“We’ve had in the excess of 100 interviews, and we still haven’t found that one that doesn’t want it,” said Volvo technical manager Lena Ekelund in 2004. That March, the Swedish car manufacturer debuted the Volvo YCC, “Your Concept Car,” at the Geneva International Motor Show—then one of the most esteemed auto shows in the world. Even though cars had existed for nearly a century, the YCC was, as Volvo shared, “the first car designed and developed almost exclusively by women.”
Two years earlier in 2002, a group of female Volvo designers, engineers, and marketing professionals went to a seminar at the company to learn how they could improve their reach to female consumers. What they learned, Volvo shared, was that “women purchase about 65 percent of cars and influence about 80 percent of all car sales; yet, for a century, men have made most of the decisions in the design, development and production of a car.” Something needed to change. After all, if women were making the decisions, if they were buying their own cars, shouldn’t cars also reflect their needs? They petitioned Volvo to let them create a concept car, a prototype, informed by women’s driving decisions and desires. Not only did they make it, as Volvo shared, they did so “faster and at less cost than most concept cars.”
The project leaders for Volvo's "Your Concept Car." via Volvo
Though 120 people worked on the project, the Volvo YCC project leadership team was made of of nine women–Lena Ekelund, Anna Rosén, Maria Widell Christiansen, Camilla Palmertz, Tatiana Butovitsch Temm, Eva-Lisa Andersson, Elna Holmberg, Maria Uggla, and Cynthia Charwick.
The developments the Volvo YCC team made included movable back seats for more storage, gull-wing doors "that make it easier to load and unload larger items and children,” a seat that tailors itself to your body’s needs, specialized compartments, and a split headrest for a ponytail. Wiper fluid and gas would be reachable directly from the outside of the car without having to open the hood or the gas cap. The car would steer parallel parking itself, and would have “heel-adjust capability” so women wearing heels could angle their feet appropriately to accelerate, among many other features.
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A more challenging innovation was the idea that the hood wouldn’t open and that the car would “[notify] the owner's chosen service center when maintenance is due” and ask the service center to get in touch with the driver, which could have become very dangerous and, well, kind of infantilizing, depending on who you are.
The exterior of Volvo's "Your Concept Car" via Volvo
Some of the coverage of the Volvo YCC, often written by men, at the time also approached the car with some degree of condescension. One article shared that it was “all very touchy feely” and “almost more of a break with tradition than the Women's Institute members stripping off for a calendar,” referencing the English ladies “of a certain age” who produced a tastefully nude calendar to raise money for blood cancer research a few years earlier.
Another interviewer asked if men would feel comfortable in the car. And though it was designed by women, Ekelund shared that the car was, of course, meant for all. “Everyone wants more storage in the vehicles, and they want it safe and smart, and they also want to have a car that is easy to get in and out of,” she told NPR in 2004.
While the car was never produced, it still became an innovative and important foray into design by women and for women. As Ekelund said at the time of the car’s debut, "The hallmark of a good idea is that people ask why this hasn't been done before." Maybe there’s another one to come in the future.
"Your Concept Car" with its gull-wing doors open. via Volvo
You may have missed the actual meaning behind these 5 popular songs.
'Every breath you ...' what? 5 classic songs where people totally missed the meaning
I’ve never been a "lyrics guy"—as long as the words sound pleasing to the ear, are relatively interesting, and aren’t evil or distractingly dumb, I don’t care all that much what the singer is going on about. I’m focused on the dynamics, the color of the arrangements, the rhythms, and harmonies. It’s only natural that I’d misinterpret some songs over the years, including ones that I’ve heard a thousand times while walking around malls and supermarkets.
I know I’m not alone. And I’d argue there are plenty of factors behind this phenomenon: Some people take lyrics too literally, while others only focus on hooky choruses and fail to notice nuance in the verses. Context can also blind us—if the music is danceable and upbeat, you might fail to catch darker elements in the words. Still, it can be hilarious and/or shocking when hugely popular tunes are misinterpreted on a mass scale.
Speaking of which: Let’s consult a viral Reddit thread titled "Any songs that are (or were) misunderstood by the public?" There's a mountain of suggestions—everything from '90s Latin-pop hits to '80s heartland-rock epics. But five of them felt especially perfect, so let’s dig a little deeper below.
