On a Saturday afternoon, right around low tide, crowds gather on the rocky coast below the bluff of Point Fermin in Los Angeles’ beachside community of San Pedro.

They walk carefully across rocks that can be slippery or wobbly, investigating everything from algae to sea hares. Among the explorers is a group from the Natural History Museum of Los Angeles County of more than 30 people that includes researchers and nature enthusiasts. They’re participating in what’s called a “bioblitz,” where the group observes as much life as possible in a set time frame.


People photograph what they see with the intent of uploading the images to iNaturalist, where they can count toward Los Angeles’ total observations for the 2018 City Nature Challenge. Between April 27 and April 30, participants in almost 70 cities across the globe sought out and documented nature in their urban environments. They submitted findings to the challenge, where living things or their traces — like animal tracks — were identified between May 1 and 3. Ultimately, the city with the most sightings wins the challenge.

Lila Higgins, senior manager of community science of NHMLA, co-founded the event two years ago with Alison Young at San Francisco’s California Academy of Sciences. It began as a challenge between California’s fiercely competitive rival cities to commemorate the United States’ first National Citizen Science Day in 2016. The challenge was so well received that it spread across the country the following year. Now, it encompasses locations from California’s coast to India and beyond.

Higgins is about to leave the tide pools when we catch up on the rocks.

She has already spotted lots of life out here — sea urchins, starburst anemone, nudibranchs, and hermit crabs among them — and has been bouncing between nature excursions during the course of the challenge. She last checked on the competition stats about an hour earlier. San Francisco was in first place, with San Diego, Hong Kong, and Dallas in the rest of the top four positions. Los Angeles is further down on the list, she notes with the cautious optimism that its rankings might rise. “We’re always a slow burn,” she says.

City Nature Challenge isn’t just a competition. It’s part of a greater effort to explore urban nature, and it’s one of the under-appreciated advantages of living in the era of smartphones and social media. Higgins recalls that, in 2011, she entertained the idea of a competition between Los Angeles and London. At that point, before the advent of iNaturalist, a platform where users can upload photos and help each other identify species, it wasn’t feasible. This year, though, London has joined the now-international challenge.

“I think it’s a testament to the fact that we live in a society where we’ve got all these tools that make this possible,” says Higgins by phone a couple days before the start of City Nature Challenge.

Higgins is a champion of using today’s tech to bring together community members and researchers to better understand the lives that exist in our cities. “Seeing people using their smartphones and using social media as a true way to engage with nature as opposed to separating themselves from nature, to me, that’s really cool and really exciting,” she says.

Originally from England, Higgins moved to Southern California with her family as a teenager. The difference in scenery was drastic. “The plants are this different quality of green,” says Higgins, whose love of the outdoors goes back to childhood. “The creatures that are around were so foreign to me.” Moreover, Higgins was trying to adjust to high school in a new country. It wasn’t until college at the University of California at Riverside that she was introduced to entomology and really began to connect with local nature.

Her enthusiasm is contagious. She mentions Jerusalem crickets, a chubby, golden-brown insect native to the U.S. “There’s all this folklore and myth around it, which adds to the interest and they’re relatively understudied and they live underground for most of the year, so you don’t see them that often,” says Higgins. “But, then after rainstorms and sometimes, if you’re really lucky, they will come out, and you’ll see them in the light of day, and they’re kind of lumbering along. They instill fear in some people and delight in people like me.”

In sharing her own excitement about local nature, Higgins is helping others see that there’s more to Los Angeles than freeways and buildings.

“Los Angeles has an opportunity to be a global leader in researching and understanding the intersection of nature, built environments, and people. To activate that goal, this museum has to promote community science onsite, but more importantly, we have to go out into L.A. neighborhoods and meet people where they are,” says NHMLA president and director Lori Bettison-Varga in a statement from the museum’s publicist. “Lila is very, very good at this — she and her staff develop partnerships with people and organizations that we can sustain long-term, and the City Nature Challenge is a perfect example of our community work. It’s fun, it’s accessible, and it creates data that our scientists can use as they research L.A. biodiversity.”

This is part of a greater movement called “citizen science,” although NHMLA recently began using the term “community science” instead. (Higgins explains, “We want to meet all the people who live in L.A. and make sure that there are no barriers in their participation in our project, so we have changed the name … because here in Los Angeles, a lot of people are not citizens.”) Bringing local residents into the research process can benefit scientists greatly. It helps improve data collection in dense urban areas where property often belongs to private owners.

