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It’s morning in the Bowery, a somewhat grimy neighborhood in southern Manhattan. Across the street from a soup kitchen, two figures sprawl on a colorful floral comforter.


Gray roots betray the woman’s honey brown hair. She stretches her legs over her companion, a middle-aged man in a touristy black NYC cap whose smile cracks into crow’s feet around his eyes.

“We’re just really good friends, first and foremost,” she says.

Lori, who looks like she’s in her 50s, was in a mental institution with bipolar disorder for 10 years. Determined to live independently, she came to New York City looking for work. She couldn’t find a job, but she did meet “King Ray” at a park.

“I saw him on his own, and it made me want to be more like him,” Lori said. He taught her to do something new: relax.

“When I’m with him, we don’t have to do anything but lay back sometimes, something I haven’t done since I was very young,” she says. “Lay back and just … almost imagine you’re just watching the TV screen, you know?”

King Ray nods, chuckling.

“This is a big, giant TV,” he says, gesturing to the streetscape in front of him. “When the bus comes by and blocks your view … that’s a commercial.”

I seem to pass more and more homeless couples lately. Though there’s not much data on them, we know that homeless families are on the rise, and it seems like couples are following this trend. Eric Tars, senior attorney at the National Law Center on Homelessness & Poverty, suspects that homeless couples are both increasing in number and making up a larger percentage of the homeless population.

Others are noticing this trend, too: Filmmaker Paul Bettany was inspired to make Shelter by a homeless couple living outside his Tribeca apartment. The drama, released last September, tells the story of a pair of homeless drug addicts (Anthony Mackie and Jennifer Connelly) who fall in love.

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While King Ray and Lori’s romance is still fairly casual, many homeless relationships are quite the opposite: Charise and her husband, Mike, are in their 40s (though Charise looks 25) and have been together since they met at a homeless shelter five years ago.

“I fell in love with him as soon as I saw him,” remembers Charise.

“It was sort of love at first sight,” agrees Mike in his heavy New York accent.

“Not sort of. What do you mean, sort of?”

We’re sitting on broken-down cardboard boxes under an awning near Union Square in Manhattan. Mike and Charise have been homeless for 15 years.

“He’s the male me, and I’m the female him,” explains Charise, scribbling a green sky in her My Little Pony coloring book to pass the time. “He’s my rock, and I’m his.” Mike nods, leaning back on a blue sleeping bag. He casually opens a local newspaper, cigarette in hand, with all the airs of a 1950s husband at his kitchen table.

Charise says people are sometimes surprised to see an African-American woman and a Korean man together.

“I was in love with Bruce Lee for the longest time,” she says, laughing. “Now I have my own personal Bruce Lee.”

This couple moved beyond puppy love long ago. Though Mike calls Charise his wife, they’re technically just engaged. They tried to get married once, but someone stole Mike’s ID. This was especially problematic because he was born in South Korea and immigrated to New York City as a child. He says it’s harder for immigrants to get replacement IDs.

Though they don’t have much money to go around, the two find things to do. Charise remembers a day Mike playfully chased her around a park in the Bronx. He caught her, tackled her, and tickled her. The two lay there for hours, enjoying the day.

“He made me feel like a queen,” she says.

Since neither have jobs, they spend virtually all their time together. Somehow, they rarely get in fights or want space. If they argue, they make up before they go to sleep. In separate sleeping bags.

“He has a foot odor that would kill a nation,” says Charise. “I love him, but I don’t love him that much.”

He raises his eyebrows, and she kisses him. “I love you. You and your stinky feet.”

And as for physical intimacy for a couple that can’t “get a room”?

“Subway tunnels,” explains Igor, a 20-something homeless guy. He panhandles with his girlfriend, Alexis, next to a pink rolling suitcase and a cardboard sign that reads:

Hard times

Looking 4 Kindness

Spare Change

God Bless

I ♥ NYC!

