Researchers in Brazil have uncovered a remarkable discovery that spans across millennia—dinosaur footprints found alongside ancient rock art dating back over 9,000 years. This significant find occurred in Serrote do Letreiro, located in the Sousa Basin, and the research has been published in the journal
Scientific Reports.

The study, led by Leonardo P. Troiano, Heloísa B. dos Santos, Tito Aureliano, and Aline M. Ghilardi, suggests that prehistoric hunter-gatherers in Brazil created mysterious rock art designs—known as petroglyphs—next to dinosaur footprints. These findings offer valuable insights into the intersection of paleontology and archaeology, particularly at the Serrote site.

Rock deterioration has damaged some of the inscriptions, but they remain visible. Renan Rodrigues Chandu and Pedro Arcanjo Josu00e9 Feitosa, and the Casa Grande boys

The paper notes that while researchers first identified the petroglyphs in 1975, they only recently discovered these carvings close to massive dinosaur footprints. This discovery was facilitated by the innovative use of drones. The tracks, they said, belong to dinosaurs from the Cretaceous Period, which ended around 66 million years ago.

Carvings may reflect human fascination with the footprints

Researchers believe ancient humans deliberately placed these carvings next to the dinosaur prints, noting that some petroglyphs are only 2 to 4 inches away and may depict the footprints themselves.

“It would have been impossible to overlook their presence.”

— Leonardo Troiano

This suggests that people of that era were deeply curious about the footprints and interacted with them. “The individuals who crafted the petroglyphs were acutely aware of the footprints, likely selecting the location precisely because of them,” Leonardo Troiano, the study’s lead author and an archaeologist from Brazil’s National Institute of Historic and Artistic Heritage, told
Live Science “It would have been impossible to overlook their presence.”

Troiano said these ancient humans were highly interested in the footprints and considered them meaningful in some way. This also goes parallel to the location of Serrote. Serrote do Letreiro, which translates to “Signpost Hill” in Portuguese, is close to the Valley of the Dinosaurs, a conservation area renowned for its hundreds of fossilized dinosaur footprints.

Students contribute to groundbreaking research

Troiano and his fellow researchers conducted the research with a group of middle-school students who surveyed the site in 2023. In addition to learning about the convergence of paleontology and archaeology, the students helped photograph the specimens. The team noted that the tracks belong to various types of dinosaurs, such as meat-eating theropods, long-necked sauropods, and two-legged ornithopods, including iguanodontian dinosaurs.

The petroglyphs uncovered were mainly carvings of circles filled with lines and other geometric strokes. These artworks are attributed to humans who lived in the region anywhere between 9,400 and 2,620 years ago. “They were small seminomadic groups of hunters and gatherers who lived in society and used objects made from stones,” Troiano said. These ancient humans made these rock carvings with two techniques; perforation and scraping, the team said.

What the carvings reveal about ancient life

“Perforation involves using a kind of stone hammer to create depressions on the surface, resembling stippling, while scraping entails rubbing a stone against the surface until it forms the desired engraving,” Troiano explained. The petroglyphs offer crucial evidence about the historical population and shed light on the rituals and practices of that time. “I think rock art creation was embedded in some sort of ritual context: people gathering and creating something, perhaps utilizing some psychotropics,” said Troiano, adding that these people were interested in “what the footprints represent.”

Theu00a0Serrote do Letreiro site continues to provide rich insights into ancient life. Scientific Reports

Affirming Troiano’s hypothesis, Jan Simek, a distinguished professor of anthropology at the University of Tennessee, told
CNN, “The paper provides an interesting new example of how ancient people observed and incorporated fossils on the landscape into their religious experiences and interpretations.”

He said this case is another archaeological example of the “human tendency to tie the spiritual world created in the imagination to unexplained things in the world around us.”

Dinosaur tracks found on both sides of the Atlantic reveal ancient migration paths

Just as the petroglyphs of Serrote do Letreiro show a deep human curiosity about the footprints left behind by prehistoric giants, new research is revealing how those same tracks help us understand the world those dinosaurs once walked — a world that spanned entire continents.

A team of international researchers has identified over 260 matching sets of dinosaur footprints in both Brazil and Cameroon. Led by Southern Methodist University paleontologist Louis L. Jacobs, the discovery shows that dinosaurs once roamed freely across South America and Africa, back when the two continents were part of the same supercontinent: Gondwana.

“In terms of their shapes, they are almost identical.”

— Louis L. Jacobs

Before the continents drifted apart, these river valleys provided critical migration paths. “Plants fed the herbivores and supported a food chain. Muddy sediments left by the rivers and lakes contain dinosaur footprints,” Jacobs explained. “These river valleys could provide specific avenues for life to travel across the continents 120 million years ago.”

“These river valleys could provide specific avenues for life.”

