Rush made a lot of music that the average listener would consider "weird" in some form or fashion: lengthy prog epics rooted in fantasy ("The Necromancer"), mutant funk-metal with haunted-house spoken-word sections ("Double Agent"), intense blues-rock about hair-loss anxiety ("I Think I’m Going Bald"). But the strangest moment in their catalog is a left-field rap verse from 1991.
By that point in their storied career, the Canadian trio were always searching for new forms of inspiration. They’d expanded into synthesizers and experimented with styles like reggae and New Wave, but flirting with hip-hop probably took most fans by surprise. The song in question is "Roll the Bones," the title track and second single from their 14th LP—and the famous verse arrives out of nowhere, amid the band’s heavy riffs and synth stabs, with singer-bassist Geddy Lee pitch-shifted way, way down. Decades later, it’s still a trip to hear him grumble out lyrics like, "Just the facts / Gonna kick some gluteus max" and "You better run, homeboy."
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In a Roll the Bones radio special, drummer-lyricist Neil Peart said this section began as a "lyrical experiment." "I was hearing some of the better rap writers, among whom I would include LL Cool J or Public Enemy," he said. "Musicality apart, just as writers, it was really interesting, and it struck me: 'It must be really fun to do that! All those internals rhymes and all that wordplay.' That's meat and potatoes for a lyricist—stuff you love to do and can seldom get away with being so cute in a rock song.' So I thought, 'Well, I’ll give it a try.'"
Peart initially submitted his lyrics to Lee and guitarist Alex Lifeson without the rap section, only pitching his other idea later on. Once approved, they thought about recruiting an outsider for a cameo, from "real" rappers to singer-songwriter Robbie Robertson (The Band) to comedy legend John Cleese (Monty Python). But none of those options felt quite right. (The latter, they decided, might be distractingly funny—"[F]rom the musicality and longevity factors, that would have gotten tired quickly, you know? That’s the trouble with jokes.") Eventually they settled on the "low frequency" strangeness of their bassist’s effects-treated voice.
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Lee, speaking to Canadian Musician Magazine in 1991 (as transcribed by the fan site Cygnus-X1), admitted they had a hard time figuring out the right tone. "The lyrics were written very much in concert with contemporary rap music: the way the words react against each other and the structures form more in sympathy with what's going on in a contemporary rap way," he said. "To a degree we are having fun with that. We couldn't make up our minds really if we wanted to be influenced by rap or satirize it, so I think that song kind of falls between the cracks and in the end I think it came out to be neither. It came out to be something that is very much us."
While "Roll the Bones" is rarely ranked alongside Rush staples like "Tom Sawyer" and "2112," its lighthearted energy made it a staple of many future tours. According to Setlist.fm, the band played it live 384 times—and that included a prominent feature on their final tour in 2015, complete with a celebrity video featuring Paul Rudd, Jason Segel, and Peter Dinklage, among others.
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Problematic homework question
A student’s brilliant homework answer outsmarted her teacher's ridiculously sexist question
From an early age, children absorb societal norms—including gender stereotypes. But one sharp 8-year-old from Birmingham, England, challenged a sexist homework question designed to reinforce outdated ideas.
An English teacher created a word puzzle with clues containing “UR.” One prompt read “Hospital Lady,” expecting students to answer “nurse.”
While most did, Yasmine wrote “surgeon”—a perfectly valid answer. Her father, Robert Sutcliffe, shared the incident on X (formerly Twitter), revealing the teacher had scribbled “or nurse” beside Yasmine’s response, revealing the biased expectation.
For Yasmine, the answer was obvious: both her parents are surgeons. Her perspective proves how representation shapes ambition. If children only see women as nurses, they internalize limits. But when they witness diversity—like female surgeons—they envision broader possibilities.
As Rebecca Brand noted in The Guardian: “Their developing minds are that little bit more unquestioning about what they see and hear on their screens. What message are we giving those impressionable minds about women? And how might we be cutting the ambitions of little girls short before they've even had the chance to develop properly?”
X users praised Yasmine while critiquing the question. Such subtle conditioning reinforces stereotypes early. Research confirms this: a study found children as young as four associate jobs with gender, with girls choosing “feminine” roles (e.g., nursing) and boys opting for “masculine” ones (e.g., engineering).
Even preschoolers avoided careers misaligned with their gender, proving sexist conditioning begins startlingly young.
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The problem spans globally. Data from 50 countries reveals that by age 15, girls disproportionately abandon math and science, while boys avoid caregiving fields like teaching and nursing. This segregation perpetuates stereotypes—women are underrepresented in STEM, and men in caregiving roles—creating a cycle that limits both genders.
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This article originally appeared last year.