But even in a public setting like at the tide pools, it can help research. “One of the ways we can do that is by having hundreds of eyes looking for us and recording what they see,” says Dean Pentcheff, a researcher who is the project coordinator for Diversity Initiative for the Southern California Ocean (DISCO) at NHMLA. “There are many more of them than there are of us, so it’s a force multiplier for science and lets us see many things that we wouldn’t otherwise see and get them recorded, photographed in a way that we’re able to capitalize on.”

After the challenge days concluded, the folks of iNaturalist tallied up the observations.

This year, the San Francisco Bay Area won with the most observations, and the global reach of the project was immense. With all 68 participating global cities combined, more than 17,329 people around the world submitted 441,888 observations. Of those findings, 4,075 were “research grade” observations, adding 599 rare, endangered, and threatened species to the iNaturalist database.

For these communities, Higgins says, knowing what lives in your neighborhood can help locals make personal and political choices with the local environment in mind. “They’re thinking about wildlife because they studied it, and they’ve taken pictures, and they know some of the species,” says Higgins. As urban areas continue to grow, develop and become more populous, this is crucial knowledge for residents to have. Cities, Higgins says, “need to work for humans and for wildlife.”

  • Motorcyclist trapped under a 3,300 pound car saved by Australian car salesmen
    Photo credit: @ACurrentAffair9 on YouTubeA man was saved from being crushed under a car.

    Tyler Wiebe was on his way to work on his motorcycle in Brisbane, Australia. Then a car approached in the wrong way in traffic, colliding with another car that then hit Wiebe. The accident threw Wiebe off his bike and under a car. He was trapped under the 3,300-lb. vehicle, doomed until a group of salesmen and onlookers came to his rescue.

    “I was being dragged and when it stopped, my head and chest were under the car,” Wiebe said to the Australian Broadcasting Corporation. The crash and being pinned down under the vehicle gave Wiebe several injuries. He suffered broken ribs, a broken collarbone, and a collapsed lung.

    But that would be diagnosed later. At the time, the car’s weight was crushing Wiebe to the point that he couldn’t breathe. His heart was also unable to beat, the pressure causing his eyes, mouth, and nose to bleed.

    “Initially it was ‘can I get out?’ and then it was ‘man I am dying, this is it,’” recalled Wiebe. “[My] wife and two kids are not here, and this is it.”

    Hope comes in the form of a car salesman

    After being stuck for two minutes under the car, help arrived from the nearby Auto Request Kedron, a used car dealership.

    “I was in the office at the time, so I heard the bang [and] came running to the doors,” Mick, one of the employees, said to A Current Affair.

    “I realized there was someone trapped under the car,” fellow employee Rob added.

    They rushed into action, recruiting other coworkers to help.

    “[I] saw Rob running and he was just whistling out saying, ‘Hey, boys, hurry up,’ ” Corbin recalled. “I remember seeing him, just like two legs. They weren’t moving at that time.”

    The salesmen tried to lift the vehicle up to get Wiebe to safety, but the car wouldn’t budge.

    “We tried to lift it off. We couldn’t, and then on the second attempt, we had a couple of other good Samaritans come and help us,” said Brian, another employee of Auto Request Kedron.

    Reportedly 15 people were finally able to lift the car and free Wiebe underneath. He was rushed to the hospital where he went under emergency operations. Under hospital care, Wiebe’s condition stabilized and he survived. Had he been under that car any longer, the worst would have happened.

    Wiebe was humbled and grateful to the salesmen and others who stepped up to save him.

    “I get more time with my daughters, I get more time with my family and a second lease on life, so just thank you, thank you,” Wiebe said in his hospital bed.

    Certified legends

    When he was discharged from the hospital, Wiebe set up a reunion with the employees of the used car dealership. He was able to introduce his family to his rescuers and thank them face-to-face. Wiebe presented them with matching t-shirts, each one with a logo reading “Certified Legend” on the front and an illustration of a person lifting a car over their head on the back.

    “You guys are legends, but now you’re certified legends,” Wiebe said to his heroes.

    A father and husband was saved thanks to the alertness and quick action of the nearby community.

  • Texas engineers develop a jacket that pulls fresh drinking water out of thin air
    Photo credit: @fascinatingonX/CanvaWearing this jacket could help keep people hydrated.