— Louis L. Jacobs

SMU research associate Diana P. Vineyard, a co-author of the study, added that most of the footprints were created by three-toed theropods, while others likely came from sauropods or ornithischians. The footprints offer a striking parallel to the ones that captured the imagination of ancient people at Serrote — a reminder that long before satellites or maps, footprints told the story of life on Earth.

  • Woman documents her nephew’s late night culinary quests as the viral ‘Midnight Chef’
    Photo credit: @midnightchef_amir on InstagramAmir Jackson's late night cooking is going viral.
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    Woman documents her nephew’s late night culinary quests as the viral ‘Midnight Chef’

    A 15-year-old cooking late night snacks is inspiring the Internet.

    One night in Apple Valley, California, Morgan Graham rose in the middle of the night. A smell had woken her up. It was pleasant, but at 11:28 p.m. she wasn’t expecting to smell delicious cooking. She went down into the kitchen to see her 15-year-old nephew, Amir Jackson, baking cookies.

    This was the first of several viral videos of Graham’s nephew cooking up a storm late at night. Jackson, who has been staying with his aunt during the summer, is taking advantage of her kitchen to whip up some sumptuous snacks.

    Birth of a Midnight Chef

    Nearly every night, Graham wakes up around midnight to the smell of cookies, cornbread, tacos, or whatever her nephew wants to prepare.

    “I don’t care,” said Graham in the initial video. “He’s very responsible. He’s not gonna burn the house down, so therefore, cook whatever you want.”

    Graham further explained in the video that Jackson looks at recipes daily. He also rummages through her pantry during the day to search for ingredients for his nightly cooking fest. 

    “In his world, he’s having the time of his life. In my world, I just want to stop waking up close to midnight to the smell of food,” Graham joked.

    Graham’s videos featuring her nephew have racked up millions of views on TikTok and Instagram. The commenters soon bestowed the nickname “Midnight Chef” upon Jackson, to general delight. In another video, Jackson explained he liked the peace and quiet of the night while preparing his dishes.

    “I was like, ‘Man, I could go for some cookies right now.’ I saw they had cookie dough, so I started just making them, just randomly,” Jackson told TODAY. “I was trying to make sure nobody was up. My thought process was just like, ‘Man, why not?’”

    Graham is encouraging her nephew to keep cooking even though it wakes her. In fact, Graham set up Jackson’s own Midnight Chef Instagram page for him to post his latest recipes.

    “I just want to experiment while I still got the chance to experiment. I’ll maybe like branch into different fields,” said Jackson. “Explore what I can do while I still got time to.”

    Why do we indulge in late night snacking?

    Jackson’s popularity has brought up a commonly asked question: Why do we crave food randomly in the middle of the night?

    Well, there’s actually a bit of science behind it. Turns out that late night snacking is a result of our circadian rhythm system. As part of our now-defunct survival mechanism, our ancestors would eat large meals at night to store energy in times of famine. This is also why most midnight snackers crave foods higher in fat, salt, and sugar compared to what they’d usually eat during the day. While there’s nothing inherently wrong with late night snacking, it could curb certain health goals if a person is trying to trim down.

    If you find yourself getting up in the middle of the night with a hankering for a snack, it may be worth taking a peek at Jackson’s videos. Who knows what kind of late night cooking it can inspire? Perhaps you’ll become a Midnight Chef yourself.

  • European Union enforces ban on destroying unsold fast-fashion clothing by major companies
    Photo credit: CanvaThe European Union hopes to reduce fast-fashion waste.

    A new rule adopted by the European Union is intended to reduce landfill waste while holding major clothing manufacturers accountable.

    Starting July 19, the EU prohibits large companies from destroying unsold clothing, accessories, and shoes under the Ecodesign for Sustainable Products Regulation (ESPR). The regulations will expand to cover medium-sized companies in 2030.

    Fast fashion has become a major environmental concern. As retailers rapidly cycle through trends, unsold clothing often ends up in landfills or is destroyed to make room for new inventory. Many garments are made from synthetic fibers that can release greenhouse gases as they break down and shed microplastics that may contaminate soil and waterways.

    What’s the ban’s purpose?

    The ban is intended to reduce the amount of unsold clothing that large manufacturers dispose of. According to the European Environment Agency, between 264,000 and 594,000 tonnes of unused textiles are destroyed across Europe each year.

    Instead of destroying unsold clothing, companies will need to find other ways to keep those products in use. That could mean selling excess inventory at a discount, donating it to charities or social enterprises, or preparing it for reuse through repair, refurbishment, or remanufacturing. When those options aren’t feasible, the materials can be recycled.

    While the regulation is primarily focused on reducing the fashion industry’s environmental impact, the EU also hopes it will strengthen the economy by encouraging more sustainable business practices. The ban incentivizes companies to design products that are more resource-efficient, durable, reusable, and easier to repair or recycle. In turn, consumers should benefit from higher-quality products that last longer and generate less waste.