It’s covered in stars. The O’s in “looking” have been turned into smiley face eyes.

“We’ve never had sex in the tunnels,” corrects Alexis, eating from a bag of Hello Kitty cotton candy, her bright blond hair framed by the fur-trimmed hood of her coat. “We do it literally on the platform.”

She says the public display doesn’t usually cause problems.

“People just ignore us,” she says in a high-pitched giggle that manages to be adorable and jolting at the same time.

“No,” Igor says, seizing his chance to correct her. “No, they don’t.” The other day, he says, a guy took out his phone and filmed them. He claimed he got the whole thing on camera and threatened: “We don’t like your kind around here.” Alexis called him a pervert, and he backed away.

When Alexis first left home, she didn’t have a destination.

“I’m kind of running away from things I’m afraid of, people I’m afraid of,” she explains. “I think I’m just really scared.”

She resorted to staying at all-night clubs and ended up on the streets, where she met Igor.

“It’s been, like, crazy magical,” she says. “We just chill. And we smoke, and talk, and have sex, and then we eat, we keep smoking, and we fall asleep, and we cuddle … and we’ve cried with each other, and we’ve hurt each other, and we love each other hard.”

Igor makes her feel protected, no small matter for a woman without anywhere safe to go. And it’s not just emotional protection: He carries a MacGyvered mace, a belt with a combination lock attached to it, just in case.

In turn, she gives him a sense of stability, being there for him and helping him out with little things.

“Like this,” she says, wiping his nose.

“Stop!” he whines, embarrassed but obviously still pleased.

“He’s a mama’s boy.”

“No, I’m not! What the hell? No, I’m not!”

As playful as they are, there seems to be something deeper going on. Alexis has left the city several times, only to come back for him.

“I don’t know what my future is,” she reflects. “I just keep ending up here … and I keep having him in my mind … I worry about him … so I came back here, looking for him.”

She sighs. “We don’t know what forever is.” She puts her head on his shoulder and looks into his eyes. “Forever is when I wake up next to you.”

***

In Washington Square Park, a pack of dusty dogs and humans enjoy the sun.

Most city dogs, cooped up in apartments most of the day, resemble freed prisoners when they get to a park. But these bulldogs are content to lie on benches and sleepily nuzzle the grass. They’re used to the outdoors.

Their owners, boys in torn up canvas pants and girls in black boots, lean back on dusty camouflage travel backpacks.

As one girl playfully punches her boyfriend, a faded blue dreadlock falls over her worn Cleveland Steamers sweatshirt. A septum nose ring pierces her otherwise baby-like face.

“People mistake me for a dude all the time,” she says.

Sarawh and her boyfriend, Powers, have only been together for a few months, but they act more like buds than honeymooners.

“We’re the coolest people we know,” she tells me. Powers gives smiles abashedly, an expression somehow at odds with his bleached mohawk and black Jack Daniel’s shirt.

Sarawh’s parents struggled her whole life and only recently got a place of their own.

“For the record, they’re doing fucking good,” she’ll have you know. She understands their situation more now that she’s met other homeless people who couldn’t keep their children. Her parents were always there for her.

When Sarawh and Powers first met under a bridge near Sacramento and started going out, she brought him home.

“I got the ‘dad look,’ ” he said. Sarawh’s father immediately made him take a shower.

The couple traveled around the country, either in Sarawh’s van or hobo-style, train-hopping with their dogs. One of his dogs started getting in fights with one of hers, and the animals ended up covered in cuts and abrasions.

The couple likened themselves to stepparents whose kids hated each other. “It’s either you give up one of the kids or split apart. And the dogs come first with that one,” says Powers. “You don’t give up your kid.”

Sarawh and Powers were about to break up when Powers’ dog, a German shepherd named Edith, got sick and died on a Native American reservation in Montana.

Powers felt like he’d just lost a child. “I couldn’t even touch [Edith],” he remembers. “All I could do was dig.” While he prepared the grave, Serawh took care of everything, even carrying Edith’s body.

