Gilbert ‘Magu’ Luján
Originally presented at the University Art Galleries, University of California, Irvine

On tour:
Riverside Art Museum, Riverside, California
June 2 to Sept. 29, 2018

  • 11-year-old Kentuckian rescues man drowning in apartment complex pool
    Photo credit: CanvaA young hero rises to the occasion.

    An 11-year-old boy in Kentucky is being praised for rescuing a man from drowning in a pool at an apartment complex.

    Avory Woolery spotted the man at the bottom of the pool. The man appeared distressed and that’s when Woolery dove into action.

    “There was this man in the pool, like unconscious underwater, almost shaking, maybe, and my adrenaline kicked in,” Woolery told WKYT-TV.  “I went underwater, I grabbed him up, his friend, I believe, put him on the floor and started doing CPR on him to try and save him the best he could, until somebody called 9-1-1.”

    ‘He’s a human being’

    When asked why he took initiative, Woolery said that he dove in to get the man because no one else appeared to notice the drowning man’s plight.

    “No one was doing anything, so I put on my goggles. I went underwater,” Avory said. “I grabbed him up and I just felt really bad because there was no way that I was going to let another man die today. He’s a human being. He should be treated as such.”

    As Woolery noted, another person performed CPR on the man until paramedics arrived. The Lexington Fire Department said the man was taken to a local hospital and is still in serious condition. While still hospitalized, worse could’ve occurred if young Avory didn’t intervene.

    Fatherly pride

    Sean Woolery, Avory’s father, was proud of how his son was able to calmly and quickly react to the situation.

    “I’m proud of him. Somebody, when I was walking up here, somebody said, ‘Thank you, you taught him how to swim,’” he said.

    A life was saved thanks to young Avory being able to notice signs of drowning and staying calm under pressure during a dangerous situation.

    How to spot a drowning victim

    While many public pools and beaches have lifeguards, it’s still important to recognize the signs someone is drowning so you can get them the proper help. After all, that’s what Avory did.

    But the signs of someone drowning don’t necessarily match the ones that are seen on television or film. Many drowning victims are unable to yell for help, loudly splash, or grab attention since water is gathering into their lungs.

    The Red Cross offers some more accurate signs of someone drowning along with tips to help them. A distressed swimmer/drowning victim will look like they’re having trouble making forward progress in the water. They’ll likely appear vertical and unable to tread water. They may look like they’re struggling to keep their mouth and nose above water. They could also appear motionless and face down in the water.

    What to do if you see someone drowning

    Should you see these signs, yell at the person to see if they can respond. Alert the lifeguards (if present) and have someone call 911 immediately. If there is no lifeguard, it’s recommended to get the person out of the water the safest way possible without going in. This means offering flotation devices like life jackets or buoys for the drowning person to grab. 

    There’s a reason why it’s usually not recommended to swim to rescue a drowning person. It’s because if they are conscious, the drowning person could instinctually grab at you. They could accidentally pull you down underwater with them. While Avory did swim to save that man, the victim was unconscious. It was an extreme situation in which trained professionals weren’t present. 

    If swimming is the only option, it’s recommended to swim to the victim with a flotation device in hand for them to grab onto without touching them. This can allow you both to stay afloat with less struggle. That said, it is always best to wait for water safety professionals to act first if at all possible. The Red Cross has some other water safety tips to follow that could save lives and prevent common drowning incidents.

  • A Spanish park has been free of wildfires for over a decade thanks to 18 donkeys
    Photo credit: CanvaDonkeys and other livestock could help prevent mass wildfires.

    According to NASA, wildfires have doubled worldwide due to climate change. Throughout the globe, governments and environmentalists have been trying to find ways to curb the fires. One particular national park in Spain has found a solution that has been keeping them fire-free for over a decade: donkeys.

    Since 2014, the Firefighting Donkey Battalion unit consisting of 18 donkeys has been preventing wildfires in Doñana National Park in Doñana, Spain. The mission these donkeys do is simple: eat the dry brush that usually sparks and fuels wildfires. The donkeys spend up to seven hours a day using their voracious appetites to graze and clear a 130 by 50 feet area of dried grass, scrub, and other vegetation.

    Why donkeys?

    While humans can do this type of clearing out of dry brush, using donkeys for this work is arguably more effective. While it is a slower process, it is consistent and thorough. Donkeys are able to quietly patrol in areas that are inaccessible to vehicles. In exchange for the feasting, the donkeys get about eight gallons of water and rest. No money or fuel needed.