    Companies may destroy unsold clothing and footwear only in limited circumstances, such as when the items are damaged, unsafe, counterfeit, infringe intellectual property rights, or have been rejected by charitable organizations. Businesses relying on these exemptions must provide supporting documentation, such as test results or other records, to justify the destruction. Even then, they must follow the EU’s waste hierarchy, which prioritizes reuse and recycling over disposal. Companies are also required to publish annual reports detailing the unsold products they have discarded.

    National authorities will enforce the ban and may impose fines on companies that violate its requirements, including failing to maintain records for at least five years to support inspections. To help reduce the administrative burden, businesses may use existing customs and logistics codes when reporting the products they discard.

    Why recycling isn’t enough

    Recycling clothing can be a complicated and labor-intensive process. It often involves separating fabrics, dyes, synthetic fibers, and natural textile materials before they can be reused. That’s not to say it isn’t worthwhile. Instead of ending up in a landfill, recycled textiles can be turned into new clothing, home insulation, carpet padding, and other products.

    Still, recycling isn’t a cure-all. The EU hopes the new ban will encourage companies to keep usable clothing in circulation for as long as possible through resale, donation, reuse, or refurbishment before recycling becomes necessary. In doing so, the regulation aims to create a more circular economy rather than allowing piles of unused clothing to continue growing.

    This movement hopes to encourage clothing manufacturers to produce higher-quality products and reshape the industry as a whole. Making clothing from higher-grade materials with durable stitching that’s easier to repair can help reduce waste. While critics argue that doing so could reduce the number of garments sold each year, many say better-made clothing is worth the higher price—especially if consumers end up buying fewer replacement items over time.

    What can you do with old clothing?

    There are plenty of things you can do with old clothing around your home. If an item is too damaged to donate, its fabric can be repurposed for crafts or used as cleaning rags. And if you’re handy with a needle, there are countless ways to upcycle old clothes into new outfits, accessories, or other useful items with a little inspiration from the Internet.

    Giant corporations and everyday people alike can do their best to make the most of the materials they have, helping save money and reduce waste.

  • European Broadcasting Union offers guide to reduce sexualizing camera angles of Olympic women athletes
    Photo credit: CanvaA new guide has been introduced on how to respectfully broadcast woman athletes.

    Being an athlete is tough, especially if you’re an Olympian. They sacrifice their time and bodies in order to achieve peak physical condition. There is also the mental pressure to compete against the best. The last thing they should worry about is being objectified and sexualized online. 

    With this in mind, the European Broadcasting Union wants to help. They offered a booklet to broadcasters titled Raising the Bar: Guidelines for respectful media coverage in women’s athletics. The 23-page guide shows how camera placement choices and editing could potentially compromise an athlete. It also offers broadcasters guidelines for how to set up camera shots and show slow-motion replays that won’t sexualize or present athletes in undignified poses. 

    athletes, infographic, olympians, guide
    Screenshot

    Focusing on the sport, reducing harassment

    These guidelines come as multiple stories about women athletes being harassed online have surfaced. Many misogynistic posts about athletes have come from slow motion footage focused on certain parts of the athlete’s body. 

    “The sexualization of women athletes through selective camera angles and editing choices continues to be a significant concern across many sports broadcasts,” wrote Glen Killane, executive director of EBU Sport in the booklet. “Lingering shots on bodies, low-angle cameras that capture revealing views, and excessive slow-motion replays that serve no technical or storytelling purpose are among the issues observed in the media coverage of women’s athletics competitions today.”

    These new broadcast guidelines and suggestions are backed by Serbian long jumper Ivana Španović, British Olympic pole vaulter Holly Bradshaw, and Croatian high jumper Blanka Vlašić. Vlašić has spoken out regarding the equal visibility of women’s sports. Bradshaw has spoken out against the discomfort and sexualization of Olympic women athletes due to their tight-fitting uniforms.

    “I first-hand have received social media abuse and witnessed inappropriate videos online of myself and colleagues when slow motion content of us competing is captured,” wrote Bradshaw in the guide. “Athletes want to enjoy themselves doing the sport they love without feeling uncomfortable or anxious about the footage being shown live. Many athletes, myself included, have been in competitive scenarios where they are more focused on the cameras instead of their own performance.”

    What the guide provides

    The guide provides visual aids for broadcasters along with insights from the athletes to explain why certain shots would be preferred. Broadcasters are requested to avoid tight shots from the back of athletes. They’re also asked to avoid low camera angles from underneath. They recommend shots above the pelvis or ones that don’t linger onto commonly sexualized areas of the body. They recommend wider shots so the audience can see the technical ability being displayed by the athlete. Overall, the point is to focus on the athletic performance rather than close-ups of the athlete.

    Currently, there is no enforcement of these guidelines or penalties if a sports broadcast doesn’t adhere to them. However, there is value in knowing which broadcasts will focus on the athletic contests rather than an athlete’s appearance. This will help the competitors focus on how they do rather than how they look when the cameras are on.

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