“That was an honor for me. For someone to do that for me,” Powers said.

Powers pulls down his scarf to show me a tattoo on his neck—a German shepherd paw print with a scrawl: “My Édith Piaf.”

The two represent an interesting segment of the homeless couple population: the travelers.

“We’re ninja turtles,” says Powers. “We carry our homes on our backs.”

Couples like these make their way around the country together, moving more for the journey than the destination. I see similar couples camped out on busy Manhattan sidewalks all the time.

“The average couple goes on a date and spends a few hours together,” points out Alex, half of another traveling couple. “We spend 24 hours a day together.” Alex and his girlfriend, Anna, say their plentiful time together makes them go through things faster than the average couple.

“You have to laugh a lot or you end up losing your mind,” says Anna. I notice their cardboard sign: “Don’t smoke rox. Just need sox.”

Their dates, in particular, are unusual. They’ve ridden trains through the Rockies, spending hours listening to the chugging locomotive and watching the mountains roll by under the stars, miles from civilization.

“You get to see parts of the country that no one—no one—has seen,” remembers Anna. “Other than people that built the railroad.”

Alex and Anna have been dating on and off since they were teenagers in their hometown in Connecticut. They left to escape a heroin epidemic.

“Kids were dropping dead,” remembers Anna. The two hitchhiked, train-hopped, and squatted in abandoned houses.

Since they have no privacy, strangers with less than altruistic intentions sometimes try to get involved. “A lot of guys think that since I’m homeless, I’m willing to do anything,” Anna explains. “A lot of guys are pigs.”

A few months ago, when Alex was dating a different girl, a local guy asked Alex how much for his then-girlfriend to perform oral sex on him.

“So I got up and beat the shit out of him,” says Alex, smiling. “Guy got put in the hospital.” He shows me his hands: They’re scarred all over, he says, from defending previous girlfriends.

They’ve run into weirder conflicts too. Once, at a massive hippie gathering in the woods, some of the group overheard the couple arguing and thought Alex was attacking Anna. The hippies, not a people to put up with violence, went after Alex. The couple took off running, jumped in their van, and drove off.

“We got run out of the woods by 50 hippies,” Anna said.

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It’s hard to know how many of these stories are true. There’s no video footage to pull from a basement, no records to sort through. But if some of these tales are more myth than fact, then they’re doing what myths do: pointing at realities too universal to be limited to single moments. They’re showing me what romance means to these couples, not just what it has looked like.

***

Anna and Alex sometimes share a street corner with Emma (who asks that I change her name), a young woman with a bulldog by her feet, dreadlocks in her hair, and a bracing intelligence and melancholy in her eyes. She’s twanging a banjo, the only visible sign of musical training in this classically trained cellist: She used to hop trains with her cello, a 150-year-old German-made antique. Three hundred dollars’ worth of damage later, she stopped traveling with it.

Emma’s story begins like a typical Millennial’s: She started college, but costs grew too high. By the end, she was stealing textbooks from Barnes & Noble. Financial problems hit so hard that she dropped out and got evicted. She started sneaking onto an abandoned school bus at night to sleep. Eventually, she hit the road.

Now Emma lives in an old gray minivan with her boyfriend, Jake. The two have fixed up the place to look like a room: soft brown comforter on the ground, zebra-striped blanket over the window. Crates of clothes, cardboard to make signs, and about 80 pounds of dog food in back. A copy of The Catcher in the Rye.

There’s a ram skull on the dashboard. Emma bought it from a homeless man who was selling, inexplicably, puppets and skulls. It looks out of place in her graffiti-covered van, like it has been kidnapped out of a Georgia O’Keeffe painting and just wants to roll back home. “I come across a lot of dead things,” she murmurs. “I like to clean them up.”

Emma shows me a pair of steel-toed boots she got out of a dumpster.