    The donkeys’ bodies are also pretty much built for this kind of environmental work, too. Their stomachs are built to eat the same rough and dry grass repeatedly without issues. These daily grazings slowly but surely remove potential origin sources for fires. As a bonus, the donkeys are naturally disposing of the dried vegetation whereas humans would have to find a different way to dispose of it.

    Having donkeys or other livestock graze in such areas was once more common in agriculture prior to modern farming. Some argue that the machinization of farming and urbanization have reduced the number of grazing animals. This in turn allows more vegetation growth that become dry spots for more wildfires to occur.

    The method expands

    This method has been so successful that other areas of Spain have adopted it. In 2020, Tivissa launched the Burros Bomberos project with three donkeys to so much success they’ve expanded. They now have 40 donkeys grazing and clearing nearly 400 hectares of land.

    The Andrea Association in Allariz uses a team of donkeys to clear and maintain nearly 1,000 hectares of a biosphere reserve. Using GPS to monitor the donkeys’ activity, the group of grazers travel 19 kilometers per day to feed. Similar initiatives have since started in Basque Country, Catalonia, and Galicia, too.

    Other ways to combat wildfires

    In the United States, California has been using goats in a similar function. The group Fire Grazers Inc. has been contacted throughout California to bring hundreds of goats to eat dried vegetation. Much like donkeys, goats are built to eat rough and dry brush. This includes certain plants such as star thistle that are painful for human hands to grab.

    It’s important to note that donkeys or other animals that eat dry scrub are the primary solution to wildfires. The same folks behind these initiatives also advocate proper forest planning and land management. This includes reducing the amount of easily flammable species of plants and trees such as pine. It takes thought, care, work, and maybe a bunch of donkeys to make a difference.

  • Spanish zoo study suggests that giraffes can do basic math
    Photo credit: CanvaA study is showing giraffes could be using math.
    ,

    Spanish zoo study suggests that giraffes can do basic math

    These hoofed mammals can understand addition.

    The results of an experiment done in a Barcelona zoo suggest that giraffes are capable of doing basic mathematics.

    A group of researchers from the University of Leipzig, the Max Planck Institute for Evolutionary Anthropology, and the University of Barcelona published their study observing four giraffes at the Barcelona Zoo. The experiment involved the giraffes observing containers that had different amounts of carrot pieces inside.

    How did this experiment work?

    The researchers showed each giraffe the two yellow containers and the amount of carrots within each one. After a few seconds, they closed the containers, keeping the carrots out of sight. They then showed each giraffe a green container which had extra carrots inside. Researchers took the carrot pieces from the green container and placed them into one of the closed yellow containers. They then let each giraffe independently choose which of the two closed yellow containers they preferred, without them seeing the total number of carrot pieces within each box.

    The results found the giraffes would choose the container that had the most carrot pieces around 68% of the time. This suggests to the scientists that the giraffes were mentally adding the carrots up in each container before making their choice. After all, there have been past studies suggesting that other hoofed mammals, such as horses, had similar capability of basic quantity tracking.

    The researchers did the experiment again. Only this time they subtracted the amount of carrots in each container. The giraffes were mostly unsuccessful at finding the container with the most pieces. So while giraffes showed signs of knowing addition, they don’t quite process all forms of arithmetic.

    Math = Survival

    Scientists believe that this understanding of addition helped giraffes survive in the wild. They cite that acacia trees, a dietary staple for wild giraffes, can be spread far apart in Africa. Being able to figure out which area has the most trees and the most leaves can help them decide where to graze next.

    Giraffes also live in flexible groups that often change in size. One grouping can mix in with another group and then branch off or away. This means that the giraffes often have to keep track of those currently within their group and surroundings to survive.

    Can other animals do math?

    Giraffes are just the latest animal species known to have some form of mathematical skill. Chimpanzees displayed similar abilities to count as giraffes in a similar experiment that involved them picking the bowl with the most chocolate pieces rather than carrots. Chickens and black bears also showed aptitude in quantity tracking, too. 

    Scientists theorize that most of the animals that can do this basic math through evolutionary survival. After all, the animal that can deduce where more food is tends to live longer.

    One species that displays remarkable mathematical ability are Tunisian desert ants. An observation of their navigational skills of finding their way to food and back to their nest suggests they use the sun as a compass in combination with mentally keeping track of the number of steps they take in a three-dimensional space. In short, these desert ants possess basic geometric and trigonometry skills.

    While you wouldn’t want wild animals to calculate your taxes, it’s interesting to see how rudimentary math is a language that goes beyond species.

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