    For too many, access to clean drinking water is incredibly difficult. According to the World Health Organization, over two billion people live in water-stressed areas due to pollution, climate change, or population growth. However, engineering experts in Texas have developed a possible solution: just put on a jacket.

    The engineers and researchers gathered at the University of Texas at Austin developed a prototype jacket that can pull drinking water out of thin air. The jacket could help anyone frequently in areas where drinkable water is scarce. This could be used recreationally by campers, hikers, and runners—but it could also save lives. Emergency responders, soldiers, and agricultural workers could also collect water for themselves and others simply by wearing it.

    The technology behind the jacket is similar to the materials used in netting for water harvesting of air and fog. This time, however, the idea is to collect water while also being mobile.

    “Water harvesting from air is usually imagined as a stationary device such as a box, a panel or a large sorbent bed,” said Guihua Yu, chair professor of the Cockrell School of Engineering’s Walker Department of Mechanical Engineering and Texas Materials Institute. “Here, we wanted to rethink the form of the technology. If the fabric itself can collect water from air, it opens a new direction for personal and portable water access.”

    How does this jacket collect water?

    The textile used to create the jacket was derived from a device the same team created. That device was a specially engineered hydrogel fabric made from biomass-derived materials. This hydrogel fabric takes moisture from the air and then releases it as water via condensation when it’s heated by sunlight. The water can easily be collected.

    The jacket’s textile collects moisture from the air and funnels it into detachable harvesting units. The units can be placed into a foldable collector piece where they are heated to produce water. The material and system doesn’t just absorb water like other materials. Instead, it actively converts vapor into water while functioning as a piece of protective clothing.

    The jacket is able to produce between 400 to 900 milliliters of drinkable water daily. This is a vast improvement upon other similar inventions that yielded less water and were significantly bulkier to wear. The jacket’s material could collect and produce more water over time and testing, depending on the humidity of the terrain.

    Aside from creating clothing out of the material, the researchers hope to make backpacks, tents, emergency shelters, and other outdoor gear from it. The hope is that this could create more clean water access for disaster response units and everyday people living in water-stressed areas alike.

    How much hydration do you need in the heat?

    Until water-collecting jackets are commercially available, it’s important to have drinkable water nearby at all times, especially during the summer. When out in the heat, the Center for Disease Control recommends having a drink of water before working outdoors. Then drink a cup of water every 15 to 20 minutes. This can help keep your body cool and hydrated to prevent heat stroke. That said, stay alert and stay indoors if there is a heat warning in your area.

  • Why Gen Z is falling in love with film photography
    Photo credit: Yasin Akgul/AFP via Getty ImagesChildren look at developed film in a darkroom during an analog photography workshop held in southeastern Turkey on June 14, 2026.
    ,

    Why Gen Z is falling in love with film photography

    Analog cameras offer a slower, social antidote to digital life.

    Film photography is experiencing a resurrection, summoned by unlikely conjurers: Gen Z.

    It wasn’t too long ago that analog photography – which uses photographic film and chemical processing – was declared all but dead, relegated to the province of niche hobbyists and professional artists.

    Digital cameras had taken over nearly all areas of photographic production. Film industry titans like Polaroid and Kodak had shrunk dramatically from their heyday, becoming shells of their former selves. Darkrooms, where students learned how to manually develop and print film, shuttered at high schools and college campuses across the country, replaced by digital labs. For most people, the spirit of analog photography was mainly channeled through Instagram filters.

    But within the past five years, younger people have been increasingly drawn to the old way of doing photography.

    In 2025, 35% of the 42 million active film camera users worldwide were reported to be between the ages of 18 and 30. The year prior, online searches for analog photography saw a 41% rise.

    Disposable camera sales have been steadily increasing since 2023. The photography journal PetaPixel went a step further and announced 2024 as “film’s best year in decades,” as major brands have introduced new cameras in response to renewed demand and revived classic modelsMore than 30% of respondents to a 2024 Ilford Photo survey on film photography were in the 25-34 age group.

    As I’ve witnessed more and more of my undergraduate art and design students embrace analog photography, I’m not seeing this as a trend rooted in a nostalgic yearning for the past. Instead, I’m seeing it as young people rejecting algorithms, breaking free from the alienation of social media and reacting to childhoods spent on Zoom and TikTok – a deliberate move to redefine the future of art, social connection and engagement with the world.