“She hasn’t kicked me with them yet, so I must be doing something right,” chimes in Jake, lying on the comforter. A bulldog nuzzles his face tattoos.

“Traveler kids spend more time together than married couples,” Emma explains, leaning against the van, unflinching as a car zooms by only inches away. “They’re your only constant,” she says of travelers’ significant others. “Your world changes, but they don’t.”

As Jake steps out for a moment, Emma’s eyes take on a familiar resigned gloom. She tells me that she’s not over her last boyfriend, and she knows getting involved with Jake is a mistake.

Emma used to be in a relationship with a longtime crush. He was handsome, a brilliant cook, and twice her size, which made her feel protected. “When things were good, they were awesome,” she says.

He was also an alcoholic and suffered from schizophrenia. He would frequently insult her, lie to her, and hurt her. “I just wanted him to get better so we could be together the rest of our lives,” she says quietly. My eyes flicker back to the ram skull.

While the two were staying in an eccentric old woman’s house in the Vermont woods, her boyfriend had a schizophrenic break and attacked her.

“He had this glazed-over look in his eyes, like he wasn’t even there,” she remembers.

Other traveler kids in the house ran in and beat him up. The kids got arrested, he went to the hospital, and she never saw him again.

“He changed his relationship status to ‘widowed,’ ” Emma says, “which I guess means I’m dead to him.”

Jake returns with a handful of cigarette butts he found on the street. He uses the old tobacco to hand-roll a cigarette.

“I love you,” Jake tell her, handing her the cigarette. “I love your smile. I love your beautiful eyes. But I really, really love your ugly face.”

“You, too.”

Troubles like Emma’s aren’t unusual: Hardship makes up the borders of homeless life. Charise and Mike, for instance, have been trying to find jobs and apartments for years. The two had high hopes when a man from an aid organization said he could get them a room a few months ago. But the man stopped coming around.

As Charise describes their housing struggles, her scribbling gets fiercer. She sighs looking at the picture—a prancing unicorn. “It’s not working.” She picks up a crayon and proceeds to color the whole picture black.

Work follows a similar Kafkaesque pattern. A few months ago, a man offered Mike a dishwashing job. Mike immediately agreed, and he and Charise were thrilled. A paycheck would be a foot in the door of a new life.

The man seemed surprised to hear Mike accept the offer. He said he’d come back the next day, but he never returned. Mike and Charise realized the guy must have just wanted to see Mike’s reaction.

“Right now, we should be floating somewhere, we got so much hot air up our butts,” mutters Charise.

Mike needs back surgery. But he knows that getting surgery would mean leaving Charise on the street for a couple weeks while he recovers. He refuses to do that.

This isn’t the first medical problem Mike and Charise have had to deal with. Two years ago, when Charise was five months pregnant with their first child, she started having complications. The doctor had to induce labor. To save the baby, she says, they needed to pay for expensive procedures.

“We had no money to keep him alive,” Charise remembers. The baby passed away.

They named him Mike Pilgrim Jr. after his father. “He will always be our son,” she vows. “We’ll tell our future children about him.”

Charise shakes out of her reverie, remembering Mike frozen by the window the whole delivery, terrified. “He was the cutest thing in the world,” she laughs. “You gotta stay positive. Bitterness makes you miserable.”

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***

It’s evening in the Bowery.

Shoes drum down the street: Converse sneakers bringing college kids to bars, Oxford loafers rushing investors home for a few hours of sleep. Shoes weaving around cigarette smokers, pushing strollers, running to catch a taxi.

Only two pairs of sneakers are motionless. They’re resting against one another on a floral comforter, attached to a familiar pair of New Yorkers: Lori relaxes into King Ray’s lap, and he nuzzles her hair.

As the sunset fades to night, the two merge into an L-shaped silhouette against the fluorescent shop lights, hands intertwined, watching their TV show go by.

  • Motorcyclist trapped under a 3,300 pound car saved by Australian car salesmen
    Photo credit: @ACurrentAffair9 on YouTubeA man was saved from being crushed under a car.