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The Police - "Every Breath You Take" (1983)
As someone argues in the comments, "Pointing out the real meaning behind 'Every Breath You Take' has to have become so commonplace that it can't really be misunderstood anymore." Point taken. But still…this eerie Police track continues to be used in pop culture and everyday life as a signifier of romance—appearing as the soundtrack to TV slow dances and being arranged for weddings by string quartets. It’s easy to assume, at first glance anyway, that the song's protagonist is pledging their devotion—sticking around for "every breath" their partner takes. Instead, the atmosphere is more disturbing, given the whole "I’ll be watching you" thing. "I didn't realize at the time [I wrote it] how sinister it is," Sting told The Independent in 1993. "I think I was thinking of Big Brother, surveillance, and control."
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Bruce Springsteen - "Born in the U.S.A." (1984)
"Born in the U.S.A." is one of Bruce Springsteen's signature songs—but also likely his most misinterpreted. As an official explainer video notes, the words "center around America's industrial decline and loss of innocence during the Vietnam War"—a message that became somewhat diluted as politicians began using the stadium-sized track for their campaigns. "Conservative commenters praised the song, and it earned the approval of both candidates in the 1984 presidential election," the clip's narrator adds. "Despite being adopted as a patriotic anthem, 'Born in the U.S.A.' is far from nationalistic." In a deep-dive piece, NPR quotes Springsteen talking about the song on stage: "'After it came out, I read all over the place that nobody knew what it was about,' he said before performing 'Born in the U.S.A' to a crowd in 1995. 'I'm sure that everybody here tonight understood it."
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Los Del Rio - "Macarena" (Bayside Boys remix) (1995)
Most Americans probably know the bubbly Bayside Boys remix of Los Del Rio's Spanish-language hit—it became the marquee moment of many a mid-'90s wedding reception and middle-school dance, thanks to its once-ubiquitous choreography. Maybe it's because people were too distracted by remembering the dance moves, but lots of us didn’t notice the lyrics. Of course, the chorus is in Spanish, which could have been a barrier for some, but the remix features English lines like the following: "Now don't you worry about my boyfriend / The boy whose name is Vitorino / Ha! I don't want him, can't stand him / He was no good so I, ha ha ha / Now come on, what was I supposed to do? / He was out of town, and his two friends were so fine."
"My little teenage mind was blown when I learned 'Macarena' was about cheating on a boyfriend with his friends," one Redditor wrote. "[Thank you] for the correction, it was 2 friends! Was sleep deprived writing this. I just did the moves, never questioned the lyrics." Yeah, gotta admit—this legitimately never crossed my mind either. Same with some of the people who took part in a reaction video for Distracify: "It’s definitely about dancing," one person said, before learning the truth. Another added, "I have no idea what it’s about still to this day. Please tell me it’s not something really dark."
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Baha Men - "Who Let the Dogs Out" (2000)
The party was nice. The party was pumpin'.' Until, that is, some "flea-infested mongrels" got involved. Back in 2000, you couldn't escape Baha Men's booming cover of "Who Let the Dogs Out"—it became a staple of sporting events everywhere, a kind of bookend for the Jock Jams era. "I know I definitely misunderstood 'Who Let the Dogs Out' to be about actual dogs," one Redditor wrote, likely speaking for most of the listening public. There's probably a good chance most of those people chanting the chorus weren't thinking about the song's real meaning, crafted by Trinidadian artist Anslem Douglas for his 1998 original. But if you pay attention to the lyrics, "Who Let the Dogs Out" has a feminist theme, telling the story of women who stand up against crass catcalling. "This is going to be a revenge song where a woman tells men, 'Get away from me—you're a dog,'" Douglas told Vice in a 2021 video history of the track. "[Offensive] slang was everywhere. It was just degrading women and calling them all sorts of derogatory names. I tried to do a social commentary as a party song, but the party song overshadowed the social commentary aspect of it."
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Hozier - "Take Me to Church" (2013)
One section of the Reddit thread is devoted to songs interpreted as pro-religion, when the truth is... well, more complicated. "'Take Me to Church' by Hozier is often used by Churches for things, and I’m like 'Oh, that’s not…,'" wrote one user. The bluesy, slow-burning ballad may use religious imagery. Still, it's about something more human—"[It's] this idea that powerful organizations use people’s sexuality in order to mobilize people against women, against gay people," the Irish songwriter told Genius in 2023. "And the justification behind that is often religious in nature." Hozier even isolated one particular lyric that highlights this misconception: "'She tells me, ‘Worship in the bedroom' [is] something tongue-and-cheek, a bit of humor to it, also revealing that this is not necessarily a traditional worship song," he said. "I think I still see my name put into playlists for Christian music, and I’m not averse to that—I don’t think the two are necessarily mutually exclusive. But that line I would’ve thought would’ve disqualified it from something like that."