    Pining for a ‘third place’

    In my work as a historian of photography and lecturer at the University of Southern California, I’ll often ask my students about how they take photos – whether they’re using digital cameras their smartphones or analog devices.

    This year, for the first time, some of my students discussed images they’d printed and the physical photography albums they’d put together of their friends and family. They talked about how they’d also been sending postcards, writing letters and tacking photographs to their bedroom walls.

    Young Black man wearing a black hat and black sweatshirt holds a small camera up to his eyes to snap a photograph.
    New York Knicks forward OG Anunoby snaps a photo with a disposable film camera during the team’s victory rally on June 18, 2026, after winning the NBA Finals. Craig T. Fruchtman/Getty Images

    I couldn’t help but think about how so much of the language tied to early social media seemed to refashion physical gestures for a virtual world – “posting” on a “wall,” “poking,” “tagging” and “bookmarking,” not to mention “friending.”

    This was a rhetorical move by social media companies, likely designed to help people feel as though they were in a familiar terrain of social connection. Yet the underlying business model of these platforms depended more on maximizing engagement and advertising revenue than on nurturing authentic relationships.

    Everyone knows what happened next: The more connected young people became online, the more isolated and detached they started to feel. The COVID-19 lockdown pushed social life online even further, and researchers are only now starting to see how the combination of increased screen time and isolation negatively affected adolescents’ mental health. By 2023, 51% of American teenagers reported they spend at least four hours a day on social media.

    I see the attraction of analog photography as a response to life lived through screens, a pathway toward community engagement and the desire for what sociologists call “a third place.”

    Coined by sociologist Ray Oldenburg in his 1989 book “The Great Good Place,” third places are meant as a space separate from home and work. They offer a reprieve for the in-between, generating the conditions needed for creative cross-pollination. They might include a local cafe, a neighborhood writing group, a weekly Magic: The Gathering game or a college fraternity – any space that allows for social interaction and personal growth.

    These spaces also combat loneliness. They get people out of their heads and into a community. Oldenburg also referred to them as “havens of sociability,” places or gatherings where people can arrive alone to join others, and the atmosphere is “democratic and festive.”

    Analog communities IRL

    In April 2026, the inaugural AnalogCon took place in Los Angeles. Organized by the Los Angeles Center of Photography, where I serve as executive director and chief curator, it was a festival for all things analog photography. It didn’t just serve as a third place for photography enthusiasts; it also showed how analog photography – as a practice, ritual and community – is flourishing.

    Vendors, industry leaders, artists and teachers participated in the two-day event, which included exhibitions, panels, demonstrations and guided photography tours around Little Tokyo. The excitement and thirst for similar events was palpable.

    Photography now joins a broader trend of a generational preoccupation with physical cultural objects and media. Although music streaming represents 82% of revenues generated in the music industry, vinyl records sales have been rising for over a decade, crossing the US$1 billion threshold in the U.S. in 2025.

    A table featuring an array of camera equipment spanning different eras, with hands holding some of the objects.
    Customers peruse vintage film cameras at a stall on Brick Lane in London’s East End on June 14, 2026. Richard Baker/In Pictures via Getty Images

    Nearly 60% of Gen Z are now purchasing records. VHS tapes and VCR players are also making a strange comeback, with stores like Be Kind Video and Videotheque in California offering VHS, DVDs and Blu-ray rentals.

    But beyond that, record stores and video rental shops have become third places in their own right. There’s a big difference between selecting a film to stream from your bed and getting out of the house, going to a store and talking about movies with a clerk and fellow film enthusiasts.

    Think about the sound a tape cassette makes when you open and close it, or the vibrant graphics on the covers of DVDs or VHS tapes. Think about rewinding or making a mixtape for your recent crush. These are objects of belonging that signal specific cultural moments, rituals and aesthetics, and many young people today are starting to experience them for the first time.

    Now, think about gently inserting a roll of film into a camera. Think about choosing an angle carefully when snapping a photo, because the number of frames is limited and you want to make them count. Think about the thrill of discovery when the pictures finally emerge as objects on paper.

    To me, these are more than fleeting trends. They signal a push against a digital culture that is designed to cultivate envy and reward outrage, insults and humiliation.

    Instead, armed with rolls of film, more and more Gen Zers appear to be opting out of their algorithmic feeds in favor of experiencing life in ways that feel more deliberate, personal and tangible.

    This article originally appeared on The Conversation. You can read it here.

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