    Tyler Wiebe was on his way to work on his motorcycle in Brisbane, Australia. Then a car approached in the wrong way in traffic, colliding with another car that then hit Wiebe. The accident threw Wiebe off his bike and under a car. He was trapped under the 3,300-lb. vehicle, doomed until a group of salesmen and onlookers came to his rescue.

    “I was being dragged and when it stopped, my head and chest were under the car,” Wiebe said to the Australian Broadcasting Corporation. The crash and being pinned down under the vehicle gave Wiebe several injuries. He suffered broken ribs, a broken collarbone, and a collapsed lung.

    But that would be diagnosed later. At the time, the car’s weight was crushing Wiebe to the point that he couldn’t breathe. His heart was also unable to beat, the pressure causing his eyes, mouth, and nose to bleed.

    “Initially it was ‘can I get out?’ and then it was ‘man I am dying, this is it,’” recalled Wiebe. “[My] wife and two kids are not here, and this is it.”

    Hope comes in the form of a car salesman

    After being stuck for two minutes under the car, help arrived from the nearby Auto Request Kedron, a used car dealership.

    “I was in the office at the time, so I heard the bang [and] came running to the doors,” Mick, one of the employees, said to A Current Affair.

    “I realized there was someone trapped under the car,” fellow employee Rob added.

    They rushed into action, recruiting other coworkers to help.

    “[I] saw Rob running and he was just whistling out saying, ‘Hey, boys, hurry up,’ ” Corbin recalled. “I remember seeing him, just like two legs. They weren’t moving at that time.”

    The salesmen tried to lift the vehicle up to get Wiebe to safety, but the car wouldn’t budge.

    “We tried to lift it off. We couldn’t, and then on the second attempt, we had a couple of other good Samaritans come and help us,” said Brian, another employee of Auto Request Kedron.

    Reportedly 15 people were finally able to lift the car and free Wiebe underneath. He was rushed to the hospital where he went under emergency operations. Under hospital care, Wiebe’s condition stabilized and he survived. Had he been under that car any longer, the worst would have happened.

    Wiebe was humbled and grateful to the salesmen and others who stepped up to save him.

    “I get more time with my daughters, I get more time with my family and a second lease on life, so just thank you, thank you,” Wiebe said in his hospital bed.

    Certified legends

    When he was discharged from the hospital, Wiebe set up a reunion with the employees of the used car dealership. He was able to introduce his family to his rescuers and thank them face-to-face. Wiebe presented them with matching t-shirts, each one with a logo reading “Certified Legend” on the front and an illustration of a person lifting a car over their head on the back.

    “You guys are legends, but now you’re certified legends,” Wiebe said to his heroes.

    A father and husband was saved thanks to the alertness and quick action of the nearby community.

  • Texas engineers develop a jacket that pulls fresh drinking water out of thin air
    Photo credit: @fascinatingonX/CanvaWearing this jacket could help keep people hydrated.

    For too many, access to clean drinking water is incredibly difficult. According to the World Health Organization, over two billion people live in water-stressed areas due to pollution, climate change, or population growth. However, engineering experts in Texas have developed a possible solution: just put on a jacket.

    The engineers and researchers gathered at the University of Texas at Austin developed a prototype jacket that can pull drinking water out of thin air. The jacket could help anyone frequently in areas where drinkable water is scarce. This could be used recreationally by campers, hikers, and runners—but it could also save lives. Emergency responders, soldiers, and agricultural workers could also collect water for themselves and others simply by wearing it.

    The technology behind the jacket is similar to the materials used in netting for water harvesting of air and fog. This time, however, the idea is to collect water while also being mobile.

    “Water harvesting from air is usually imagined as a stationary device such as a box, a panel or a large sorbent bed,” said Guihua Yu, chair professor of the Cockrell School of Engineering’s Walker Department of Mechanical Engineering and Texas Materials Institute. “Here, we wanted to rethink the form of the technology. If the fabric itself can collect water from air, it opens a new direction for personal and portable water access.”

    How does this jacket collect water?

    The textile used to create the jacket was derived from a device the same team created. That device was a specially engineered hydrogel fabric made from biomass-derived materials. This hydrogel fabric takes moisture from the air and then releases it as water via condensation when it’s heated by sunlight. The water can easily be collected.

    The jacket’s textile collects moisture from the air and funnels it into detachable harvesting units. The units can be placed into a foldable collector piece where they are heated to produce water. The material and system doesn’t just absorb water like other materials. Instead, it actively converts vapor into water while functioning as a piece of protective clothing.

    The jacket is able to produce between 400 to 900 milliliters of drinkable water daily. This is a vast improvement upon other similar inventions that yielded less water and were significantly bulkier to wear. The jacket’s material could collect and produce more water over time and testing, depending on the humidity of the terrain.

    Aside from creating clothing out of the material, the researchers hope to make backpacks, tents, emergency shelters, and other outdoor gear from it. The hope is that this could create more clean water access for disaster response units and everyday people living in water-stressed areas alike.

    How much hydration do you need in the heat?

    Until water-collecting jackets are commercially available, it’s important to have drinkable water nearby at all times, especially during the summer. When out in the heat, the Center for Disease Control recommends having a drink of water before working outdoors. Then drink a cup of water every 15 to 20 minutes. This can help keep your body cool and hydrated to prevent heat stroke. That said, stay alert and stay indoors if there is a heat warning in your area.

  • Why Gen Z is falling in love with film photography
    Photo credit: Yasin Akgul/AFP via Getty ImagesChildren look at developed film in a darkroom during an analog photography workshop held in southeastern Turkey on June 14, 2026.
    ,

    Why Gen Z is falling in love with film photography

    Analog cameras offer a slower, social antidote to digital life.

    Film photography is experiencing a resurrection, summoned by unlikely conjurers: Gen Z.

    It wasn’t too long ago that analog photography – which uses photographic film and chemical processing – was declared all but dead, relegated to the province of niche hobbyists and professional artists.

    Digital cameras had taken over nearly all areas of photographic production. Film industry titans like Polaroid and Kodak had shrunk dramatically from their heyday, becoming shells of their former selves. Darkrooms, where students learned how to manually develop and print film, shuttered at high schools and college campuses across the country, replaced by digital labs. For most people, the spirit of analog photography was mainly channeled through Instagram filters.

    But within the past five years, younger people have been increasingly drawn to the old way of doing photography.

    In 2025, 35% of the 42 million active film camera users worldwide were reported to be between the ages of 18 and 30. The year prior, online searches for analog photography saw a 41% rise.

    Disposable camera sales have been steadily increasing since 2023. The photography journal PetaPixel went a step further and announced 2024 as “film’s best year in decades,” as major brands have introduced new cameras in response to renewed demand and revived classic modelsMore than 30% of respondents to a 2024 Ilford Photo survey on film photography were in the 25-34 age group.

    As I’ve witnessed more and more of my undergraduate art and design students embrace analog photography, I’m not seeing this as a trend rooted in a nostalgic yearning for the past. Instead, I’m seeing it as young people rejecting algorithms, breaking free from the alienation of social media and reacting to childhoods spent on Zoom and TikTok – a deliberate move to redefine the future of art, social connection and engagement with the world.

    Pining for a ‘third place’

    In my work as a historian of photography and lecturer at the University of Southern California, I’ll often ask my students about how they take photos – whether they’re using digital cameras their smartphones or analog devices.

    This year, for the first time, some of my students discussed images they’d printed and the physical photography albums they’d put together of their friends and family. They talked about how they’d also been sending postcards, writing letters and tacking photographs to their bedroom walls.

    Young Black man wearing a black hat and black sweatshirt holds a small camera up to his eyes to snap a photograph.
    New York Knicks forward OG Anunoby snaps a photo with a disposable film camera during the team’s victory rally on June 18, 2026, after winning the NBA Finals. Craig T. Fruchtman/Getty Images

    I couldn’t help but think about how so much of the language tied to early social media seemed to refashion physical gestures for a virtual world – “posting” on a “wall,” “poking,” “tagging” and “bookmarking,” not to mention “friending.”

    This was a rhetorical move by social media companies, likely designed to help people feel as though they were in a familiar terrain of social connection. Yet the underlying business model of these platforms depended more on maximizing engagement and advertising revenue than on nurturing authentic relationships.

    Everyone knows what happened next: The more connected young people became online, the more isolated and detached they started to feel. The COVID-19 lockdown pushed social life online even further, and researchers are only now starting to see how the combination of increased screen time and isolation negatively affected adolescents’ mental health. By 2023, 51% of American teenagers reported they spend at least four hours a day on social media.

    I see the attraction of analog photography as a response to life lived through screens, a pathway toward community engagement and the desire for what sociologists call “a third place.”

    Coined by sociologist Ray Oldenburg in his 1989 book “The Great Good Place,” third places are meant as a space separate from home and work. They offer a reprieve for the in-between, generating the conditions needed for creative cross-pollination. They might include a local cafe, a neighborhood writing group, a weekly Magic: The Gathering game or a college fraternity – any space that allows for social interaction and personal growth.

    These spaces also combat loneliness. They get people out of their heads and into a community. Oldenburg also referred to them as “havens of sociability,” places or gatherings where people can arrive alone to join others, and the atmosphere is “democratic and festive.”

    Analog communities IRL

    In April 2026, the inaugural AnalogCon took place in Los Angeles. Organized by the Los Angeles Center of Photography, where I serve as executive director and chief curator, it was a festival for all things analog photography. It didn’t just serve as a third place for photography enthusiasts; it also showed how analog photography – as a practice, ritual and community – is flourishing.

    Vendors, industry leaders, artists and teachers participated in the two-day event, which included exhibitions, panels, demonstrations and guided photography tours around Little Tokyo. The excitement and thirst for similar events was palpable.

    Photography now joins a broader trend of a generational preoccupation with physical cultural objects and media. Although music streaming represents 82% of revenues generated in the music industry, vinyl records sales have been rising for over a decade, crossing the US$1 billion threshold in the U.S. in 2025.

    A table featuring an array of camera equipment spanning different eras, with hands holding some of the objects.
    Customers peruse vintage film cameras at a stall on Brick Lane in London’s East End on June 14, 2026. Richard Baker/In Pictures via Getty Images

    Nearly 60% of Gen Z are now purchasing records. VHS tapes and VCR players are also making a strange comeback, with stores like Be Kind Video and Videotheque in California offering VHS, DVDs and Blu-ray rentals.

    But beyond that, record stores and video rental shops have become third places in their own right. There’s a big difference between selecting a film to stream from your bed and getting out of the house, going to a store and talking about movies with a clerk and fellow film enthusiasts.

    Think about the sound a tape cassette makes when you open and close it, or the vibrant graphics on the covers of DVDs or VHS tapes. Think about rewinding or making a mixtape for your recent crush. These are objects of belonging that signal specific cultural moments, rituals and aesthetics, and many young people today are starting to experience them for the first time.

    Now, think about gently inserting a roll of film into a camera. Think about choosing an angle carefully when snapping a photo, because the number of frames is limited and you want to make them count. Think about the thrill of discovery when the pictures finally emerge as objects on paper.

    To me, these are more than fleeting trends. They signal a push against a digital culture that is designed to cultivate envy and reward outrage, insults and humiliation.

    Instead, armed with rolls of film, more and more Gen Zers appear to be opting out of their algorithmic feeds in favor of experiencing life in ways that feel more deliberate, personal and tangible.

    This article originally appeared on The Conversation. You can read it here.

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